| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1894 |
| Prevalence of Second Most Common Vertical Interval |
0.1834 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9684 |
| Vertical Unisons |
0.02053 |
| Vertical Minor Seconds |
0.002659 |
| Vertical Thirds |
0.3159 |
| Vertical Tritones |
0.012 |
| Vertical Perfect Fourths |
0.09572 |
| Vertical Perfect Fifths |
0.172 |
| Vertical Sixths |
0.1606 |
| Vertical Sevenths |
0.03291 |
| Vertical Octaves |
0.1689 |
| Perfect Vertical Intervals |
0.4571 |
| Vertical Dissonance Ratio |
0.0711 |
| Vertical Minor Third Prevalence |
0.4665 |
| Vertical Major Third Prevalence |
0.3506 |
| Chord Duration |
2.136 |
| Partial Chords |
0.4796 |
| Standard Triads |
0.3639 |
| Diminished and Augmented Triads |
0.006803 |
| Dominant Seventh Chords |
0.0102 |
| Seventh Chords |
0.04082 |
| Non-Standard Chords |
0.1156 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.567 |
| Average Number of Simultaneous Pitch Classes |
2.433 |
| Variability of Number of Simultaneous Pitch Classes |
0.7701 |
| Average Number of Simultaneous Pitches |
2.951 |
| Variability of Number of Simultaneous Pitches |
0.916 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.279 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
18.28 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1864 |
| Stepwise Motion |
0.5567 |
| Melodic Thirds |
0.09068 |
| Melodic Perfect Fourths |
0.02015 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03526 |
| Melodic Sixths |
0.005038 |
| Melodic Sevenths |
0.002519 |
| Melodic Octaves |
0.005038 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.273 |
| Melodic Embellishments |
0.004988 |
| Direction of Melodic Motion |
0.4507 |
| Average Length of Melodic Arcs |
1.832 |
| Average Interval Spanned by Melodic Arcs |
4.277 |
| Melodic Pitch Variety |
3.846 |
| Mean Melodic Interval |
1.703 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3703 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7687 |
| Amount of Arpeggiation |
0.4181 |
| Repeated Notes |
0.2846 |
| Importance of Middle Register |
0.818 |
| Importance of High Register |
0.004988 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.09 |
| Mean Pitch Class |
5.813 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1446 |
| Prevalence of Most Common Pitch Class |
0.2045 |
| Relative Prevalence of Top Pitches |
0.8103 |
| Relative Prevalence of Top Pitch Classes |
0.9878 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.934 |
| Pitch Class Variability |
3.268 |
| Pitch Class Variability After Folding |
4.052 |
| Pitch Skewness |
-0.5254 |
| Pitch Class Skewness |
-1.09 |
| Pitch Class Skewness After Folding |
1.119 |
| Pitch Kurtosis |
5.231 |
| Pitch Class Kurtosis |
4.789 |
| Pitch Class Kurtosis After Folding |
4.729 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1771 |
| Note Density per Quarter Note |
1.219 |
| Note Density per Quarter Note per Voice |
0.3047 |
| Note Density per Quarter Note Variability |
0.6113 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.7182 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8254 |
| Prevalence of Very Long Rhythmic Values |
0.02494 |
| Prevalence of Dotted Notes |
0.03741 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.464 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5436 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4083 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.394 |
| Rhythmic Value Skewness |
0.9979 |
| Rhythmic Value Kurtosis |
14.81 |
| Mean Rhythmic Value Run Length |
2.401 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
1.994 |
| Mean Rhythmic Value Offset |
0.009975 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1998 |
| Complete Rests Fraction |
0.003014 |
| Partial Rests Fraction |
0.5866 |
| Average Rest Fraction Across Voices |
0.2462 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
54.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
8.525 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.8 |
| Variability Across Voices of Combined Rests |
16.41 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6684 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1668 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.006 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8352 |
| Rhythmic Variability - Tempo Standardized |
0.05565 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
401.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.011 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5154 |
| Variability of Note Durations |
0.3072 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2759 |
| Strength of Second Strongest Rhythmic Pulse |
0.2643 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.044 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5402 |
| Rhythmic Variability |
0.03709 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002224 |
| Duration in Seconds |
68.54 |
| Note Density |
5.851 |
| Note Density Variability |
1.884 |
| Average Time Between Attacks |
0.3626 |
| Average Time Between Attacks for Each Voice |
0.6687 |
| Variability of Time Between Attacks |
0.1452 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.672 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.6783 |
| Relative Note Durations of Lowest Line |
1.134 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7631 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.06069 |
| Average Number of Independent Voices |
3.024 |
| Similar Motion |
0.1329 |
| Contrary Motion |
0.237 |
| Oblique Motion |
0.5694 |
| Parallel Fifths |
0.00289 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9302 |
| Voice Equality - Number of Notes |
18.28 |
| Voice Equality - Note Duration |
3.419 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
10.0 |