| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2182 |
| Prevalence of Second Most Common Vertical Interval |
0.1759 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8061 |
| Vertical Unisons |
0.03042 |
| Vertical Minor Seconds |
0.007372 |
| Vertical Thirds |
0.3293 |
| Vertical Tritones |
0.01012 |
| Vertical Perfect Fourths |
0.08328 |
| Vertical Perfect Fifths |
0.1636 |
| Vertical Sixths |
0.1397 |
| Vertical Sevenths |
0.03046 |
| Vertical Octaves |
0.1878 |
| Perfect Vertical Intervals |
0.4651 |
| Vertical Dissonance Ratio |
0.0706 |
| Vertical Minor Third Prevalence |
0.4263 |
| Vertical Major Third Prevalence |
0.3735 |
| Chord Duration |
2.239 |
| Partial Chords |
0.4966 |
| Standard Triads |
0.3824 |
| Diminished and Augmented Triads |
0.01598 |
| Dominant Seventh Chords |
0.001142 |
| Seventh Chords |
0.01027 |
| Non-Standard Chords |
0.1107 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.295 |
| Average Number of Simultaneous Pitch Classes |
2.343 |
| Variability of Number of Simultaneous Pitch Classes |
0.7362 |
| Average Number of Simultaneous Pitches |
2.947 |
| Variability of Number of Simultaneous Pitches |
0.9667 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.467 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
66.04 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.215 |
| Stepwise Motion |
0.6393 |
| Melodic Thirds |
0.162 |
| Melodic Perfect Fourths |
0.05014 |
| Melodic Tritones |
0.0009643 |
| Melodic Perfect Fifths |
0.02604 |
| Melodic Sixths |
0.002893 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005786 |
| Melodic Large Intervals |
0.0009643 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.71 |
| Melodic Embellishments |
0.01057 |
| Direction of Melodic Motion |
0.4658 |
| Average Length of Melodic Arcs |
1.895 |
| Average Interval Spanned by Melodic Arcs |
4.562 |
| Melodic Pitch Variety |
4.534 |
| Mean Melodic Interval |
2.156 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4243 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5068 |
| Amount of Arpeggiation |
0.3067 |
| Repeated Notes |
0.1119 |
| Importance of Middle Register |
0.7935 |
| Importance of High Register |
0.1249 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.2 |
| Mean Pitch Class |
5.266 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1124 |
| Prevalence of Most Common Pitch Class |
0.1873 |
| Relative Prevalence of Top Pitches |
0.8803 |
| Relative Prevalence of Top Pitch Classes |
0.8974 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.886 |
| Pitch Class Variability |
3.309 |
| Pitch Class Variability After Folding |
3.598 |
| Pitch Skewness |
-0.1302 |
| Pitch Class Skewness |
0.2413 |
| Pitch Class Skewness After Folding |
0.8515 |
| Pitch Kurtosis |
5.325 |
| Pitch Class Kurtosis |
4.954 |
| Pitch Class Kurtosis After Folding |
5.817 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.08165 |
| Note Density per Quarter Note |
1.036 |
| Note Density per Quarter Note per Voice |
0.259 |
| Note Density per Quarter Note Variability |
0.535 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5754 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7512 |
| Prevalence of Very Long Rhythmic Values |
0.07589 |
| Prevalence of Dotted Notes |
0.1066 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.866 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3266 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8294 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.047 |
| Rhythmic Value Skewness |
1.27 |
| Rhythmic Value Kurtosis |
11.68 |
| Mean Rhythmic Value Run Length |
1.602 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.041 |
| Mean Rhythmic Value Offset |
0.08069 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8465 |
| Complete Rests Fraction |
0.0009204 |
| Partial Rests Fraction |
0.5303 |
| Average Rest Fraction Across Voices |
0.2318 |
| Longest Complete Rest |
0.925 |
| Longest Partial Rest |
208.9 |
| Mean Complete Rest Duration |
0.925 |
| Mean Partial Rest Duration |
13.5 |
| Median Complete Rest Duration |
0.925 |
| Median Partial Rest Duration |
3.731 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
35.26 |
| Variability Across Voices of Combined Rests |
120.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5512 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2301 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.396 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7813 |
| Rhythmic Variability - Tempo Standardized |
0.0499 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1041.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.196 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.172 |
| Average Note Duration |
0.6626 |
| Variability of Note Durations |
0.5581 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
271.3 |
| Strongest Rhythmic Pulse |
45.0 |
| Second Strongest Rhythmic Pulse |
68.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.511 |
| Strength of Strongest Rhythmic Pulse |
0.2734 |
| Strength of Second Strongest Rhythmic Pulse |
0.2719 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.005 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5453 |
| Rhythmic Variability |
0.03762 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
25.63 |
| Duration in Seconds |
224.5 |
| Note Density |
4.638 |
| Note Density Variability |
1.564 |
| Average Time Between Attacks |
0.3949 |
| Average Time Between Attacks for Each Voice |
0.8849 |
| Variability of Time Between Attacks |
0.2478 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.3182 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2805 |
| Relative Note Durations of Lowest Line |
0.977 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.804 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.04789 |
| Average Number of Independent Voices |
3.056 |
| Similar Motion |
0.1245 |
| Contrary Motion |
0.1954 |
| Oblique Motion |
0.6322 |
| Parallel Fifths |
0.003831 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9763 |
| Voice Equality - Number of Notes |
66.04 |
| Voice Equality - Note Duration |
26.91 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.5 |
| Importance of Loudest Voice |
10.0 |