| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2269 |
| Prevalence of Second Most Common Vertical Interval |
0.1747 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7698 |
| Vertical Unisons |
0.02088 |
| Vertical Minor Seconds |
0.006358 |
| Vertical Thirds |
0.2882 |
| Vertical Tritones |
0.005168 |
| Vertical Perfect Fourths |
0.08271 |
| Vertical Perfect Fifths |
0.1747 |
| Vertical Sixths |
0.1554 |
| Vertical Sevenths |
0.03594 |
| Vertical Octaves |
0.206 |
| Perfect Vertical Intervals |
0.4843 |
| Vertical Dissonance Ratio |
0.07777 |
| Vertical Minor Third Prevalence |
0.3496 |
| Vertical Major Third Prevalence |
0.3983 |
| Chord Duration |
2.534 |
| Partial Chords |
0.5028 |
| Standard Triads |
0.3382 |
| Diminished and Augmented Triads |
0.003228 |
| Dominant Seventh Chords |
0.0008071 |
| Seventh Chords |
0.006457 |
| Non-Standard Chords |
0.1525 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5461 |
| Average Number of Simultaneous Pitch Classes |
2.364 |
| Variability of Number of Simultaneous Pitch Classes |
0.7035 |
| Average Number of Simultaneous Pitches |
2.929 |
| Variability of Number of Simultaneous Pitches |
0.8054 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.232 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
185.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2074 |
| Stepwise Motion |
0.6934 |
| Melodic Thirds |
0.1118 |
| Melodic Perfect Fourths |
0.04926 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04559 |
| Melodic Sixths |
0.006618 |
| Melodic Sevenths |
0.0007353 |
| Melodic Octaves |
0.01029 |
| Melodic Large Intervals |
0.0007353 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.667 |
| Melodic Embellishments |
0.005132 |
| Direction of Melodic Motion |
0.4948 |
| Average Length of Melodic Arcs |
2.071 |
| Average Interval Spanned by Melodic Arcs |
5.209 |
| Melodic Pitch Variety |
5.103 |
| Mean Melodic Interval |
2.32 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.486 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4266 |
| Amount of Arpeggiation |
0.25 |
| Repeated Notes |
0.08162 |
| Importance of Middle Register |
0.7485 |
| Importance of High Register |
0.0132 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.98 |
| Mean Pitch Class |
5.481 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1078 |
| Prevalence of Most Common Pitch Class |
0.2141 |
| Relative Prevalence of Top Pitches |
0.8435 |
| Relative Prevalence of Top Pitch Classes |
0.7055 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.501 |
| Pitch Class Variability |
3.526 |
| Pitch Class Variability After Folding |
3.08 |
| Pitch Skewness |
-0.102 |
| Pitch Class Skewness |
0.4092 |
| Pitch Class Skewness After Folding |
1.197 |
| Pitch Kurtosis |
5.236 |
| Pitch Class Kurtosis |
4.879 |
| Pitch Class Kurtosis After Folding |
7.365 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2383 |
| Note Density per Quarter Note |
0.9792 |
| Note Density per Quarter Note per Voice |
0.2448 |
| Note Density per Quarter Note Variability |
0.4794 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002933 |
| Prevalence of Medium Rhythmic Values |
0.5704 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6782 |
| Prevalence of Very Long Rhythmic Values |
0.129 |
| Prevalence of Dotted Notes |
0.1305 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.985 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3189 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7793 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.36 |
| Rhythmic Value Skewness |
1.253 |
| Rhythmic Value Kurtosis |
8.881 |
| Mean Rhythmic Value Run Length |
1.577 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9581 |
| Mean Rhythmic Value Offset |
0.06158 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7242 |
| Complete Rests Fraction |
0.005196 |
| Partial Rests Fraction |
0.7302 |
| Average Rest Fraction Across Voices |
0.2616 |
| Longest Complete Rest |
2.07 |
| Longest Partial Rest |
389.2 |
| Mean Complete Rest Duration |
1.809 |
| Mean Partial Rest Duration |
12.25 |
| Median Complete Rest Duration |
2.07 |
| Median Partial Rest Duration |
2.57 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.5219 |
| Variability of Partial Rest Durations |
49.5 |
| Variability Across Voices of Combined Rests |
367.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4653 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2876 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.618 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7529 |
| Rhythmic Variability - Tempo Standardized |
0.04696 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1364.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.03 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6071 |
| Variability of Note Durations |
0.517 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
313.7 |
| Strongest Rhythmic Pulse |
75.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2301 |
| Strength of Second Strongest Rhythmic Pulse |
0.2176 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.057 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4477 |
| Rhythmic Variability |
0.03311 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
75.58 |
| Duration in Seconds |
280.4 |
| Note Density |
4.865 |
| Note Density Variability |
1.272 |
| Average Time Between Attacks |
0.3797 |
| Average Time Between Attacks for Each Voice |
1.22 |
| Variability of Time Between Attacks |
0.2292 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.2898 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.1965 |
| Relative Note Durations of Lowest Line |
1.012 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8182 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.06134 |
| Average Number of Independent Voices |
2.999 |
| Similar Motion |
0.1382 |
| Contrary Motion |
0.1747 |
| Oblique Motion |
0.6258 |
| Parallel Fifths |
0.0007764 |
| Parallel Octaves |
0.001553 |
| Variability of Number of Independent Voices |
0.8085 |
| Voice Equality - Number of Notes |
185.4 |
| Voice Equality - Note Duration |
73.87 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.986 |
| Importance of Loudest Voice |
11.67 |