| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2108 |
| Prevalence of Second Most Common Vertical Interval |
0.1923 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9123 |
| Vertical Unisons |
0.02497 |
| Vertical Minor Seconds |
0.005975 |
| Vertical Thirds |
0.3258 |
| Vertical Tritones |
0.01061 |
| Vertical Perfect Fourths |
0.08942 |
| Vertical Perfect Fifths |
0.1781 |
| Vertical Sixths |
0.1315 |
| Vertical Sevenths |
0.02608 |
| Vertical Octaves |
0.1859 |
| Perfect Vertical Intervals |
0.4784 |
| Vertical Dissonance Ratio |
0.06878 |
| Vertical Minor Third Prevalence |
0.4748 |
| Vertical Major Third Prevalence |
0.3714 |
| Chord Duration |
2.348 |
| Partial Chords |
0.4837 |
| Standard Triads |
0.3547 |
| Diminished and Augmented Triads |
0.02677 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008604 |
| Non-Standard Chords |
0.153 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.613 |
| Average Number of Simultaneous Pitch Classes |
2.459 |
| Variability of Number of Simultaneous Pitch Classes |
0.6571 |
| Average Number of Simultaneous Pitches |
3.098 |
| Variability of Number of Simultaneous Pitches |
0.8589 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.367 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
31.14 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2118 |
| Stepwise Motion |
0.6231 |
| Melodic Thirds |
0.1194 |
| Melodic Perfect Fourths |
0.06646 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04154 |
| Melodic Sixths |
0.005192 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005192 |
| Melodic Large Intervals |
0.001038 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.805 |
| Melodic Embellishments |
0.02792 |
| Direction of Melodic Motion |
0.459 |
| Average Length of Melodic Arcs |
1.82 |
| Average Interval Spanned by Melodic Arcs |
4.572 |
| Melodic Pitch Variety |
4.721 |
| Mean Melodic Interval |
2.175 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4112 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5152 |
| Amount of Arpeggiation |
0.3043 |
| Repeated Notes |
0.1381 |
| Importance of Middle Register |
0.7146 |
| Importance of High Register |
0.007239 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.64 |
| Mean Pitch Class |
5.444 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1075 |
| Prevalence of Most Common Pitch Class |
0.1954 |
| Relative Prevalence of Top Pitches |
0.9038 |
| Relative Prevalence of Top Pitch Classes |
0.9418 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.434 |
| Pitch Class Variability |
3.606 |
| Pitch Class Variability After Folding |
2.927 |
| Pitch Skewness |
0.001252 |
| Pitch Class Skewness |
0.3691 |
| Pitch Class Skewness After Folding |
0.4313 |
| Pitch Kurtosis |
5.242 |
| Pitch Class Kurtosis |
4.796 |
| Pitch Class Kurtosis After Folding |
7.489 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2782 |
| Note Density per Quarter Note |
0.8688 |
| Note Density per Quarter Note per Voice |
0.2172 |
| Note Density per Quarter Note Variability |
0.4216 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4519 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8294 |
| Prevalence of Very Long Rhythmic Values |
0.1851 |
| Prevalence of Dotted Notes |
0.1427 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.555 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2999 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9379 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.378 |
| Rhythmic Value Skewness |
0.7006 |
| Rhythmic Value Kurtosis |
7.638 |
| Mean Rhythmic Value Run Length |
1.492 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9533 |
| Mean Rhythmic Value Offset |
0.1158 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.039 |
| Complete Rests Fraction |
0.000891 |
| Partial Rests Fraction |
0.5418 |
| Average Rest Fraction Across Voices |
0.2026 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
72.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
12.7 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.94 |
| Variability Across Voices of Combined Rests |
39.95 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5773 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2236 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.582 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8009 |
| Rhythmic Variability - Tempo Standardized |
0.05103 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
967.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.386 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7648 |
| Variability of Note Durations |
0.6142 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3047 |
| Strength of Second Strongest Rhythmic Pulse |
0.2435 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.252 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5482 |
| Rhythmic Variability |
0.03646 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001313 |
| Duration in Seconds |
231.9 |
| Note Density |
4.17 |
| Note Density Variability |
1.429 |
| Average Time Between Attacks |
0.4501 |
| Average Time Between Attacks for Each Voice |
0.9476 |
| Variability of Time Between Attacks |
0.2791 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.2645 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.2771 |
| Relative Note Durations of Lowest Line |
1.095 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8118 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.464 |
| Parallel Motion |
0.04406 |
| Average Number of Independent Voices |
3.192 |
| Similar Motion |
0.1506 |
| Contrary Motion |
0.168 |
| Oblique Motion |
0.6373 |
| Parallel Fifths |
0.001025 |
| Parallel Octaves |
0.002049 |
| Variability of Number of Independent Voices |
0.8592 |
| Voice Equality - Number of Notes |
31.14 |
| Voice Equality - Note Duration |
8.322 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
10.0 |