| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2173 |
| Prevalence of Second Most Common Vertical Interval |
0.1835 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8444 |
| Vertical Unisons |
0.03008 |
| Vertical Minor Seconds |
0.005984 |
| Vertical Thirds |
0.3105 |
| Vertical Tritones |
0.01314 |
| Vertical Perfect Fourths |
0.08301 |
| Vertical Perfect Fifths |
0.1835 |
| Vertical Sixths |
0.1329 |
| Vertical Sevenths |
0.03189 |
| Vertical Octaves |
0.1872 |
| Perfect Vertical Intervals |
0.4839 |
| Vertical Dissonance Ratio |
0.07841 |
| Vertical Minor Third Prevalence |
0.4344 |
| Vertical Major Third Prevalence |
0.3414 |
| Chord Duration |
1.971 |
| Partial Chords |
0.4934 |
| Standard Triads |
0.3533 |
| Diminished and Augmented Triads |
0.02551 |
| Dominant Seventh Chords |
0.001138 |
| Seventh Chords |
0.009674 |
| Non-Standard Chords |
0.1437 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9835 |
| Average Number of Simultaneous Pitch Classes |
2.379 |
| Variability of Number of Simultaneous Pitch Classes |
0.6936 |
| Average Number of Simultaneous Pitches |
2.95 |
| Variability of Number of Simultaneous Pitches |
0.7801 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.354 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
97.22 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2244 |
| Stepwise Motion |
0.7027 |
| Melodic Thirds |
0.1158 |
| Melodic Perfect Fourths |
0.05067 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04677 |
| Melodic Sixths |
0.004454 |
| Melodic Sevenths |
0.00167 |
| Melodic Octaves |
0.008352 |
| Melodic Large Intervals |
0.0005568 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.302 |
| Melodic Embellishments |
0.01556 |
| Direction of Melodic Motion |
0.4593 |
| Average Length of Melodic Arcs |
1.972 |
| Average Interval Spanned by Melodic Arcs |
4.871 |
| Melodic Pitch Variety |
4.819 |
| Mean Melodic Interval |
2.306 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4783 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4692 |
| Amount of Arpeggiation |
0.2422 |
| Repeated Notes |
0.06904 |
| Importance of Middle Register |
0.6733 |
| Importance of High Register |
0.006111 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.63 |
| Mean Pitch Class |
5.23 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.09444 |
| Prevalence of Most Common Pitch Class |
0.1683 |
| Relative Prevalence of Top Pitches |
0.9059 |
| Relative Prevalence of Top Pitch Classes |
0.9406 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.435 |
| Pitch Class Variability |
3.489 |
| Pitch Class Variability After Folding |
3.158 |
| Pitch Skewness |
-0.3645 |
| Pitch Class Skewness |
0.1978 |
| Pitch Class Skewness After Folding |
0.4464 |
| Pitch Kurtosis |
5.192 |
| Pitch Class Kurtosis |
4.863 |
| Pitch Class Kurtosis After Folding |
7.003 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3206 |
| Note Density per Quarter Note |
0.9217 |
| Note Density per Quarter Note per Voice |
0.2304 |
| Note Density per Quarter Note Variability |
0.3826 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008889 |
| Prevalence of Medium Rhythmic Values |
0.5328 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8039 |
| Prevalence of Very Long Rhythmic Values |
0.105 |
| Prevalence of Dotted Notes |
0.145 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.159 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3367 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8036 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.341 |
| Rhythmic Value Skewness |
1.486 |
| Rhythmic Value Kurtosis |
10.55 |
| Mean Rhythmic Value Run Length |
1.641 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.399 |
| Mean Rhythmic Value Offset |
0.1597 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.16 |
| Complete Rests Fraction |
0.0005078 |
| Partial Rests Fraction |
0.6993 |
| Average Rest Fraction Across Voices |
0.2372 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
608.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
12.78 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
50.63 |
| Variability Across Voices of Combined Rests |
298.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6035 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1952 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.092 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7987 |
| Rhythmic Variability - Tempo Standardized |
0.05168 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1800.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.513 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6897 |
| Variability of Note Durations |
0.645 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2721 |
| Strength of Second Strongest Rhythmic Pulse |
0.2573 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.057 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5294 |
| Rhythmic Variability |
0.03575 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000001267 |
| Duration in Seconds |
406.9 |
| Note Density |
4.424 |
| Note Density Variability |
1.408 |
| Average Time Between Attacks |
0.3888 |
| Average Time Between Attacks for Each Voice |
0.9245 |
| Variability of Time Between Attacks |
0.1997 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.2756 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.1444 |
| Relative Note Durations of Lowest Line |
0.9851 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8239 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.04681 |
| Average Number of Independent Voices |
3.053 |
| Similar Motion |
0.1209 |
| Contrary Motion |
0.1641 |
| Oblique Motion |
0.6682 |
| Parallel Fifths |
0.002058 |
| Parallel Octaves |
0.001029 |
| Variability of Number of Independent Voices |
0.7581 |
| Voice Equality - Number of Notes |
97.22 |
| Voice Equality - Note Duration |
62.08 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
10.0 |