| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2977 |
| Prevalence of Second Most Common Vertical Interval |
0.1557 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.5231 |
| Vertical Unisons |
0.04884 |
| Vertical Minor Seconds |
0.004459 |
| Vertical Thirds |
0.2586 |
| Vertical Tritones |
0.00266 |
| Vertical Perfect Fourths |
0.09759 |
| Vertical Perfect Fifths |
0.1557 |
| Vertical Sixths |
0.1305 |
| Vertical Sevenths |
0.02859 |
| Vertical Octaves |
0.2489 |
| Perfect Vertical Intervals |
0.551 |
| Vertical Dissonance Ratio |
0.06366 |
| Vertical Minor Third Prevalence |
0.4444 |
| Vertical Major Third Prevalence |
0.4543 |
| Chord Duration |
1.758 |
| Partial Chords |
0.4038 |
| Standard Triads |
0.4225 |
| Diminished and Augmented Triads |
0.003606 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01562 |
| Non-Standard Chords |
0.1581 |
| Complex Chords |
0.002404 |
| Minor Major Triad Ratio |
0.9 |
| Average Number of Simultaneous Pitch Classes |
2.517 |
| Variability of Number of Simultaneous Pitch Classes |
0.7276 |
| Average Number of Simultaneous Pitches |
3.643 |
| Variability of Number of Simultaneous Pitches |
1.286 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
5.0 |
| Variation of Dynamics |
2.311 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
55.75 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1876 |
| Stepwise Motion |
0.6343 |
| Melodic Thirds |
0.06857 |
| Melodic Perfect Fourths |
0.06095 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05333 |
| Melodic Sixths |
0.002857 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02095 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.483 |
| Melodic Embellishments |
0.0161 |
| Direction of Melodic Motion |
0.4723 |
| Average Length of Melodic Arcs |
1.971 |
| Average Interval Spanned by Melodic Arcs |
5.257 |
| Melodic Pitch Variety |
5.137 |
| Mean Melodic Interval |
2.268 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4467 |
| Relative Prevalence of Most Common Melodic Intervals |
0.42 |
| Amount of Arpeggiation |
0.3019 |
| Repeated Notes |
0.159 |
| Importance of Middle Register |
0.6752 |
| Importance of High Register |
0.01799 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.44 |
| Mean Pitch Class |
5.195 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1098 |
| Prevalence of Most Common Pitch Class |
0.2008 |
| Relative Prevalence of Top Pitches |
0.7845 |
| Relative Prevalence of Top Pitch Classes |
0.816 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.618 |
| Pitch Class Variability |
3.483 |
| Pitch Class Variability After Folding |
3.568 |
| Pitch Skewness |
0.408 |
| Pitch Class Skewness |
0.168 |
| Pitch Class Skewness After Folding |
1.272 |
| Pitch Kurtosis |
5.354 |
| Pitch Class Kurtosis |
4.789 |
| Pitch Class Kurtosis After Folding |
6.08 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.3068 |
| Note Density per Quarter Note |
1.162 |
| Note Density per Quarter Note per Voice |
0.1936 |
| Note Density per Quarter Note Variability |
0.5591 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007576 |
| Prevalence of Medium Rhythmic Values |
0.536 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7396 |
| Prevalence of Very Long Rhythmic Values |
0.1345 |
| Prevalence of Dotted Notes |
0.1335 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.225 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2756 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9175 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.567 |
| Rhythmic Value Skewness |
1.432 |
| Rhythmic Value Kurtosis |
8.927 |
| Mean Rhythmic Value Run Length |
1.602 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.295 |
| Mean Rhythmic Value Offset |
0.1818 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.467 |
| Complete Rests Fraction |
0.001115 |
| Partial Rests Fraction |
0.8144 |
| Average Rest Fraction Across Voices |
0.338 |
| Longest Complete Rest |
1.013 |
| Longest Partial Rest |
113.1 |
| Mean Complete Rest Duration |
1.013 |
| Mean Partial Rest Duration |
21.43 |
| Median Complete Rest Duration |
1.013 |
| Median Partial Rest Duration |
12.26 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
28.24 |
| Variability Across Voices of Combined Rests |
51.13 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4992 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2595 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.924 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7587 |
| Rhythmic Variability - Tempo Standardized |
0.04784 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1056.0 |
| Initial Tempo |
304.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.013 |
| Minimum Note Duration |
0.09868 |
| Maximum Note Duration |
8.276 |
| Average Note Duration |
0.6924 |
| Variability of Note Durations |
0.7089 |
| Amount of Staccato |
0.007576 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
296.5 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
| Strength of Strongest Rhythmic Pulse |
0.2582 |
| Strength of Second Strongest Rhythmic Pulse |
0.2192 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.178 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4775 |
| Rhythmic Variability |
0.03374 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
6.98 |
| Duration in Seconds |
184.1 |
| Note Density |
5.737 |
| Note Density Variability |
2.042 |
| Average Time Between Attacks |
0.3314 |
| Average Time Between Attacks for Each Voice |
0.9784 |
| Variability of Time Between Attacks |
0.1825 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.4286 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.392 |
| Relative Note Durations of Lowest Line |
1.098 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.8835 |
| Voice Separation |
4.4 |
| Variability of Voice Separation |
1.673 |
| Parallel Motion |
0.03215 |
| Average Number of Independent Voices |
3.963 |
| Similar Motion |
0.1022 |
| Contrary Motion |
0.09151 |
| Oblique Motion |
0.7741 |
| Parallel Fifths |
0.004122 |
| Parallel Octaves |
0.002473 |
| Variability of Number of Independent Voices |
1.413 |
| Voice Equality - Number of Notes |
31.67 |
| Voice Equality - Note Duration |
10.35 |
| Voice Equality - Dynamics |
2.582 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
1.366 |
| Importance of Loudest Voice |
4.0 |