| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.274 |
| Prevalence of Second Most Common Vertical Interval |
0.1851 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6756 |
| Vertical Unisons |
0.05669 |
| Vertical Minor Seconds |
0.005477 |
| Vertical Thirds |
0.2757 |
| Vertical Tritones |
0.005414 |
| Vertical Perfect Fourths |
0.08538 |
| Vertical Perfect Fifths |
0.1851 |
| Vertical Sixths |
0.125 |
| Vertical Sevenths |
0.02069 |
| Vertical Octaves |
0.2173 |
| Perfect Vertical Intervals |
0.5444 |
| Vertical Dissonance Ratio |
0.0581 |
| Vertical Minor Third Prevalence |
0.5493 |
| Vertical Major Third Prevalence |
0.5722 |
| Chord Duration |
2.05 |
| Partial Chords |
0.2759 |
| Standard Triads |
0.5241 |
| Diminished and Augmented Triads |
0.003704 |
| Dominant Seventh Chords |
0.001852 |
| Seventh Chords |
0.01667 |
| Non-Standard Chords |
0.1833 |
| Complex Chords |
0.01667 |
| Minor Major Triad Ratio |
0.979 |
| Average Number of Simultaneous Pitch Classes |
2.741 |
| Variability of Number of Simultaneous Pitch Classes |
0.7303 |
| Average Number of Simultaneous Pitches |
4.195 |
| Variability of Number of Simultaneous Pitches |
1.207 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
5.0 |
| Variation of Dynamics |
2.444 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
47.59 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.194 |
| Stepwise Motion |
0.5925 |
| Melodic Thirds |
0.08657 |
| Melodic Perfect Fourths |
0.06567 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06418 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00597 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.636 |
| Melodic Embellishments |
0.02811 |
| Direction of Melodic Motion |
0.4744 |
| Average Length of Melodic Arcs |
1.916 |
| Average Interval Spanned by Melodic Arcs |
4.898 |
| Melodic Pitch Variety |
4.687 |
| Mean Melodic Interval |
2.133 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3985 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4869 |
| Amount of Arpeggiation |
0.3418 |
| Repeated Notes |
0.1851 |
| Importance of Middle Register |
0.6317 |
| Importance of High Register |
0.01627 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.12 |
| Mean Pitch Class |
5.294 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09763 |
| Prevalence of Most Common Pitch Class |
0.2012 |
| Relative Prevalence of Top Pitches |
0.7424 |
| Relative Prevalence of Top Pitch Classes |
0.7426 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
8.21 |
| Pitch Class Variability |
3.412 |
| Pitch Class Variability After Folding |
3.708 |
| Pitch Skewness |
0.3259 |
| Pitch Class Skewness |
0.2588 |
| Pitch Class Skewness After Folding |
0.5996 |
| Pitch Kurtosis |
5.134 |
| Pitch Class Kurtosis |
4.875 |
| Pitch Class Kurtosis After Folding |
5.709 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3521 |
| Note Density per Quarter Note |
1.188 |
| Note Density per Quarter Note per Voice |
0.198 |
| Note Density per Quarter Note Variability |
0.549 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4896 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7337 |
| Prevalence of Very Long Rhythmic Values |
0.2175 |
| Prevalence of Dotted Notes |
0.1805 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.689 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.2663 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8389 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
3.008 |
| Rhythmic Value Skewness |
0.6876 |
| Rhythmic Value Kurtosis |
7.067 |
| Mean Rhythmic Value Run Length |
1.408 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8499 |
| Mean Rhythmic Value Offset |
0.2604 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.404 |
| Complete Rests Fraction |
0.001743 |
| Partial Rests Fraction |
0.5677 |
| Average Rest Fraction Across Voices |
0.2179 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
11.81 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.17 |
| Variability Across Voices of Combined Rests |
44.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4879 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2703 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.805 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7583 |
| Rhythmic Variability - Tempo Standardized |
0.04766 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
676.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.538 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
5.793 |
| Average Note Duration |
0.8172 |
| Variability of Note Durations |
0.8106 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2591 |
| Strength of Second Strongest Rhythmic Pulse |
0.2247 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.153 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4838 |
| Rhythmic Variability |
0.03401 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000000673 |
| Duration in Seconds |
117.7 |
| Note Density |
5.742 |
| Note Density Variability |
1.99 |
| Average Time Between Attacks |
0.372 |
| Average Time Between Attacks for Each Voice |
1.058 |
| Variability of Time Between Attacks |
0.2874 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4308 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.6036 |
| Relative Note Durations of Lowest Line |
1.181 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.8698 |
| Voice Separation |
4.4 |
| Variability of Voice Separation |
1.949 |
| Parallel Motion |
0.02985 |
| Average Number of Independent Voices |
4.701 |
| Similar Motion |
0.09498 |
| Contrary Motion |
0.09498 |
| Oblique Motion |
0.7802 |
| Parallel Fifths |
0.001357 |
| Parallel Octaves |
0.006784 |
| Variability of Number of Independent Voices |
1.371 |
| Voice Equality - Number of Notes |
23.17 |
| Voice Equality - Note Duration |
9.144 |
| Voice Equality - Dynamics |
2.582 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
0.8165 |
| Importance of Loudest Voice |
4.0 |