| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2199 |
| Prevalence of Second Most Common Vertical Interval |
0.1844 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8386 |
| Vertical Unisons |
0.03631 |
| Vertical Minor Seconds |
0.006651 |
| Vertical Thirds |
0.3069 |
| Vertical Tritones |
0.007112 |
| Vertical Perfect Fourths |
0.08681 |
| Vertical Perfect Fifths |
0.1844 |
| Vertical Sixths |
0.1399 |
| Vertical Sevenths |
0.02588 |
| Vertical Octaves |
0.1835 |
| Perfect Vertical Intervals |
0.491 |
| Vertical Dissonance Ratio |
0.06626 |
| Vertical Minor Third Prevalence |
0.4491 |
| Vertical Major Third Prevalence |
0.3368 |
| Chord Duration |
2.049 |
| Partial Chords |
0.5298 |
| Standard Triads |
0.3375 |
| Diminished and Augmented Triads |
0.01305 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008319 |
| Non-Standard Chords |
0.1244 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.879 |
| Average Number of Simultaneous Pitch Classes |
2.382 |
| Variability of Number of Simultaneous Pitch Classes |
0.6687 |
| Average Number of Simultaneous Pitches |
2.96 |
| Variability of Number of Simultaneous Pitches |
0.7775 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.393 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
81.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1989 |
| Stepwise Motion |
0.6405 |
| Melodic Thirds |
0.1193 |
| Melodic Perfect Fourths |
0.04742 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04398 |
| Melodic Sixths |
0.008413 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009178 |
| Melodic Large Intervals |
0.001147 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.12 |
| Melodic Embellishments |
0.0252 |
| Direction of Melodic Motion |
0.4809 |
| Average Length of Melodic Arcs |
1.926 |
| Average Interval Spanned by Melodic Arcs |
4.9 |
| Melodic Pitch Variety |
4.818 |
| Mean Melodic Interval |
2.219 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4417 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4502 |
| Amount of Arpeggiation |
0.3036 |
| Repeated Notes |
0.13 |
| Importance of Middle Register |
0.7637 |
| Importance of High Register |
0.007637 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.06 |
| Mean Pitch Class |
5.588 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1123 |
| Prevalence of Most Common Pitch Class |
0.1993 |
| Relative Prevalence of Top Pitches |
0.9762 |
| Relative Prevalence of Top Pitch Classes |
0.954 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.853 |
| Pitch Class Variability |
3.532 |
| Pitch Class Variability After Folding |
2.903 |
| Pitch Skewness |
-0.1372 |
| Pitch Class Skewness |
0.4994 |
| Pitch Class Skewness After Folding |
0.4467 |
| Pitch Kurtosis |
5.283 |
| Pitch Class Kurtosis |
4.831 |
| Pitch Class Kurtosis After Folding |
7.684 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2287 |
| Note Density per Quarter Note |
0.9116 |
| Note Density per Quarter Note per Voice |
0.2279 |
| Note Density per Quarter Note Variability |
0.3685 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0084 |
| Prevalence of Medium Rhythmic Values |
0.5449 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.803 |
| Prevalence of Very Long Rhythmic Values |
0.1092 |
| Prevalence of Dotted Notes |
0.1386 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.157 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3478 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7453 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.39 |
| Rhythmic Value Skewness |
1.452 |
| Rhythmic Value Kurtosis |
10.49 |
| Mean Rhythmic Value Run Length |
1.61 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.149 |
| Mean Rhythmic Value Offset |
0.226 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.647 |
| Complete Rests Fraction |
0.001041 |
| Partial Rests Fraction |
0.6721 |
| Average Rest Fraction Across Voices |
0.229 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
424.0 |
| Mean Complete Rest Duration |
1.496 |
| Mean Partial Rest Duration |
11.11 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.713 |
| Variability of Partial Rest Durations |
39.09 |
| Variability Across Voices of Combined Rests |
242.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5687 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2186 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.602 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7873 |
| Rhythmic Variability - Tempo Standardized |
0.05052 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2619.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.539 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
0.7048 |
| Variability of Note Durations |
0.7342 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2664 |
| Strength of Second Strongest Rhythmic Pulse |
0.2458 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.084 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5122 |
| Rhythmic Variability |
0.03516 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.000000001749 |
| Duration in Seconds |
598.5 |
| Note Density |
4.376 |
| Note Density Variability |
1.302 |
| Average Time Between Attacks |
0.3982 |
| Average Time Between Attacks for Each Voice |
0.9138 |
| Variability of Time Between Attacks |
0.2361 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.3082 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.1039 |
| Relative Note Durations of Lowest Line |
0.9869 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.929 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.03556 |
| Average Number of Independent Voices |
3.087 |
| Similar Motion |
0.1157 |
| Contrary Motion |
0.1489 |
| Oblique Motion |
0.6999 |
| Parallel Fifths |
0.0003908 |
| Parallel Octaves |
0.002735 |
| Variability of Number of Independent Voices |
0.7733 |
| Voice Equality - Number of Notes |
81.8 |
| Voice Equality - Note Duration |
50.42 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |