| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2173 |
| Prevalence of Second Most Common Vertical Interval |
0.1737 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7994 |
| Vertical Unisons |
0.02743 |
| Vertical Minor Seconds |
0.006688 |
| Vertical Thirds |
0.3383 |
| Vertical Tritones |
0.01155 |
| Vertical Perfect Fourths |
0.08118 |
| Vertical Perfect Fifths |
0.1669 |
| Vertical Sixths |
0.1255 |
| Vertical Sevenths |
0.03088 |
| Vertical Octaves |
0.1899 |
| Perfect Vertical Intervals |
0.4654 |
| Vertical Dissonance Ratio |
0.07623 |
| Vertical Minor Third Prevalence |
0.4468 |
| Vertical Major Third Prevalence |
0.397 |
| Chord Duration |
2.361 |
| Partial Chords |
0.4736 |
| Standard Triads |
0.3668 |
| Diminished and Augmented Triads |
0.02059 |
| Dominant Seventh Chords |
0.001287 |
| Seventh Chords |
0.02059 |
| Non-Standard Chords |
0.139 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.395 |
| Average Number of Simultaneous Pitch Classes |
2.41 |
| Variability of Number of Simultaneous Pitch Classes |
0.7192 |
| Average Number of Simultaneous Pitches |
3.047 |
| Variability of Number of Simultaneous Pitches |
0.9422 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.182 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
122.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2271 |
| Stepwise Motion |
0.6944 |
| Melodic Thirds |
0.1724 |
| Melodic Perfect Fourths |
0.04756 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02616 |
| Melodic Sixths |
0.004756 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005945 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.295 |
| Melodic Embellishments |
0.01302 |
| Direction of Melodic Motion |
0.4512 |
| Average Length of Melodic Arcs |
2.051 |
| Average Interval Spanned by Melodic Arcs |
4.833 |
| Melodic Pitch Variety |
5.356 |
| Mean Melodic Interval |
2.263 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4673 |
| Relative Prevalence of Most Common Melodic Intervals |
0.486 |
| Amount of Arpeggiation |
0.2533 |
| Repeated Notes |
0.04875 |
| Importance of Middle Register |
0.7846 |
| Importance of High Register |
0.008284 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
59.07 |
| Mean Pitch Class |
5.528 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1006 |
| Prevalence of Most Common Pitch Class |
0.1822 |
| Relative Prevalence of Top Pitches |
0.9294 |
| Relative Prevalence of Top Pitch Classes |
0.8701 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.074 |
| Pitch Class Variability |
3.411 |
| Pitch Class Variability After Folding |
4.071 |
| Pitch Skewness |
-0.1611 |
| Pitch Class Skewness |
0.4642 |
| Pitch Class Skewness After Folding |
1.052 |
| Pitch Kurtosis |
5.49 |
| Pitch Class Kurtosis |
4.754 |
| Pitch Class Kurtosis After Folding |
4.734 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2071 |
| Note Density per Quarter Note |
0.9769 |
| Note Density per Quarter Note per Voice |
0.2442 |
| Note Density per Quarter Note Variability |
0.5645 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5574 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7183 |
| Prevalence of Very Long Rhythmic Values |
0.1396 |
| Prevalence of Dotted Notes |
0.1456 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.115 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.2817 |
| Relative Prevalence of Most Common Rhythmic Values |
0.979 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.447 |
| Rhythmic Value Skewness |
1.367 |
| Rhythmic Value Kurtosis |
9.439 |
| Mean Rhythmic Value Run Length |
1.542 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9504 |
| Mean Rhythmic Value Offset |
0.1136 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9669 |
| Complete Rests Fraction |
0.001032 |
| Partial Rests Fraction |
0.5025 |
| Average Rest Fraction Across Voices |
0.2108 |
| Longest Complete Rest |
0.8928 |
| Longest Partial Rest |
84.94 |
| Mean Complete Rest Duration |
0.8928 |
| Mean Partial Rest Duration |
16.96 |
| Median Complete Rest Duration |
0.8928 |
| Median Partial Rest Duration |
4.719 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
25.02 |
| Variability Across Voices of Combined Rests |
76.06 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5113 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2537 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.016 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.765 |
| Rhythmic Variability - Tempo Standardized |
0.0484 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
845.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.564 |
| Minimum Note Duration |
0.1974 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.7085 |
| Variability of Note Durations |
0.6503 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
276.9 |
| Strongest Rhythmic Pulse |
46.0 |
| Second Strongest Rhythmic Pulse |
69.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.242 |
| Strength of Second Strongest Rhythmic Pulse |
0.2413 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.003 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4832 |
| Rhythmic Variability |
0.03428 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
28.61 |
| Duration in Seconds |
189.6 |
| Note Density |
4.456 |
| Note Density Variability |
1.886 |
| Average Time Between Attacks |
0.4084 |
| Average Time Between Attacks for Each Voice |
0.8737 |
| Variability of Time Between Attacks |
0.2693 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4291 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.3172 |
| Relative Note Durations of Lowest Line |
1.111 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7822 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.464 |
| Parallel Motion |
0.04258 |
| Average Number of Independent Voices |
3.157 |
| Similar Motion |
0.1081 |
| Contrary Motion |
0.2009 |
| Oblique Motion |
0.6485 |
| Parallel Fifths |
0.001092 |
| Parallel Octaves |
0.001092 |
| Variability of Number of Independent Voices |
0.9345 |
| Voice Equality - Number of Notes |
52.54 |
| Voice Equality - Note Duration |
16.67 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
15.0 |