| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2199 |
| Prevalence of Second Most Common Vertical Interval |
0.2033 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9245 |
| Vertical Unisons |
0.03856 |
| Vertical Minor Seconds |
0.003004 |
| Vertical Thirds |
0.29 |
| Vertical Tritones |
0.007647 |
| Vertical Perfect Fourths |
0.09917 |
| Vertical Perfect Fifths |
0.2033 |
| Vertical Sixths |
0.1423 |
| Vertical Sevenths |
0.02035 |
| Vertical Octaves |
0.1814 |
| Perfect Vertical Intervals |
0.5224 |
| Vertical Dissonance Ratio |
0.04738 |
| Vertical Minor Third Prevalence |
0.3797 |
| Vertical Major Third Prevalence |
0.4234 |
| Chord Duration |
2.759 |
| Partial Chords |
0.463 |
| Standard Triads |
0.4328 |
| Diminished and Augmented Triads |
0.01512 |
| Dominant Seventh Chords |
0.0007955 |
| Seventh Chords |
0.007955 |
| Non-Standard Chords |
0.09626 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4167 |
| Average Number of Simultaneous Pitch Classes |
2.41 |
| Variability of Number of Simultaneous Pitch Classes |
0.7018 |
| Average Number of Simultaneous Pitches |
3.021 |
| Variability of Number of Simultaneous Pitches |
0.9354 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.026 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
38.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1698 |
| Stepwise Motion |
0.5902 |
| Melodic Thirds |
0.1716 |
| Melodic Perfect Fourths |
0.07111 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06133 |
| Melodic Sixths |
0.006222 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008 |
| Melodic Large Intervals |
0.0008889 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.443 |
| Melodic Embellishments |
0.02035 |
| Direction of Melodic Motion |
0.4624 |
| Average Length of Melodic Arcs |
1.755 |
| Average Interval Spanned by Melodic Arcs |
4.88 |
| Melodic Pitch Variety |
5.016 |
| Mean Melodic Interval |
2.542 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4204 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4038 |
| Amount of Arpeggiation |
0.3324 |
| Repeated Notes |
0.09067 |
| Importance of Middle Register |
0.5372 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
54.01 |
| Mean Pitch Class |
4.78 |
| Most Common Pitch |
48.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1071 |
| Prevalence of Most Common Pitch Class |
0.2133 |
| Relative Prevalence of Top Pitches |
0.9835 |
| Relative Prevalence of Top Pitch Classes |
0.7427 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.659 |
| Pitch Class Variability |
3.488 |
| Pitch Class Variability After Folding |
4.187 |
| Pitch Skewness |
-0.1918 |
| Pitch Class Skewness |
-0.1895 |
| Pitch Class Skewness After Folding |
1.539 |
| Pitch Kurtosis |
5.247 |
| Pitch Class Kurtosis |
4.742 |
| Pitch Class Kurtosis After Folding |
4.866 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.4628 |
| Note Density per Quarter Note |
0.8089 |
| Note Density per Quarter Note per Voice |
0.2022 |
| Note Density per Quarter Note Variability |
0.4245 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4345 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8513 |
| Prevalence of Very Long Rhythmic Values |
0.2124 |
| Prevalence of Dotted Notes |
0.154 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.839 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2858 |
| Relative Prevalence of Most Common Rhythmic Values |
0.969 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.719 |
| Rhythmic Value Skewness |
0.9257 |
| Rhythmic Value Kurtosis |
7.259 |
| Mean Rhythmic Value Run Length |
1.503 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9859 |
| Mean Rhythmic Value Offset |
0.08142 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6996 |
| Complete Rests Fraction |
0.0006396 |
| Partial Rests Fraction |
0.4972 |
| Average Rest Fraction Across Voices |
0.2136 |
| Longest Complete Rest |
0.8935 |
| Longest Partial Rest |
170.0 |
| Mean Complete Rest Duration |
0.8935 |
| Mean Partial Rest Duration |
20.94 |
| Median Complete Rest Duration |
0.8935 |
| Median Partial Rest Duration |
3.604 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
39.88 |
| Variability Across Voices of Combined Rests |
25.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5806 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2369 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.451 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8175 |
| Rhythmic Variability - Tempo Standardized |
0.05125 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1130.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.585 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.902 |
| Variability of Note Durations |
0.6997 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
262.5 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.477 |
| Strength of Strongest Rhythmic Pulse |
0.33 |
| Strength of Second Strongest Rhythmic Pulse |
0.2567 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.285 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5867 |
| Rhythmic Variability |
0.03878 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.89 |
| Duration in Seconds |
323.0 |
| Note Density |
3.498 |
| Note Density Variability |
1.341 |
| Average Time Between Attacks |
0.5271 |
| Average Time Between Attacks for Each Voice |
1.158 |
| Variability of Time Between Attacks |
0.3603 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.246 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.2159 |
| Relative Note Durations of Lowest Line |
1.006 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8398 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.05622 |
| Average Number of Independent Voices |
3.165 |
| Similar Motion |
0.1329 |
| Contrary Motion |
0.1516 |
| Oblique Motion |
0.6593 |
| Parallel Fifths |
0.005111 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9272 |
| Voice Equality - Number of Notes |
38.0 |
| Voice Equality - Note Duration |
5.989 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.63 |
| Importance of Loudest Voice |
10.0 |