File

Last modified on: April 19, 2024, 5:24 p.m.

F164_56_Bruhier_Frapes_petit_OMRcorrJ.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Frapes petit coup
File Type
Symbolic Music
File Format
midi
File Size
7.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2238
Prevalence of Second Most Common Vertical Interval 0.1934
Prevalence Ratio of Two Most Common Vertical Intervals 0.8643
Vertical Unisons 0.007262
Vertical Minor Seconds 0.001429
Vertical Thirds 0.2645
Vertical Tritones 0.008333
Vertical Perfect Fourths 0.1245
Vertical Perfect Fifths 0.1934
Vertical Sixths 0.1645
Vertical Sevenths 0.01563
Vertical Octaves 0.2165
Perfect Vertical Intervals 0.5416
Vertical Dissonance Ratio 0.03024
Vertical Minor Third Prevalence 0.4021
Vertical Major Third Prevalence 0.2552
Chord Duration 3.042
Partial Chords 0.5559
Standard Triads 0.4008
Diminished and Augmented Triads 0.01816
Dominant Seventh Chords 0.0
Seventh Chords 0.002793
Non-Standard Chords 0.0405
Complex Chords 0.0
Minor Major Triad Ratio 1.54
Average Number of Simultaneous Pitch Classes 2.343
Variability of Number of Simultaneous Pitch Classes 0.6329
Average Number of Simultaneous Pitches 3.0
Variability of Number of Simultaneous Pitches 0.9443
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.917
Variation of Dynamics In Each Voice 1.921
Average Note to Note Change in Dynamics 2.77
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1134
Stepwise Motion 0.4237
Melodic Thirds 0.07301
Melodic Perfect Fourths 0.07562
Melodic Tritones 0.001304
Melodic Perfect Fifths 0.04563
Melodic Sixths 0.001304
Melodic Sevenths 0.002608
Melodic Octaves 0.003911
Melodic Large Intervals 0.001304
Most Common Melodic Interval 0.0
Minor Major Melodic Third Ratio 3.308
Melodic Embellishments 0.002594
Direction of Melodic Motion 0.4129
Average Length of Melodic Arcs 1.709
Average Interval Spanned by Melodic Arcs 4.752
Melodic Pitch Variety 3.908
Mean Melodic Interval 1.778
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3716
Relative Prevalence of Most Common Melodic Intervals 0.8351
Amount of Arpeggiation 0.498
Repeated Notes 0.3716
Importance of Middle Register 0.7717
Importance of High Register 0.02724
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 60.07
Mean Pitch Class 5.324
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1427
Prevalence of Most Common Pitch Class 0.2361
Relative Prevalence of Top Pitches 0.7455
Relative Prevalence of Top Pitch Classes 0.8187
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.198
Pitch Class Variability 3.296
Pitch Class Variability After Folding 4.0
Pitch Skewness -0.6578
Pitch Class Skewness 0.2951
Pitch Class Skewness After Folding 1.67
Pitch Kurtosis 5.32
Pitch Class Kurtosis 4.72
Pitch Class Kurtosis After Folding 4.969
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.201
Note Density per Quarter Note 0.9834
Note Density per Quarter Note per Voice 0.2459
Note Density per Quarter Note Variability nan
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5668
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8742
Prevalence of Very Long Rhythmic Values 0.0882
Prevalence of Dotted Notes 0.1297
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.984
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.441
Relative Prevalence of Most Common Rhythmic Values 0.6
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.863
Rhythmic Value Skewness 1.585
Rhythmic Value Kurtosis 12.02
Mean Rhythmic Value Run Length 1.463
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.016
Mean Rhythmic Value Offset 0.06355
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.8633
Complete Rests Fraction 0.01021
Partial Rests Fraction 0.5459
Average Rest Fraction Across Voices 0.2513
Longest Complete Rest 8.0
Longest Partial Rest 42.0
Mean Complete Rest Duration 8.0
Mean Partial Rest Duration 14.33
Median Complete Rest Duration 8.0
Median Partial Rest Duration 14.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 9.574
Variability Across Voices of Combined Rests 18.22
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.632
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2243
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.818
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8563
Rhythmic Variability - Tempo Standardized 0.05386
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 0.0
Metrical Diversity 3.0
Total Number of Notes 771.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 1.028
Minimum Note Duration 0.1875
Maximum Note Duration 4.5
Average Note Duration 0.571
Variability of Note Durations 0.4329
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 54.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 1.481
Strength of Strongest Rhythmic Pulse 0.2341
Strength of Second Strongest Rhythmic Pulse 0.2174
Strength Ratio of Two Strongest Rhythmic Pulses 1.077
Combined Strength of Two Strongest Rhythmic Pulses 0.4515
Rhythmic Variability 0.03367
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 0.0
Duration in Seconds 147.0
Note Density 5.245
Note Density Variability 1.867
Average Time Between Attacks 0.4194
Average Time Between Attacks for Each Voice 0.7373
Variability of Time Between Attacks 0.2383
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.2903
Relative Range Isolation of Loudest Voice 0.7473
Relative Range of Highest Line 0.2903
Relative Note Density of Highest Line 0.358
Relative Note Durations of Lowest Line 1.009
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.7536
Voice Separation 6.0
Variability of Voice Separation 1.732
Parallel Motion 0.09234
Average Number of Independent Voices 3.026
Similar Motion 0.1712
Contrary Motion 0.2523
Oblique Motion 0.4842
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.9494
Voice Equality - Number of Notes 12.28
Voice Equality - Note Duration 3.416
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 4.243
Importance of Loudest Voice 0.0