| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2162 |
| Prevalence of Second Most Common Vertical Interval |
0.1733 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8012 |
| Vertical Unisons |
0.04633 |
| Vertical Minor Seconds |
0.01113 |
| Vertical Thirds |
0.2947 |
| Vertical Tritones |
0.01273 |
| Vertical Perfect Fourths |
0.08512 |
| Vertical Perfect Fifths |
0.1733 |
| Vertical Sixths |
0.1435 |
| Vertical Sevenths |
0.03172 |
| Vertical Octaves |
0.1699 |
| Perfect Vertical Intervals |
0.4746 |
| Vertical Dissonance Ratio |
0.09563 |
| Vertical Minor Third Prevalence |
0.5426 |
| Vertical Major Third Prevalence |
0.4341 |
| Chord Duration |
1.847 |
| Partial Chords |
0.3759 |
| Standard Triads |
0.3933 |
| Diminished and Augmented Triads |
0.02758 |
| Dominant Seventh Chords |
0.004354 |
| Seventh Chords |
0.03193 |
| Non-Standard Chords |
0.1988 |
| Complex Chords |
0.007257 |
| Minor Major Triad Ratio |
1.203 |
| Average Number of Simultaneous Pitch Classes |
2.641 |
| Variability of Number of Simultaneous Pitch Classes |
0.7481 |
| Average Number of Simultaneous Pitches |
3.4 |
| Variability of Number of Simultaneous Pitches |
1.049 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.922 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
29.08 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1972 |
| Stepwise Motion |
0.6432 |
| Melodic Thirds |
0.2007 |
| Melodic Perfect Fourths |
0.05751 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03169 |
| Melodic Sixths |
0.004695 |
| Melodic Sevenths |
0.001174 |
| Melodic Octaves |
0.005869 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.75 |
| Melodic Embellishments |
0.01399 |
| Direction of Melodic Motion |
0.482 |
| Average Length of Melodic Arcs |
1.954 |
| Average Interval Spanned by Melodic Arcs |
4.854 |
| Melodic Pitch Variety |
5.167 |
| Mean Melodic Interval |
2.364 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.446 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4421 |
| Amount of Arpeggiation |
0.2946 |
| Repeated Notes |
0.05516 |
| Importance of Middle Register |
0.662 |
| Importance of High Register |
0.005828 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.22 |
| Mean Pitch Class |
5.478 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.0979 |
| Prevalence of Most Common Pitch Class |
0.1632 |
| Relative Prevalence of Top Pitches |
0.9643 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.027 |
| Pitch Class Variability |
3.468 |
| Pitch Class Variability After Folding |
3.089 |
| Pitch Skewness |
0.2757 |
| Pitch Class Skewness |
0.4134 |
| Pitch Class Skewness After Folding |
0.4912 |
| Pitch Kurtosis |
5.51 |
| Pitch Class Kurtosis |
4.901 |
| Pitch Class Kurtosis After Folding |
7.176 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.3322 |
| Note Density per Quarter Note |
1.177 |
| Note Density per Quarter Note per Voice |
0.2354 |
| Note Density per Quarter Note Variability |
0.6378 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002331 |
| Prevalence of Medium Rhythmic Values |
0.4848 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7459 |
| Prevalence of Very Long Rhythmic Values |
0.1037 |
| Prevalence of Dotted Notes |
0.1119 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.086 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3193 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7883 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.045 |
| Rhythmic Value Skewness |
0.1265 |
| Rhythmic Value Kurtosis |
7.905 |
| Mean Rhythmic Value Run Length |
1.549 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.009 |
| Mean Rhythmic Value Offset |
0.009324 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.193 |
| Complete Rests Fraction |
0.001456 |
| Partial Rests Fraction |
0.6699 |
| Average Rest Fraction Across Voices |
0.2766 |
| Longest Complete Rest |
1.062 |
| Longest Partial Rest |
81.36 |
| Mean Complete Rest Duration |
1.062 |
| Mean Partial Rest Duration |
14.0 |
| Median Complete Rest Duration |
1.062 |
| Median Partial Rest Duration |
6.423 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.17 |
| Variability Across Voices of Combined Rests |
83.47 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4968 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2538 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.957 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7507 |
| Rhythmic Variability - Tempo Standardized |
0.04787 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
858.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.482 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.7437 |
| Variability of Note Durations |
0.4846 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
251.1 |
| Strongest Rhythmic Pulse |
62.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.476 |
| Strength of Strongest Rhythmic Pulse |
0.2986 |
| Strength of Second Strongest Rhythmic Pulse |
0.246 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.214 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5446 |
| Rhythmic Variability |
0.03713 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.26 |
| Duration in Seconds |
176.1 |
| Note Density |
4.872 |
| Note Density Variability |
1.737 |
| Average Time Between Attacks |
0.3944 |
| Average Time Between Attacks for Each Voice |
0.9996 |
| Variability of Time Between Attacks |
0.202 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5294 |
| Relative Range Isolation of Loudest Voice |
0.3558 |
| Relative Range of Highest Line |
0.5294 |
| Relative Note Density of Highest Line |
0.3846 |
| Relative Note Durations of Lowest Line |
1.049 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9091 |
| Voice Overlap |
0.8462 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
1.258 |
| Parallel Motion |
0.03689 |
| Average Number of Independent Voices |
3.643 |
| Similar Motion |
0.1286 |
| Contrary Motion |
0.1645 |
| Oblique Motion |
0.67 |
| Parallel Fifths |
0.003988 |
| Parallel Octaves |
0.002991 |
| Variability of Number of Independent Voices |
1.176 |
| Voice Equality - Number of Notes |
39.79 |
| Voice Equality - Note Duration |
20.17 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
2.387 |
| Importance of Loudest Voice |
12.5 |