| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1926 |
| Prevalence of Second Most Common Vertical Interval |
0.1906 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9896 |
| Vertical Unisons |
0.03129 |
| Vertical Minor Seconds |
0.007185 |
| Vertical Thirds |
0.3268 |
| Vertical Tritones |
0.009535 |
| Vertical Perfect Fourths |
0.09527 |
| Vertical Perfect Fifths |
0.1926 |
| Vertical Sixths |
0.1527 |
| Vertical Sevenths |
0.0171 |
| Vertical Octaves |
0.1488 |
| Perfect Vertical Intervals |
0.468 |
| Vertical Dissonance Ratio |
0.0554 |
| Vertical Minor Third Prevalence |
0.5739 |
| Vertical Major Third Prevalence |
0.4446 |
| Chord Duration |
2.29 |
| Partial Chords |
0.2987 |
| Standard Triads |
0.549 |
| Diminished and Augmented Triads |
0.01553 |
| Dominant Seventh Chords |
0.002389 |
| Seventh Chords |
0.01553 |
| Non-Standard Chords |
0.1368 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.408 |
| Average Number of Simultaneous Pitch Classes |
2.67 |
| Variability of Number of Simultaneous Pitch Classes |
0.6672 |
| Average Number of Simultaneous Pitches |
3.283 |
| Variability of Number of Simultaneous Pitches |
0.8165 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.225 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
104.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1987 |
| Stepwise Motion |
0.5699 |
| Melodic Thirds |
0.1115 |
| Melodic Perfect Fourths |
0.05678 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0715 |
| Melodic Sixths |
0.005258 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02419 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.255 |
| Melodic Embellishments |
0.01883 |
| Direction of Melodic Motion |
0.4699 |
| Average Length of Melodic Arcs |
1.839 |
| Average Interval Spanned by Melodic Arcs |
5.318 |
| Melodic Pitch Variety |
4.839 |
| Mean Melodic Interval |
2.444 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3712 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5354 |
| Amount of Arpeggiation |
0.368 |
| Repeated Notes |
0.1609 |
| Importance of Middle Register |
0.6914 |
| Importance of High Register |
0.01046 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.38 |
| Mean Pitch Class |
5.488 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.09414 |
| Prevalence of Most Common Pitch Class |
0.1799 |
| Relative Prevalence of Top Pitches |
0.9444 |
| Relative Prevalence of Top Pitch Classes |
0.9826 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.458 |
| Pitch Class Variability |
3.464 |
| Pitch Class Variability After Folding |
2.951 |
| Pitch Skewness |
-0.1569 |
| Pitch Class Skewness |
0.423 |
| Pitch Class Skewness After Folding |
0.3286 |
| Pitch Kurtosis |
5.203 |
| Pitch Class Kurtosis |
4.904 |
| Pitch Class Kurtosis After Folding |
7.585 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2981 |
| Note Density per Quarter Note |
1.071 |
| Note Density per Quarter Note per Voice |
0.2676 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004184 |
| Prevalence of Medium Rhythmic Values |
0.5952 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8222 |
| Prevalence of Very Long Rhythmic Values |
0.0931 |
| Prevalence of Dotted Notes |
0.1234 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.995 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4174 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5865 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.141 |
| Rhythmic Value Skewness |
1.394 |
| Rhythmic Value Kurtosis |
11.49 |
| Mean Rhythmic Value Run Length |
1.804 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.47 |
| Mean Rhythmic Value Offset |
0.1747 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.052 |
| Complete Rests Fraction |
0.0111 |
| Partial Rests Fraction |
0.4335 |
| Average Rest Fraction Across Voices |
0.1567 |
| Longest Complete Rest |
9.052 |
| Longest Partial Rest |
95.05 |
| Mean Complete Rest Duration |
4.954 |
| Mean Partial Rest Duration |
10.97 |
| Median Complete Rest Duration |
9.052 |
| Median Partial Rest Duration |
2.263 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
5.795 |
| Variability of Partial Rest Durations |
17.9 |
| Variability Across Voices of Combined Rests |
96.08 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6232 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1776 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.509 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8008 |
| Rhythmic Variability - Tempo Standardized |
0.05266 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
956.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.555 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
12.41 |
| Average Note Duration |
0.7226 |
| Variability of Note Durations |
0.8089 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
266.2 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2944 |
| Strength of Second Strongest Rhythmic Pulse |
0.2686 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.096 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.563 |
| Rhythmic Variability |
0.03807 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
31.04 |
| Duration in Seconds |
204.1 |
| Note Density |
4.684 |
| Note Density Variability |
1.635 |
| Average Time Between Attacks |
0.4094 |
| Average Time Between Attacks for Each Voice |
1.04 |
| Variability of Time Between Attacks |
0.2381 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.4701 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2803 |
| Relative Note Durations of Lowest Line |
0.8654 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8138 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.04302 |
| Average Number of Independent Voices |
3.407 |
| Similar Motion |
0.1176 |
| Contrary Motion |
0.1778 |
| Oblique Motion |
0.6616 |
| Parallel Fifths |
0.003824 |
| Parallel Octaves |
0.001912 |
| Variability of Number of Independent Voices |
0.7969 |
| Voice Equality - Number of Notes |
104.3 |
| Voice Equality - Note Duration |
21.96 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
10.0 |