Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2396 |
Prevalence of Second Most Common Vertical Interval |
0.1696 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.7076 |
Vertical Unisons |
0.02212 |
Vertical Minor Seconds |
0.01094 |
Vertical Thirds |
0.2603 |
Vertical Tritones |
0.01395 |
Vertical Perfect Fourths |
0.09271 |
Vertical Perfect Fifths |
0.1696 |
Vertical Sixths |
0.149 |
Vertical Sevenths |
0.03918 |
Vertical Octaves |
0.2175 |
Perfect Vertical Intervals |
0.5019 |
Vertical Dissonance Ratio |
0.09735 |
Vertical Minor Third Prevalence |
0.3891 |
Vertical Major Third Prevalence |
0.2969 |
Chord Duration |
1.746 |
Partial Chords |
0.5057 |
Standard Triads |
0.3194 |
Diminished and Augmented Triads |
0.02627 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.01149 |
Non-Standard Chords |
0.1634 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.9746 |
Average Number of Simultaneous Pitch Classes |
2.405 |
Variability of Number of Simultaneous Pitch Classes |
0.7278 |
Average Number of Simultaneous Pitches |
3.119 |
Variability of Number of Simultaneous Pitches |
0.8784 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
7.606 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
17.46 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2309 |
Stepwise Motion |
0.6304 |
Melodic Thirds |
0.1284 |
Melodic Perfect Fourths |
0.06226 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03761 |
Melodic Sixths |
0.001297 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01038 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.667 |
Melodic Embellishments |
0.02323 |
Direction of Melodic Motion |
0.4694 |
Average Length of Melodic Arcs |
1.823 |
Average Interval Spanned by Melodic Arcs |
4.467 |
Melodic Pitch Variety |
4.755 |
Mean Melodic Interval |
2.16 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3995 |
Relative Prevalence of Most Common Melodic Intervals |
0.5779 |
Amount of Arpeggiation |
0.3061 |
Repeated Notes |
0.1297 |
Importance of Middle Register |
0.7871 |
Importance of High Register |
0.02839 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
3.0 |
Mean Pitch |
60.28 |
Mean Pitch Class |
5.64 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.08774 |
Prevalence of Most Common Pitch Class |
0.1768 |
Relative Prevalence of Top Pitches |
0.9853 |
Relative Prevalence of Top Pitch Classes |
0.9708 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
3.0 |
Pitch Variability |
7.427 |
Pitch Class Variability |
3.518 |
Pitch Class Variability After Folding |
4.094 |
Pitch Skewness |
0.2267 |
Pitch Class Skewness |
-1.16 |
Pitch Class Skewness After Folding |
0.9984 |
Pitch Kurtosis |
5.364 |
Pitch Class Kurtosis |
4.716 |
Pitch Class Kurtosis After Folding |
4.743 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
25.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
0.0 |
Number of Common Pitch Classes |
0.0 |
Range |
33.0 |
Importance of Bass Register |
0.1845 |
Note Density per Quarter Note |
1.152 |
Note Density per Quarter Note per Voice |
0.2879 |
Note Density per Quarter Note Variability |
0.5033 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0129 |
Prevalence of Medium Rhythmic Values |
0.5755 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7381 |
Prevalence of Very Long Rhythmic Values |
0.08774 |
Prevalence of Dotted Notes |
0.1342 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.774 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3135 |
Relative Prevalence of Most Common Rhythmic Values |
0.7942 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.835 |
Rhythmic Value Skewness |
1.266 |
Rhythmic Value Kurtosis |
8.202 |
Mean Rhythmic Value Run Length |
1.427 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
0.8957 |
Mean Rhythmic Value Offset |
0.005161 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.1437 |
Complete Rests Fraction |
0.001474 |
Partial Rests Fraction |
0.5007 |
Average Rest Fraction Across Voices |
0.1998 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
56.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
9.607 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
13.42 |
Variability Across Voices of Combined Rests |
16.68 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5013 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2532 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.98 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7545 |
Rhythmic Variability - Tempo Standardized |
0.04781 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
775.0 |
Initial Tempo |
288.0 |
Average Variability of Time Between Attacks for Each Voice |
0.9564 |
Minimum Note Duration |
0.1042 |
Maximum Note Duration |
3.333 |
Average Note Duration |
0.579 |
Variability of Note Durations |
0.3889 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
5.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
6.0 |
Mean Tempo |
288.0 |
Strongest Rhythmic Pulse |
72.0 |
Second Strongest Rhythmic Pulse |
48.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.2354 |
Strength of Second Strongest Rhythmic Pulse |
0.2272 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.036 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.4627 |
Rhythmic Variability |
0.03346 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.3333 |
Tempo Variability |
0.00000000005417 |
Duration in Seconds |
140.2 |
Note Density |
5.528 |
Note Density Variability |
1.918 |
Average Time Between Attacks |
0.3336 |
Average Time Between Attacks for Each Voice |
0.6951 |
Variability of Time Between Attacks |
0.1949 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4242 |
Relative Range Isolation of Loudest Voice |
0.7189 |
Relative Range of Highest Line |
0.4242 |
Relative Note Density of Highest Line |
0.3561 |
Relative Note Durations of Lowest Line |
1.046 |
Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
Voice Overlap |
0.6645 |
Voice Separation |
6.0 |
Variability of Voice Separation |
1.732 |
Parallel Motion |
0.03643 |
Average Number of Independent Voices |
3.205 |
Similar Motion |
0.1246 |
Contrary Motion |
0.161 |
Oblique Motion |
0.678 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.8743 |
Voice Equality - Number of Notes |
17.46 |
Voice Equality - Note Duration |
3.476 |
Voice Equality - Dynamics |
8.66 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
2.449 |
Importance of Loudest Voice |
10.0 |