| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2191 |
| Prevalence of Second Most Common Vertical Interval |
0.1861 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8494 |
| Vertical Unisons |
0.02841 |
| Vertical Minor Seconds |
0.0041 |
| Vertical Thirds |
0.2996 |
| Vertical Tritones |
0.01133 |
| Vertical Perfect Fourths |
0.09884 |
| Vertical Perfect Fifths |
0.1861 |
| Vertical Sixths |
0.1358 |
| Vertical Sevenths |
0.02425 |
| Vertical Octaves |
0.1907 |
| Perfect Vertical Intervals |
0.5041 |
| Vertical Dissonance Ratio |
0.06442 |
| Vertical Minor Third Prevalence |
0.5447 |
| Vertical Major Third Prevalence |
0.5083 |
| Chord Duration |
2.437 |
| Partial Chords |
0.3506 |
| Standard Triads |
0.4595 |
| Diminished and Augmented Triads |
0.03118 |
| Dominant Seventh Chords |
0.001918 |
| Seventh Chords |
0.02254 |
| Non-Standard Chords |
0.1674 |
| Complex Chords |
0.007194 |
| Minor Major Triad Ratio |
0.8748 |
| Average Number of Simultaneous Pitch Classes |
2.657 |
| Variability of Number of Simultaneous Pitch Classes |
0.6825 |
| Average Number of Simultaneous Pitches |
3.561 |
| Variability of Number of Simultaneous Pitches |
1.036 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.082 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
105.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2036 |
| Stepwise Motion |
0.6232 |
| Melodic Thirds |
0.1167 |
| Melodic Perfect Fourths |
0.04825 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03309 |
| Melodic Sixths |
0.001379 |
| Melodic Sevenths |
0.001379 |
| Melodic Octaves |
0.006434 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.92 |
| Melodic Embellishments |
0.01559 |
| Direction of Melodic Motion |
0.4781 |
| Average Length of Melodic Arcs |
1.979 |
| Average Interval Spanned by Melodic Arcs |
4.762 |
| Melodic Pitch Variety |
4.636 |
| Mean Melodic Interval |
2.008 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4196 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4852 |
| Amount of Arpeggiation |
0.3272 |
| Repeated Notes |
0.1696 |
| Importance of Middle Register |
0.6809 |
| Importance of High Register |
0.01009 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.57 |
| Mean Pitch Class |
5.453 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.116 |
| Prevalence of Most Common Pitch Class |
0.2017 |
| Relative Prevalence of Top Pitches |
0.7984 |
| Relative Prevalence of Top Pitch Classes |
0.8409 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.571 |
| Pitch Class Variability |
3.445 |
| Pitch Class Variability After Folding |
3.084 |
| Pitch Skewness |
0.474 |
| Pitch Class Skewness |
0.3949 |
| Pitch Class Skewness After Folding |
0.3046 |
| Pitch Kurtosis |
5.254 |
| Pitch Class Kurtosis |
4.869 |
| Pitch Class Kurtosis After Folding |
7.285 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.309 |
| Note Density per Quarter Note |
1.004 |
| Note Density per Quarter Note per Voice |
0.2007 |
| Note Density per Quarter Note Variability |
0.4942 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4402 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8744 |
| Prevalence of Very Long Rhythmic Values |
0.1541 |
| Prevalence of Dotted Notes |
0.09674 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.598 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3535 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8898 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.347 |
| Rhythmic Value Skewness |
-0.5135 |
| Rhythmic Value Kurtosis |
8.201 |
| Mean Rhythmic Value Run Length |
1.741 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.211 |
| Mean Rhythmic Value Offset |
0.1045 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9208 |
| Complete Rests Fraction |
0.0004817 |
| Partial Rests Fraction |
0.7016 |
| Average Rest Fraction Across Voices |
0.2595 |
| Longest Complete Rest |
1.047 |
| Longest Partial Rest |
109.0 |
| Mean Complete Rest Duration |
1.047 |
| Mean Partial Rest Duration |
17.08 |
| Median Complete Rest Duration |
1.047 |
| Median Partial Rest Duration |
8.31 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
22.22 |
| Variability Across Voices of Combined Rests |
169.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6408 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1821 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.519 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8229 |
| Rhythmic Variability - Tempo Standardized |
0.05414 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2181.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.791 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.7281 |
| Variability of Note Durations |
0.5551 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
310.3 |
| Strongest Rhythmic Pulse |
76.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.3372 |
| Strength of Second Strongest Rhythmic Pulse |
0.2448 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.377 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.582 |
| Rhythmic Variability |
0.03803 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
51.5 |
| Duration in Seconds |
428.9 |
| Note Density |
5.085 |
| Note Density Variability |
1.552 |
| Average Time Between Attacks |
0.4081 |
| Average Time Between Attacks for Each Voice |
1.019 |
| Variability of Time Between Attacks |
0.2154 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5588 |
| Relative Range Isolation of Loudest Voice |
0.4471 |
| Relative Range of Highest Line |
0.5588 |
| Relative Note Density of Highest Line |
0.1536 |
| Relative Note Durations of Lowest Line |
1.077 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.8239 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.5 |
| Parallel Motion |
0.04277 |
| Average Number of Independent Voices |
3.718 |
| Similar Motion |
0.1142 |
| Contrary Motion |
0.1547 |
| Oblique Motion |
0.6884 |
| Parallel Fifths |
0.002275 |
| Parallel Octaves |
0.00364 |
| Variability of Number of Independent Voices |
1.071 |
| Voice Equality - Number of Notes |
103.3 |
| Voice Equality - Note Duration |
33.37 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
3.362 |
| Importance of Loudest Voice |
12.5 |