Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.263 |
Prevalence of Second Most Common Vertical Interval |
0.1875 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.713 |
Vertical Unisons |
0.06542 |
Vertical Minor Seconds |
0.001537 |
Vertical Thirds |
0.3362 |
Vertical Tritones |
0.009167 |
Vertical Perfect Fourths |
0.06317 |
Vertical Perfect Fifths |
0.1344 |
Vertical Sixths |
0.1382 |
Vertical Sevenths |
0.03186 |
Vertical Octaves |
0.1976 |
Perfect Vertical Intervals |
0.4605 |
Vertical Dissonance Ratio |
0.06956 |
Vertical Minor Third Prevalence |
0.3062 |
Vertical Major Third Prevalence |
0.3511 |
Chord Duration |
2.262 |
Partial Chords |
0.6644 |
Standard Triads |
0.2295 |
Diminished and Augmented Triads |
0.01199 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.001712 |
Non-Standard Chords |
0.1045 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.675 |
Average Number of Simultaneous Pitch Classes |
2.107 |
Variability of Number of Simultaneous Pitch Classes |
0.6909 |
Average Number of Simultaneous Pitches |
2.583 |
Variability of Number of Simultaneous Pitches |
0.931 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
7.683 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
11.15 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2209 |
Stepwise Motion |
0.6728 |
Melodic Thirds |
0.1315 |
Melodic Perfect Fourths |
0.05228 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.02361 |
Melodic Sixths |
0.006745 |
Melodic Sevenths |
0.001686 |
Melodic Octaves |
0.0 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.12 |
Melodic Embellishments |
0.03685 |
Direction of Melodic Motion |
0.4516 |
Average Length of Melodic Arcs |
1.843 |
Average Interval Spanned by Melodic Arcs |
4.231 |
Melodic Pitch Variety |
4.592 |
Mean Melodic Interval |
2.059 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4519 |
Relative Prevalence of Most Common Melodic Intervals |
0.4888 |
Amount of Arpeggiation |
0.2681 |
Repeated Notes |
0.1113 |
Importance of Middle Register |
0.7002 |
Importance of High Register |
0.01675 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
58.83 |
Mean Pitch Class |
5.02 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.0871 |
Prevalence of Most Common Pitch Class |
0.1843 |
Relative Prevalence of Top Pitches |
0.9038 |
Relative Prevalence of Top Pitch Classes |
0.8727 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.623 |
Pitch Class Variability |
3.503 |
Pitch Class Variability After Folding |
4.064 |
Pitch Skewness |
-0.3659 |
Pitch Class Skewness |
0.01721 |
Pitch Class Skewness After Folding |
0.8458 |
Pitch Kurtosis |
5.172 |
Pitch Class Kurtosis |
4.72 |
Pitch Class Kurtosis After Folding |
4.939 |
Major or Minor |
0.0 |
First Pitch |
67.0 |
First Pitch Class |
7.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
28.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
0.0 |
Number of Common Pitch Classes |
0.0 |
Range |
34.0 |
Importance of Bass Register |
0.2831 |
Note Density per Quarter Note |
0.8373 |
Note Density per Quarter Note per Voice |
0.2093 |
Note Density per Quarter Note Variability |
0.4687 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.469 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.742 |
Prevalence of Very Long Rhythmic Values |
0.1307 |
Prevalence of Dotted Notes |
0.1089 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.243 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.3367 |
Relative Prevalence of Most Common Rhythmic Values |
0.7662 |
Difference Between Most Common Rhythmic Values |
4.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.217 |
Rhythmic Value Skewness |
0.3286 |
Rhythmic Value Kurtosis |
8.114 |
Mean Rhythmic Value Run Length |
1.415 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
0.8044 |
Mean Rhythmic Value Offset |
0.0603 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.7484 |
Complete Rests Fraction |
0.00135 |
Partial Rests Fraction |
0.7253 |
Average Rest Fraction Across Voices |
0.3087 |
Longest Complete Rest |
0.9625 |
Longest Partial Rest |
97.67 |
Mean Complete Rest Duration |
0.9625 |
Mean Partial Rest Duration |
18.73 |
Median Complete Rest Duration |
0.9625 |
Median Partial Rest Duration |
4.07 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
24.96 |
Variability Across Voices of Combined Rests |
36.55 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.497 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2751 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.807 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7721 |
Rhythmic Variability - Tempo Standardized |
0.04799 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
597.0 |
Initial Tempo |
290.0 |
Average Variability of Time Between Attacks for Each Voice |
1.606 |
Minimum Note Duration |
0.1974 |
Maximum Note Duration |
4.966 |
Average Note Duration |
0.6716 |
Variability of Note Durations |
0.5204 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
6.0 |
Mean Tempo |
295.2 |
Strongest Rhythmic Pulse |
74.0 |
Second Strongest Rhythmic Pulse |
50.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
Strength of Strongest Rhythmic Pulse |
0.2741 |
Strength of Second Strongest Rhythmic Pulse |
0.2409 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.138 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.515 |
Rhythmic Variability |
0.03482 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.3333 |
Tempo Variability |
6.766 |
Duration in Seconds |
145.0 |
Note Density |
4.118 |
Note Density Variability |
1.548 |
Average Time Between Attacks |
0.4029 |
Average Time Between Attacks for Each Voice |
0.89 |
Variability of Time Between Attacks |
0.2674 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4412 |
Relative Range Isolation of Loudest Voice |
0.323 |
Relative Range of Highest Line |
0.4412 |
Relative Note Density of Highest Line |
0.4556 |
Relative Note Durations of Lowest Line |
0.9964 |
Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
Voice Overlap |
0.861 |
Voice Separation |
6.333 |
Variability of Voice Separation |
1.155 |
Parallel Motion |
0.04393 |
Average Number of Independent Voices |
2.77 |
Similar Motion |
0.1004 |
Contrary Motion |
0.1653 |
Oblique Motion |
0.6904 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.9378 |
Voice Equality - Number of Notes |
11.15 |
Voice Equality - Note Duration |
7.432 |
Voice Equality - Dynamics |
8.66 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
0.8165 |
Importance of Loudest Voice |
10.0 |