| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2151 |
| Prevalence of Second Most Common Vertical Interval |
0.1772 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8238 |
| Vertical Unisons |
0.02528 |
| Vertical Minor Seconds |
0.004507 |
| Vertical Thirds |
0.3004 |
| Vertical Tritones |
0.008519 |
| Vertical Perfect Fourths |
0.07703 |
| Vertical Perfect Fifths |
0.1772 |
| Vertical Sixths |
0.1581 |
| Vertical Sevenths |
0.03795 |
| Vertical Octaves |
0.1898 |
| Perfect Vertical Intervals |
0.4693 |
| Vertical Dissonance Ratio |
0.07786 |
| Vertical Minor Third Prevalence |
0.3089 |
| Vertical Major Third Prevalence |
0.3049 |
| Chord Duration |
1.884 |
| Partial Chords |
0.6243 |
| Standard Triads |
0.2708 |
| Diminished and Augmented Triads |
0.01068 |
| Dominant Seventh Chords |
0.0007628 |
| Seventh Chords |
0.006865 |
| Non-Standard Chords |
0.09802 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6589 |
| Average Number of Simultaneous Pitch Classes |
2.21 |
| Variability of Number of Simultaneous Pitch Classes |
0.6828 |
| Average Number of Simultaneous Pitches |
2.692 |
| Variability of Number of Simultaneous Pitches |
0.8909 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.744 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
127.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2238 |
| Stepwise Motion |
0.7017 |
| Melodic Thirds |
0.1209 |
| Melodic Perfect Fourths |
0.04562 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05358 |
| Melodic Sixths |
0.005793 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007241 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.651 |
| Melodic Embellishments |
0.03177 |
| Direction of Melodic Motion |
0.4547 |
| Average Length of Melodic Arcs |
1.836 |
| Average Interval Spanned by Melodic Arcs |
4.566 |
| Melodic Pitch Variety |
4.867 |
| Mean Melodic Interval |
2.329 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4779 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4682 |
| Amount of Arpeggiation |
0.2469 |
| Repeated Notes |
0.06517 |
| Importance of Middle Register |
0.6173 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
55.74 |
| Mean Pitch Class |
5.47 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09747 |
| Prevalence of Most Common Pitch Class |
0.174 |
| Relative Prevalence of Top Pitches |
0.9852 |
| Relative Prevalence of Top Pitch Classes |
0.9834 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.487 |
| Pitch Class Variability |
3.381 |
| Pitch Class Variability After Folding |
4.16 |
| Pitch Skewness |
-0.2236 |
| Pitch Class Skewness |
0.417 |
| Pitch Class Skewness After Folding |
1.025 |
| Pitch Kurtosis |
5.231 |
| Pitch Class Kurtosis |
4.853 |
| Pitch Class Kurtosis After Folding |
4.771 |
| Major or Minor |
0.0 |
| First Pitch |
41.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3827 |
| Note Density per Quarter Note |
0.9154 |
| Note Density per Quarter Note per Voice |
0.2289 |
| Note Density per Quarter Note Variability |
0.3948 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002888 |
| Prevalence of Medium Rhythmic Values |
0.5928 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7632 |
| Prevalence of Very Long Rhythmic Values |
0.09747 |
| Prevalence of Dotted Notes |
0.1155 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.908 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.356 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6572 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.125 |
| Rhythmic Value Skewness |
1.282 |
| Rhythmic Value Kurtosis |
10.62 |
| Mean Rhythmic Value Run Length |
1.597 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.117 |
| Mean Rhythmic Value Offset |
0.1097 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.591 |
| Complete Rests Fraction |
0.0006554 |
| Partial Rests Fraction |
0.7343 |
| Average Rest Fraction Across Voices |
0.3093 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
464.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
18.35 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
55.71 |
| Variability Across Voices of Combined Rests |
218.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5555 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2276 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.441 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7831 |
| Rhythmic Variability - Tempo Standardized |
0.05003 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1385.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.334 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
13.33 |
| Average Note Duration |
0.6288 |
| Variability of Note Durations |
0.6265 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.246 |
| Strength of Second Strongest Rhythmic Pulse |
0.2418 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.017 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4878 |
| Rhythmic Variability |
0.03461 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000008293 |
| Duration in Seconds |
315.2 |
| Note Density |
4.394 |
| Note Density Variability |
1.537 |
| Average Time Between Attacks |
0.3767 |
| Average Time Between Attacks for Each Voice |
0.9858 |
| Variability of Time Between Attacks |
0.2232 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.4439 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.1877 |
| Relative Note Durations of Lowest Line |
1.018 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8303 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
4.359 |
| Parallel Motion |
0.04569 |
| Average Number of Independent Voices |
2.765 |
| Similar Motion |
0.1051 |
| Contrary Motion |
0.1711 |
| Oblique Motion |
0.678 |
| Parallel Fifths |
0.002901 |
| Parallel Octaves |
0.0007252 |
| Variability of Number of Independent Voices |
0.8835 |
| Voice Equality - Number of Notes |
127.8 |
| Voice Equality - Note Duration |
45.61 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.646 |
| Importance of Loudest Voice |
10.0 |