| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2013 |
| Prevalence of Second Most Common Vertical Interval |
0.1946 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9671 |
| Vertical Unisons |
0.03021 |
| Vertical Minor Seconds |
0.006235 |
| Vertical Thirds |
0.324 |
| Vertical Tritones |
0.007612 |
| Vertical Perfect Fourths |
0.06295 |
| Vertical Perfect Fifths |
0.1946 |
| Vertical Sixths |
0.146 |
| Vertical Sevenths |
0.03073 |
| Vertical Octaves |
0.171 |
| Perfect Vertical Intervals |
0.4588 |
| Vertical Dissonance Ratio |
0.07654 |
| Vertical Minor Third Prevalence |
0.3462 |
| Vertical Major Third Prevalence |
0.3612 |
| Chord Duration |
2.22 |
| Partial Chords |
0.5947 |
| Standard Triads |
0.291 |
| Diminished and Augmented Triads |
0.009324 |
| Dominant Seventh Chords |
0.002997 |
| Seventh Chords |
0.01499 |
| Non-Standard Chords |
0.09923 |
| Complex Chords |
0.001998 |
| Minor Major Triad Ratio |
0.5862 |
| Average Number of Simultaneous Pitch Classes |
2.301 |
| Variability of Number of Simultaneous Pitch Classes |
0.6968 |
| Average Number of Simultaneous Pitches |
2.775 |
| Variability of Number of Simultaneous Pitches |
1.044 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.19 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
115.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.209 |
| Stepwise Motion |
0.7152 |
| Melodic Thirds |
0.1112 |
| Melodic Perfect Fourths |
0.05657 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03452 |
| Melodic Sixths |
0.0009588 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01822 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.071 |
| Melodic Embellishments |
0.01718 |
| Direction of Melodic Motion |
0.4862 |
| Average Length of Melodic Arcs |
1.95 |
| Average Interval Spanned by Melodic Arcs |
4.886 |
| Melodic Pitch Variety |
4.937 |
| Mean Melodic Interval |
2.36 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5062 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4129 |
| Amount of Arpeggiation |
0.2272 |
| Repeated Notes |
0.06328 |
| Importance of Middle Register |
0.7805 |
| Importance of High Register |
0.06679 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.45 |
| Mean Pitch Class |
4.886 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1097 |
| Prevalence of Most Common Pitch Class |
0.1756 |
| Relative Prevalence of Top Pitches |
0.9565 |
| Relative Prevalence of Top Pitch Classes |
0.9348 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.036 |
| Pitch Class Variability |
3.461 |
| Pitch Class Variability After Folding |
3.393 |
| Pitch Skewness |
-0.04841 |
| Pitch Class Skewness |
-0.09842 |
| Pitch Class Skewness After Folding |
0.4075 |
| Pitch Kurtosis |
5.546 |
| Pitch Class Kurtosis |
5.024 |
| Pitch Class Kurtosis After Folding |
6.585 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1527 |
| Note Density per Quarter Note |
0.9416 |
| Note Density per Quarter Note per Voice |
0.1883 |
| Note Density per Quarter Note Variability |
0.5649 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5677 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7481 |
| Prevalence of Very Long Rhythmic Values |
0.1212 |
| Prevalence of Dotted Notes |
0.1555 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.98 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3158 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7795 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.163 |
| Rhythmic Value Skewness |
1.36 |
| Rhythmic Value Kurtosis |
9.934 |
| Mean Rhythmic Value Run Length |
1.682 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.197 |
| Mean Rhythmic Value Offset |
0.0699 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9866 |
| Complete Rests Fraction |
0.0008345 |
| Partial Rests Fraction |
0.9027 |
| Average Rest Fraction Across Voices |
0.4176 |
| Longest Complete Rest |
0.9288 |
| Longest Partial Rest |
457.1 |
| Mean Complete Rest Duration |
0.9288 |
| Mean Partial Rest Duration |
38.09 |
| Median Complete Rest Duration |
0.9288 |
| Median Partial Rest Duration |
7.493 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
95.2 |
| Variability Across Voices of Combined Rests |
310.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5241 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2379 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.203 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.762 |
| Rhythmic Variability - Tempo Standardized |
0.04838 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1048.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
6.33 |
| Minimum Note Duration |
0.1724 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6879 |
| Variability of Note Durations |
0.6012 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
272.3 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.511 |
| Strength of Strongest Rhythmic Pulse |
0.2937 |
| Strength of Second Strongest Rhythmic Pulse |
0.2499 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.175 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5436 |
| Rhythmic Variability |
0.03716 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
25.15 |
| Duration in Seconds |
247.6 |
| Note Density |
4.233 |
| Note Density Variability |
1.749 |
| Average Time Between Attacks |
0.4009 |
| Average Time Between Attacks for Each Voice |
1.581 |
| Variability of Time Between Attacks |
0.2837 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.3237 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.3483 |
| Relative Note Durations of Lowest Line |
0.9392 |
| Relative Size of Melodic Intervals in Lowest Line |
1.25 |
| Voice Overlap |
0.8044 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
3.594 |
| Parallel Motion |
0.0466 |
| Average Number of Independent Voices |
2.872 |
| Similar Motion |
0.1267 |
| Contrary Motion |
0.1901 |
| Oblique Motion |
0.6365 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002796 |
| Variability of Number of Independent Voices |
1.078 |
| Voice Equality - Number of Notes |
138.4 |
| Voice Equality - Note Duration |
69.07 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
3.578 |
| Importance of Loudest Voice |
13.75 |