| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2051 |
| Prevalence of Second Most Common Vertical Interval |
0.2018 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9837 |
| Vertical Unisons |
0.0216 |
| Vertical Minor Seconds |
0.005425 |
| Vertical Thirds |
0.3048 |
| Vertical Tritones |
0.006802 |
| Vertical Perfect Fourths |
0.102 |
| Vertical Perfect Fifths |
0.2051 |
| Vertical Sixths |
0.1316 |
| Vertical Sevenths |
0.02491 |
| Vertical Octaves |
0.1802 |
| Perfect Vertical Intervals |
0.5089 |
| Vertical Dissonance Ratio |
0.05788 |
| Vertical Minor Third Prevalence |
0.4817 |
| Vertical Major Third Prevalence |
0.4847 |
| Chord Duration |
2.552 |
| Partial Chords |
0.3525 |
| Standard Triads |
0.4838 |
| Diminished and Augmented Triads |
0.01263 |
| Dominant Seventh Chords |
0.001579 |
| Seventh Chords |
0.01894 |
| Non-Standard Chords |
0.1447 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6841 |
| Average Number of Simultaneous Pitch Classes |
2.646 |
| Variability of Number of Simultaneous Pitch Classes |
0.6257 |
| Average Number of Simultaneous Pitches |
3.385 |
| Variability of Number of Simultaneous Pitches |
0.7622 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.136 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
39.61 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2053 |
| Stepwise Motion |
0.6633 |
| Melodic Thirds |
0.1407 |
| Melodic Perfect Fourths |
0.03888 |
| Melodic Tritones |
0.0007776 |
| Melodic Perfect Fifths |
0.04821 |
| Melodic Sixths |
0.001555 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009331 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.321 |
| Melodic Embellishments |
0.01938 |
| Direction of Melodic Motion |
0.4737 |
| Average Length of Melodic Arcs |
1.817 |
| Average Interval Spanned by Melodic Arcs |
4.537 |
| Melodic Pitch Variety |
4.559 |
| Mean Melodic Interval |
2.266 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.458 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4482 |
| Amount of Arpeggiation |
0.2955 |
| Repeated Notes |
0.0972 |
| Importance of Middle Register |
0.7713 |
| Importance of High Register |
0.01163 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.56 |
| Mean Pitch Class |
5.569 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1 |
| Prevalence of Most Common Pitch Class |
0.2093 |
| Relative Prevalence of Top Pitches |
0.9147 |
| Relative Prevalence of Top Pitch Classes |
0.6926 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.103 |
| Pitch Class Variability |
3.523 |
| Pitch Class Variability After Folding |
3.015 |
| Pitch Skewness |
-0.06025 |
| Pitch Class Skewness |
0.4846 |
| Pitch Class Skewness After Folding |
0.2329 |
| Pitch Kurtosis |
5.406 |
| Pitch Class Kurtosis |
4.904 |
| Pitch Class Kurtosis After Folding |
7.496 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.2171 |
| Note Density per Quarter Note |
0.9855 |
| Note Density per Quarter Note per Voice |
0.2464 |
| Note Density per Quarter Note Variability |
0.4741 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007752 |
| Prevalence of Medium Rhythmic Values |
0.5085 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8535 |
| Prevalence of Very Long Rhythmic Values |
0.1442 |
| Prevalence of Dotted Notes |
0.1318 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.416 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.362 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7623 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.465 |
| Rhythmic Value Skewness |
1.724 |
| Rhythmic Value Kurtosis |
9.061 |
| Mean Rhythmic Value Run Length |
1.541 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.255 |
| Mean Rhythmic Value Offset |
0.1248 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.168 |
| Complete Rests Fraction |
0.0006952 |
| Partial Rests Fraction |
0.411 |
| Average Rest Fraction Across Voices |
0.1356 |
| Longest Complete Rest |
0.91 |
| Longest Partial Rest |
48.1 |
| Mean Complete Rest Duration |
0.91 |
| Mean Partial Rest Duration |
8.35 |
| Median Complete Rest Duration |
0.91 |
| Median Partial Rest Duration |
3.671 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.37 |
| Variability Across Voices of Combined Rests |
42.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6397 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1744 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.668 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8141 |
| Rhythmic Variability - Tempo Standardized |
0.05378 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1290.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.076 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.7546 |
| Variability of Note Durations |
0.6571 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
292.5 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2941 |
| Strength of Second Strongest Rhythmic Pulse |
0.2581 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.14 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5522 |
| Rhythmic Variability |
0.03688 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
69.82 |
| Duration in Seconds |
281.5 |
| Note Density |
4.582 |
| Note Density Variability |
1.461 |
| Average Time Between Attacks |
0.428 |
| Average Time Between Attacks for Each Voice |
0.8707 |
| Variability of Time Between Attacks |
0.2574 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4375 |
| Relative Range Isolation of Loudest Voice |
0.3029 |
| Relative Range of Highest Line |
0.4375 |
| Relative Note Density of Highest Line |
0.2109 |
| Relative Note Durations of Lowest Line |
1.057 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8519 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.04427 |
| Average Number of Independent Voices |
3.485 |
| Similar Motion |
0.1087 |
| Contrary Motion |
0.1717 |
| Oblique Motion |
0.6754 |
| Parallel Fifths |
0.002683 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7075 |
| Voice Equality - Number of Notes |
39.61 |
| Voice Equality - Note Duration |
9.099 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.944 |
| Importance of Loudest Voice |
10.0 |