| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2238 |
| Prevalence of Second Most Common Vertical Interval |
0.1934 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8643 |
| Vertical Unisons |
0.007262 |
| Vertical Minor Seconds |
0.001429 |
| Vertical Thirds |
0.2645 |
| Vertical Tritones |
0.008333 |
| Vertical Perfect Fourths |
0.1245 |
| Vertical Perfect Fifths |
0.1934 |
| Vertical Sixths |
0.1645 |
| Vertical Sevenths |
0.01563 |
| Vertical Octaves |
0.2165 |
| Perfect Vertical Intervals |
0.5416 |
| Vertical Dissonance Ratio |
0.03024 |
| Vertical Minor Third Prevalence |
0.4021 |
| Vertical Major Third Prevalence |
0.2552 |
| Chord Duration |
3.042 |
| Partial Chords |
0.5559 |
| Standard Triads |
0.4008 |
| Diminished and Augmented Triads |
0.01816 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.002793 |
| Non-Standard Chords |
0.0405 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.54 |
| Average Number of Simultaneous Pitch Classes |
2.343 |
| Variability of Number of Simultaneous Pitch Classes |
0.6329 |
| Average Number of Simultaneous Pitches |
3.0 |
| Variability of Number of Simultaneous Pitches |
0.9443 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.917 |
| Variation of Dynamics In Each Voice |
1.921 |
| Average Note to Note Change in Dynamics |
2.77 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1134 |
| Stepwise Motion |
0.4237 |
| Melodic Thirds |
0.07301 |
| Melodic Perfect Fourths |
0.07562 |
| Melodic Tritones |
0.001304 |
| Melodic Perfect Fifths |
0.04563 |
| Melodic Sixths |
0.001304 |
| Melodic Sevenths |
0.002608 |
| Melodic Octaves |
0.003911 |
| Melodic Large Intervals |
0.001304 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
3.308 |
| Melodic Embellishments |
0.002594 |
| Direction of Melodic Motion |
0.4129 |
| Average Length of Melodic Arcs |
1.709 |
| Average Interval Spanned by Melodic Arcs |
4.752 |
| Melodic Pitch Variety |
3.908 |
| Mean Melodic Interval |
1.778 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3716 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8351 |
| Amount of Arpeggiation |
0.498 |
| Repeated Notes |
0.3716 |
| Importance of Middle Register |
0.7717 |
| Importance of High Register |
0.02724 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.07 |
| Mean Pitch Class |
5.324 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1427 |
| Prevalence of Most Common Pitch Class |
0.2361 |
| Relative Prevalence of Top Pitches |
0.7455 |
| Relative Prevalence of Top Pitch Classes |
0.8187 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.198 |
| Pitch Class Variability |
3.296 |
| Pitch Class Variability After Folding |
4.0 |
| Pitch Skewness |
-0.6578 |
| Pitch Class Skewness |
0.2951 |
| Pitch Class Skewness After Folding |
1.67 |
| Pitch Kurtosis |
5.32 |
| Pitch Class Kurtosis |
4.72 |
| Pitch Class Kurtosis After Folding |
4.969 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.201 |
| Note Density per Quarter Note |
0.9834 |
| Note Density per Quarter Note per Voice |
0.2459 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5668 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8742 |
| Prevalence of Very Long Rhythmic Values |
0.0882 |
| Prevalence of Dotted Notes |
0.1297 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.984 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.441 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.863 |
| Rhythmic Value Skewness |
1.585 |
| Rhythmic Value Kurtosis |
12.02 |
| Mean Rhythmic Value Run Length |
1.463 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.016 |
| Mean Rhythmic Value Offset |
0.06355 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8633 |
| Complete Rests Fraction |
0.01021 |
| Partial Rests Fraction |
0.5459 |
| Average Rest Fraction Across Voices |
0.2513 |
| Longest Complete Rest |
8.0 |
| Longest Partial Rest |
42.0 |
| Mean Complete Rest Duration |
8.0 |
| Mean Partial Rest Duration |
14.33 |
| Median Complete Rest Duration |
8.0 |
| Median Partial Rest Duration |
14.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.574 |
| Variability Across Voices of Combined Rests |
18.22 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.632 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2243 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.818 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8563 |
| Rhythmic Variability - Tempo Standardized |
0.05386 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
771.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.028 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
4.5 |
| Average Note Duration |
0.571 |
| Variability of Note Durations |
0.4329 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
54.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.2341 |
| Strength of Second Strongest Rhythmic Pulse |
0.2174 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.077 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4515 |
| Rhythmic Variability |
0.03367 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
147.0 |
| Note Density |
5.245 |
| Note Density Variability |
1.867 |
| Average Time Between Attacks |
0.4194 |
| Average Time Between Attacks for Each Voice |
0.7373 |
| Variability of Time Between Attacks |
0.2383 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.2903 |
| Relative Range Isolation of Loudest Voice |
0.7473 |
| Relative Range of Highest Line |
0.2903 |
| Relative Note Density of Highest Line |
0.358 |
| Relative Note Durations of Lowest Line |
1.009 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7536 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.09234 |
| Average Number of Independent Voices |
3.026 |
| Similar Motion |
0.1712 |
| Contrary Motion |
0.2523 |
| Oblique Motion |
0.4842 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9494 |
| Voice Equality - Number of Notes |
12.28 |
| Voice Equality - Note Duration |
3.416 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
4.243 |
| Importance of Loudest Voice |
0.0 |