| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1782 |
| Prevalence of Second Most Common Vertical Interval |
0.1778 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9978 |
| Vertical Unisons |
0.02359 |
| Vertical Minor Seconds |
0.004434 |
| Vertical Thirds |
0.3435 |
| Vertical Tritones |
0.01171 |
| Vertical Perfect Fourths |
0.0872 |
| Vertical Perfect Fifths |
0.1778 |
| Vertical Sixths |
0.1538 |
| Vertical Sevenths |
0.02488 |
| Vertical Octaves |
0.1546 |
| Perfect Vertical Intervals |
0.4431 |
| Vertical Dissonance Ratio |
0.06337 |
| Vertical Minor Third Prevalence |
0.4039 |
| Vertical Major Third Prevalence |
0.3983 |
| Chord Duration |
2.601 |
| Partial Chords |
0.4994 |
| Standard Triads |
0.3761 |
| Diminished and Augmented Triads |
0.02232 |
| Dominant Seventh Chords |
0.001294 |
| Seventh Chords |
0.01164 |
| Non-Standard Chords |
0.1129 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.074 |
| Average Number of Simultaneous Pitch Classes |
2.394 |
| Variability of Number of Simultaneous Pitch Classes |
0.6837 |
| Average Number of Simultaneous Pitches |
2.861 |
| Variability of Number of Simultaneous Pitches |
0.877 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.065 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
188.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2188 |
| Stepwise Motion |
0.6584 |
| Melodic Thirds |
0.1327 |
| Melodic Perfect Fourths |
0.04517 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03529 |
| Melodic Sixths |
0.007057 |
| Melodic Sevenths |
0.001411 |
| Melodic Octaves |
0.00988 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.611 |
| Melodic Embellishments |
0.02111 |
| Direction of Melodic Motion |
0.4615 |
| Average Length of Melodic Arcs |
1.925 |
| Average Interval Spanned by Melodic Arcs |
4.765 |
| Melodic Pitch Variety |
4.88 |
| Mean Melodic Interval |
2.211 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4397 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4976 |
| Amount of Arpeggiation |
0.2893 |
| Repeated Notes |
0.1101 |
| Importance of Middle Register |
0.7987 |
| Importance of High Register |
0.03589 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.06 |
| Mean Pitch Class |
5.325 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.08867 |
| Prevalence of Most Common Pitch Class |
0.171 |
| Relative Prevalence of Top Pitches |
0.9603 |
| Relative Prevalence of Top Pitch Classes |
0.9342 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.1 |
| Pitch Class Variability |
3.58 |
| Pitch Class Variability After Folding |
3.155 |
| Pitch Skewness |
-0.1579 |
| Pitch Class Skewness |
0.2724 |
| Pitch Class Skewness After Folding |
0.3279 |
| Pitch Kurtosis |
5.196 |
| Pitch Class Kurtosis |
4.841 |
| Pitch Class Kurtosis After Folding |
7.07 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1654 |
| Note Density per Quarter Note |
0.8374 |
| Note Density per Quarter Note per Voice |
0.2093 |
| Note Density per Quarter Note Variability |
0.4473 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003519 |
| Prevalence of Medium Rhythmic Values |
0.4982 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8135 |
| Prevalence of Very Long Rhythmic Values |
0.1492 |
| Prevalence of Dotted Notes |
0.1098 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.391 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3118 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9323 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.409 |
| Rhythmic Value Skewness |
0.4873 |
| Rhythmic Value Kurtosis |
8.327 |
| Mean Rhythmic Value Run Length |
1.543 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9421 |
| Mean Rhythmic Value Offset |
0.1161 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.219 |
| Complete Rests Fraction |
0.0005528 |
| Partial Rests Fraction |
0.645 |
| Average Rest Fraction Across Voices |
0.2547 |
| Longest Complete Rest |
0.9381 |
| Longest Partial Rest |
469.2 |
| Mean Complete Rest Duration |
0.9381 |
| Mean Partial Rest Duration |
19.21 |
| Median Complete Rest Duration |
0.9381 |
| Median Partial Rest Duration |
3.784 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
63.45 |
| Variability Across Voices of Combined Rests |
344.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5687 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.212 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.683 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7807 |
| Rhythmic Variability - Tempo Standardized |
0.05042 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1421.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.298 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.784 |
| Variability of Note Durations |
0.7006 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
277.8 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.2932 |
| Strength of Second Strongest Rhythmic Pulse |
0.2771 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.058 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5703 |
| Rhythmic Variability |
0.03809 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
42.36 |
| Duration in Seconds |
373.7 |
| Note Density |
3.802 |
| Note Density Variability |
1.177 |
| Average Time Between Attacks |
0.4462 |
| Average Time Between Attacks for Each Voice |
1.317 |
| Variability of Time Between Attacks |
0.2677 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.4194 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.1914 |
| Relative Note Durations of Lowest Line |
1.074 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.817 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.619 |
| Parallel Motion |
0.0518 |
| Average Number of Independent Voices |
2.938 |
| Similar Motion |
0.1324 |
| Contrary Motion |
0.1561 |
| Oblique Motion |
0.6597 |
| Parallel Fifths |
0.002878 |
| Parallel Octaves |
0.001439 |
| Variability of Number of Independent Voices |
0.8973 |
| Voice Equality - Number of Notes |
188.3 |
| Voice Equality - Note Duration |
75.75 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
10.0 |