| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2119 |
| Prevalence of Second Most Common Vertical Interval |
0.1801 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8501 |
| Vertical Unisons |
0.02944 |
| Vertical Minor Seconds |
0.005087 |
| Vertical Thirds |
0.3252 |
| Vertical Tritones |
0.01116 |
| Vertical Perfect Fourths |
0.08837 |
| Vertical Perfect Fifths |
0.1686 |
| Vertical Sixths |
0.1442 |
| Vertical Sevenths |
0.02839 |
| Vertical Octaves |
0.1825 |
| Perfect Vertical Intervals |
0.4688 |
| Vertical Dissonance Ratio |
0.0658 |
| Vertical Minor Third Prevalence |
0.4761 |
| Vertical Major Third Prevalence |
0.3919 |
| Chord Duration |
2.409 |
| Partial Chords |
0.4563 |
| Standard Triads |
0.4006 |
| Diminished and Augmented Triads |
0.02053 |
| Dominant Seventh Chords |
0.001956 |
| Seventh Chords |
0.009126 |
| Non-Standard Chords |
0.134 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.206 |
| Average Number of Simultaneous Pitch Classes |
2.449 |
| Variability of Number of Simultaneous Pitch Classes |
0.6948 |
| Average Number of Simultaneous Pitches |
3.068 |
| Variability of Number of Simultaneous Pitches |
0.9041 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.926 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
161.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2151 |
| Stepwise Motion |
0.6813 |
| Melodic Thirds |
0.128 |
| Melodic Perfect Fourths |
0.06764 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04327 |
| Melodic Sixths |
0.001828 |
| Melodic Sevenths |
0.0006094 |
| Melodic Octaves |
0.006094 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.593 |
| Melodic Embellishments |
0.01094 |
| Direction of Melodic Motion |
0.4698 |
| Average Length of Melodic Arcs |
1.808 |
| Average Interval Spanned by Melodic Arcs |
4.492 |
| Melodic Pitch Variety |
4.975 |
| Mean Melodic Interval |
2.317 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4662 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4614 |
| Amount of Arpeggiation |
0.2492 |
| Repeated Notes |
0.0713 |
| Importance of Middle Register |
0.8243 |
| Importance of High Register |
0.04802 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.99 |
| Mean Pitch Class |
5.359 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.11 |
| Prevalence of Most Common Pitch Class |
0.1678 |
| Relative Prevalence of Top Pitches |
0.7901 |
| Relative Prevalence of Top Pitch Classes |
0.9819 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.767 |
| Pitch Class Variability |
3.568 |
| Pitch Class Variability After Folding |
3.065 |
| Pitch Skewness |
-0.6004 |
| Pitch Class Skewness |
0.3021 |
| Pitch Class Skewness After Folding |
0.4242 |
| Pitch Kurtosis |
5.324 |
| Pitch Class Kurtosis |
4.836 |
| Pitch Class Kurtosis After Folding |
7.251 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1277 |
| Note Density per Quarter Note |
0.9809 |
| Note Density per Quarter Note per Voice |
0.2452 |
| Note Density per Quarter Note Variability |
0.4709 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003647 |
| Prevalence of Medium Rhythmic Values |
0.5532 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7429 |
| Prevalence of Very Long Rhythmic Values |
0.1252 |
| Prevalence of Dotted Notes |
0.1301 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.116 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.296 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8563 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.409 |
| Rhythmic Value Skewness |
1.39 |
| Rhythmic Value Kurtosis |
9.594 |
| Mean Rhythmic Value Run Length |
1.502 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9239 |
| Mean Rhythmic Value Offset |
0.1191 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.004 |
| Complete Rests Fraction |
0.001707 |
| Partial Rests Fraction |
0.5063 |
| Average Rest Fraction Across Voices |
0.2016 |
| Longest Complete Rest |
1.914 |
| Longest Partial Rest |
293.7 |
| Mean Complete Rest Duration |
1.431 |
| Mean Partial Rest Duration |
17.8 |
| Median Complete Rest Duration |
1.914 |
| Median Partial Rest Duration |
3.827 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.6822 |
| Variability of Partial Rest Durations |
51.68 |
| Variability Across Voices of Combined Rests |
265.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5213 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2465 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.115 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7678 |
| Rhythmic Variability - Tempo Standardized |
0.04866 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1645.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.619 |
| Minimum Note Duration |
0.09868 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7088 |
| Variability of Note Durations |
0.6688 |
| Amount of Staccato |
0.001216 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
278.3 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2488 |
| Strength of Second Strongest Rhythmic Pulse |
0.2408 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.033 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4896 |
| Rhythmic Variability |
0.03433 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
25.94 |
| Duration in Seconds |
365.1 |
| Note Density |
4.505 |
| Note Density Variability |
1.734 |
| Average Time Between Attacks |
0.4211 |
| Average Time Between Attacks for Each Voice |
1.004 |
| Variability of Time Between Attacks |
0.2998 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.4888 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.1678 |
| Relative Note Durations of Lowest Line |
1.049 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.7939 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.04581 |
| Average Number of Independent Voices |
3.179 |
| Similar Motion |
0.1357 |
| Contrary Motion |
0.207 |
| Oblique Motion |
0.6114 |
| Parallel Fifths |
0.001697 |
| Parallel Octaves |
0.001131 |
| Variability of Number of Independent Voices |
0.8968 |
| Voice Equality - Number of Notes |
161.5 |
| Voice Equality - Note Duration |
57.75 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.5 |
| Importance of Loudest Voice |
10.0 |