| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2734 |
| Prevalence of Second Most Common Vertical Interval |
0.1697 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6207 |
| Vertical Unisons |
0.05062 |
| Vertical Minor Seconds |
0.004687 |
| Vertical Thirds |
0.2764 |
| Vertical Tritones |
0.008058 |
| Vertical Perfect Fourths |
0.09298 |
| Vertical Perfect Fifths |
0.1576 |
| Vertical Sixths |
0.1436 |
| Vertical Sevenths |
0.02498 |
| Vertical Octaves |
0.2228 |
| Perfect Vertical Intervals |
0.524 |
| Vertical Dissonance Ratio |
0.05927 |
| Vertical Minor Third Prevalence |
0.4918 |
| Vertical Major Third Prevalence |
0.392 |
| Chord Duration |
2.698 |
| Partial Chords |
0.4224 |
| Standard Triads |
0.4071 |
| Diminished and Augmented Triads |
0.006729 |
| Dominant Seventh Chords |
0.002804 |
| Seventh Chords |
0.02411 |
| Non-Standard Chords |
0.1464 |
| Complex Chords |
0.005607 |
| Minor Major Triad Ratio |
0.6884 |
| Average Number of Simultaneous Pitch Classes |
2.497 |
| Variability of Number of Simultaneous Pitch Classes |
0.7503 |
| Average Number of Simultaneous Pitches |
3.518 |
| Variability of Number of Simultaneous Pitches |
1.326 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
5.0 |
| Variation of Dynamics |
2.428 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
183.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1847 |
| Stepwise Motion |
0.6146 |
| Melodic Thirds |
0.1323 |
| Melodic Perfect Fourths |
0.06214 |
| Melodic Tritones |
0.00114 |
| Melodic Perfect Fifths |
0.05245 |
| Melodic Sixths |
0.007412 |
| Melodic Sevenths |
0.00114 |
| Melodic Octaves |
0.007982 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.442 |
| Melodic Embellishments |
0.01477 |
| Direction of Melodic Motion |
0.4734 |
| Average Length of Melodic Arcs |
1.887 |
| Average Interval Spanned by Melodic Arcs |
5.02 |
| Melodic Pitch Variety |
4.898 |
| Mean Melodic Interval |
2.354 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4299 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4297 |
| Amount of Arpeggiation |
0.3147 |
| Repeated Notes |
0.1209 |
| Importance of Middle Register |
0.6534 |
| Importance of High Register |
0.0108 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.52 |
| Mean Pitch Class |
5.14 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1 |
| Prevalence of Most Common Pitch Class |
0.1886 |
| Relative Prevalence of Top Pitches |
0.767 |
| Relative Prevalence of Top Pitch Classes |
0.8584 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.668 |
| Pitch Class Variability |
3.451 |
| Pitch Class Variability After Folding |
3.425 |
| Pitch Skewness |
0.4077 |
| Pitch Class Skewness |
0.1215 |
| Pitch Class Skewness After Folding |
1.257 |
| Pitch Kurtosis |
5.141 |
| Pitch Class Kurtosis |
4.849 |
| Pitch Class Kurtosis After Folding |
6.463 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3358 |
| Note Density per Quarter Note |
0.8975 |
| Note Density per Quarter Note per Voice |
0.1496 |
| Note Density per Quarter Note Variability |
0.4982 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
4.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4057 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.829 |
| Prevalence of Very Long Rhythmic Values |
0.2699 |
| Prevalence of Dotted Notes |
0.1699 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.133 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2841 |
| Relative Prevalence of Most Common Rhythmic Values |
0.826 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.887 |
| Rhythmic Value Skewness |
0.1378 |
| Rhythmic Value Kurtosis |
6.476 |
| Mean Rhythmic Value Run Length |
1.49 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.061 |
| Mean Rhythmic Value Offset |
0.1474 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.398 |
| Complete Rests Fraction |
0.000377 |
| Partial Rests Fraction |
0.8066 |
| Average Rest Fraction Across Voices |
0.3993 |
| Longest Complete Rest |
0.7393 |
| Longest Partial Rest |
514.5 |
| Mean Complete Rest Duration |
0.7393 |
| Mean Partial Rest Duration |
34.04 |
| Median Complete Rest Duration |
0.7393 |
| Median Partial Rest Duration |
8.946 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
83.72 |
| Variability Across Voices of Combined Rests |
282.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5621 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2077 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.706 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7698 |
| Rhythmic Variability - Tempo Standardized |
0.04951 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1760.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.682 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
5.793 |
| Average Note Duration |
0.7362 |
| Variability of Note Durations |
0.5755 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
346.6 |
| Strongest Rhythmic Pulse |
41.0 |
| Second Strongest Rhythmic Pulse |
82.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2759 |
| Strength of Second Strongest Rhythmic Pulse |
0.2359 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.17 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5118 |
| Rhythmic Variability |
0.03401 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
82.14 |
| Duration in Seconds |
359.5 |
| Note Density |
4.896 |
| Note Density Variability |
1.917 |
| Average Time Between Attacks |
0.4063 |
| Average Time Between Attacks for Each Voice |
1.292 |
| Variability of Time Between Attacks |
0.2374 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.3849 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.2318 |
| Relative Note Durations of Lowest Line |
0.9948 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8784 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
1.643 |
| Parallel Motion |
0.02731 |
| Average Number of Independent Voices |
3.836 |
| Similar Motion |
0.1017 |
| Contrary Motion |
0.129 |
| Oblique Motion |
0.742 |
| Parallel Fifths |
0.002324 |
| Parallel Octaves |
0.002905 |
| Variability of Number of Independent Voices |
1.53 |
| Voice Equality - Number of Notes |
84.23 |
| Voice Equality - Note Duration |
51.73 |
| Voice Equality - Dynamics |
2.582 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.506 |
| Importance of Loudest Voice |
4.0 |