| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1909 |
| Prevalence of Second Most Common Vertical Interval |
0.1797 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9411 |
| Vertical Unisons |
0.03883 |
| Vertical Minor Seconds |
0.005517 |
| Vertical Thirds |
0.3426 |
| Vertical Tritones |
0.007807 |
| Vertical Perfect Fourths |
0.101 |
| Vertical Perfect Fifths |
0.17 |
| Vertical Sixths |
0.1369 |
| Vertical Sevenths |
0.026 |
| Vertical Octaves |
0.1521 |
| Perfect Vertical Intervals |
0.4619 |
| Vertical Dissonance Ratio |
0.06222 |
| Vertical Minor Third Prevalence |
0.5246 |
| Vertical Major Third Prevalence |
0.4784 |
| Chord Duration |
2.15 |
| Partial Chords |
0.3772 |
| Standard Triads |
0.4725 |
| Diminished and Augmented Triads |
0.01407 |
| Dominant Seventh Chords |
0.003631 |
| Seventh Chords |
0.01453 |
| Non-Standard Chords |
0.1357 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9171 |
| Average Number of Simultaneous Pitch Classes |
2.589 |
| Variability of Number of Simultaneous Pitch Classes |
0.6629 |
| Average Number of Simultaneous Pitches |
3.159 |
| Variability of Number of Simultaneous Pitches |
0.8208 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.259 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
91.14 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2122 |
| Stepwise Motion |
0.6552 |
| Melodic Thirds |
0.131 |
| Melodic Perfect Fourths |
0.05694 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.039 |
| Melodic Sixths |
0.00312 |
| Melodic Sevenths |
0.00078 |
| Melodic Octaves |
0.00546 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.435 |
| Melodic Embellishments |
0.01322 |
| Direction of Melodic Motion |
0.4541 |
| Average Length of Melodic Arcs |
1.806 |
| Average Interval Spanned by Melodic Arcs |
4.438 |
| Melodic Pitch Variety |
4.774 |
| Mean Melodic Interval |
2.201 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4431 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4789 |
| Amount of Arpeggiation |
0.2847 |
| Repeated Notes |
0.1084 |
| Importance of Middle Register |
0.8243 |
| Importance of High Register |
0.02255 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.06 |
| Mean Pitch Class |
5.288 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1104 |
| Prevalence of Most Common Pitch Class |
0.1656 |
| Relative Prevalence of Top Pitches |
0.8592 |
| Relative Prevalence of Top Pitch Classes |
0.9859 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.561 |
| Pitch Class Variability |
3.5 |
| Pitch Class Variability After Folding |
3.182 |
| Pitch Skewness |
-0.1735 |
| Pitch Class Skewness |
0.2466 |
| Pitch Class Skewness After Folding |
0.4149 |
| Pitch Kurtosis |
5.269 |
| Pitch Class Kurtosis |
4.916 |
| Pitch Class Kurtosis After Folding |
6.994 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1532 |
| Note Density per Quarter Note |
1.108 |
| Note Density per Quarter Note per Voice |
0.2769 |
| Note Density per Quarter Note Variability |
0.5098 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006221 |
| Prevalence of Medium Rhythmic Values |
0.5832 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7784 |
| Prevalence of Very Long Rhythmic Values |
0.07776 |
| Prevalence of Dotted Notes |
0.1135 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.902 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3616 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7204 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.114 |
| Rhythmic Value Skewness |
1.28 |
| Rhythmic Value Kurtosis |
12.22 |
| Mean Rhythmic Value Run Length |
1.618 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.176 |
| Mean Rhythmic Value Offset |
0.0902 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.013 |
| Complete Rests Fraction |
0.0007697 |
| Partial Rests Fraction |
0.4813 |
| Average Rest Fraction Across Voices |
0.1725 |
| Longest Complete Rest |
0.8936 |
| Longest Partial Rest |
107.4 |
| Mean Complete Rest Duration |
0.8936 |
| Mean Partial Rest Duration |
8.709 |
| Median Complete Rest Duration |
0.8936 |
| Median Partial Rest Duration |
2.237 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
15.43 |
| Variability Across Voices of Combined Rests |
81.28 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.554 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2276 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.434 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7816 |
| Rhythmic Variability - Tempo Standardized |
0.04993 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1286.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.172 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6909 |
| Variability of Note Durations |
0.6018 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
262.5 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.477 |
| Strength of Strongest Rhythmic Pulse |
0.2856 |
| Strength of Second Strongest Rhythmic Pulse |
0.267 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.07 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5526 |
| Rhythmic Variability |
0.03764 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.89 |
| Duration in Seconds |
268.4 |
| Note Density |
4.791 |
| Note Density Variability |
1.519 |
| Average Time Between Attacks |
0.4088 |
| Average Time Between Attacks for Each Voice |
0.8662 |
| Variability of Time Between Attacks |
0.2352 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5161 |
| Relative Range Isolation of Loudest Voice |
0.385 |
| Relative Range of Highest Line |
0.5161 |
| Relative Note Density of Highest Line |
0.2115 |
| Relative Note Durations of Lowest Line |
0.9477 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8289 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.05701 |
| Average Number of Independent Voices |
3.317 |
| Similar Motion |
0.1602 |
| Contrary Motion |
0.1733 |
| Oblique Motion |
0.6094 |
| Parallel Fifths |
0.003082 |
| Parallel Octaves |
0.0007704 |
| Variability of Number of Independent Voices |
0.8133 |
| Voice Equality - Number of Notes |
91.14 |
| Voice Equality - Note Duration |
18.79 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.944 |
| Importance of Loudest Voice |
10.0 |