| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2012 |
| Prevalence of Second Most Common Vertical Interval |
0.1722 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8557 |
| Vertical Unisons |
0.01939 |
| Vertical Minor Seconds |
0.007142 |
| Vertical Thirds |
0.331 |
| Vertical Tritones |
0.01102 |
| Vertical Perfect Fourths |
0.07549 |
| Vertical Perfect Fifths |
0.1693 |
| Vertical Sixths |
0.1471 |
| Vertical Sevenths |
0.03239 |
| Vertical Octaves |
0.1818 |
| Perfect Vertical Intervals |
0.446 |
| Vertical Dissonance Ratio |
0.0822 |
| Vertical Minor Third Prevalence |
0.4478 |
| Vertical Major Third Prevalence |
0.4802 |
| Chord Duration |
2.308 |
| Partial Chords |
0.4273 |
| Standard Triads |
0.3838 |
| Diminished and Augmented Triads |
0.02611 |
| Dominant Seventh Chords |
0.006963 |
| Seventh Chords |
0.02219 |
| Non-Standard Chords |
0.1667 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6273 |
| Average Number of Simultaneous Pitch Classes |
2.577 |
| Variability of Number of Simultaneous Pitch Classes |
0.6494 |
| Average Number of Simultaneous Pitches |
3.257 |
| Variability of Number of Simultaneous Pitches |
0.7691 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.562 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
23.34 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1935 |
| Stepwise Motion |
0.6124 |
| Melodic Thirds |
0.131 |
| Melodic Perfect Fourths |
0.05357 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03051 |
| Melodic Sixths |
0.005208 |
| Melodic Sevenths |
0.000744 |
| Melodic Octaves |
0.009673 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.228 |
| Melodic Embellishments |
0.01113 |
| Direction of Melodic Motion |
0.4625 |
| Average Length of Melodic Arcs |
1.86 |
| Average Interval Spanned by Melodic Arcs |
4.681 |
| Melodic Pitch Variety |
4.553 |
| Mean Melodic Interval |
2.134 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4189 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4618 |
| Amount of Arpeggiation |
0.3289 |
| Repeated Notes |
0.157 |
| Importance of Middle Register |
0.7634 |
| Importance of High Register |
0.1291 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.86 |
| Mean Pitch Class |
4.924 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1068 |
| Prevalence of Most Common Pitch Class |
0.1788 |
| Relative Prevalence of Top Pitches |
0.8125 |
| Relative Prevalence of Top Pitch Classes |
0.9834 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.488 |
| Pitch Class Variability |
3.497 |
| Pitch Class Variability After Folding |
3.208 |
| Pitch Skewness |
-0.2303 |
| Pitch Class Skewness |
-0.06554 |
| Pitch Class Skewness After Folding |
1.165 |
| Pitch Kurtosis |
5.289 |
| Pitch Class Kurtosis |
4.958 |
| Pitch Class Kurtosis After Folding |
7.142 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1076 |
| Note Density per Quarter Note |
1.134 |
| Note Density per Quarter Note per Voice |
0.2834 |
| Note Density per Quarter Note Variability |
0.5983 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005935 |
| Prevalence of Medium Rhythmic Values |
0.6076 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7834 |
| Prevalence of Very Long Rhythmic Values |
0.08605 |
| Prevalence of Dotted Notes |
0.1009 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.832 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3909 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6357 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.939 |
| Rhythmic Value Skewness |
1.288 |
| Rhythmic Value Kurtosis |
11.24 |
| Mean Rhythmic Value Run Length |
1.696 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.121 |
| Mean Rhythmic Value Offset |
0.1098 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.791 |
| Complete Rests Fraction |
0.0004952 |
| Partial Rests Fraction |
0.5065 |
| Average Rest Fraction Across Voices |
0.173 |
| Longest Complete Rest |
0.5887 |
| Longest Partial Rest |
53.92 |
| Mean Complete Rest Duration |
0.5887 |
| Mean Partial Rest Duration |
8.662 |
| Median Complete Rest Duration |
0.5887 |
| Median Partial Rest Duration |
4.494 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.49 |
| Variability Across Voices of Combined Rests |
76.63 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5664 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2169 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.611 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7833 |
| Rhythmic Variability - Tempo Standardized |
0.05039 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1348.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.055 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.56 |
| Average Note Duration |
0.6717 |
| Variability of Note Durations |
0.5217 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
280.2 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2771 |
| Strength of Second Strongest Rhythmic Pulse |
0.2654 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.044 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5425 |
| Rhythmic Variability |
0.03755 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
87.5 |
| Duration in Seconds |
273.7 |
| Note Density |
4.925 |
| Note Density Variability |
1.63 |
| Average Time Between Attacks |
0.4151 |
| Average Time Between Attacks for Each Voice |
0.8011 |
| Variability of Time Between Attacks |
0.2058 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.5668 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.2166 |
| Relative Note Durations of Lowest Line |
1.054 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.799 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.05339 |
| Average Number of Independent Voices |
3.338 |
| Similar Motion |
0.1183 |
| Contrary Motion |
0.1912 |
| Oblique Motion |
0.6371 |
| Parallel Fifths |
0.002886 |
| Parallel Octaves |
0.0007215 |
| Variability of Number of Independent Voices |
0.7709 |
| Voice Equality - Number of Notes |
23.34 |
| Voice Equality - Note Duration |
17.64 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
10.0 |