Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2029 |
Prevalence of Second Most Common Vertical Interval |
0.1695 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8355 |
Vertical Unisons |
0.03354 |
Vertical Minor Seconds |
0.008036 |
Vertical Thirds |
0.3227 |
Vertical Tritones |
0.01196 |
Vertical Perfect Fourths |
0.09695 |
Vertical Perfect Fifths |
0.1559 |
Vertical Sixths |
0.1348 |
Vertical Sevenths |
0.03487 |
Vertical Octaves |
0.1694 |
Perfect Vertical Intervals |
0.4558 |
Vertical Dissonance Ratio |
0.09501 |
Vertical Minor Third Prevalence |
0.3995 |
Vertical Major Third Prevalence |
0.3528 |
Chord Duration |
1.669 |
Partial Chords |
0.5341 |
Standard Triads |
0.28 |
Diminished and Augmented Triads |
0.02361 |
Dominant Seventh Chords |
0.005997 |
Seventh Chords |
0.02699 |
Non-Standard Chords |
0.1589 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.491 |
Average Number of Simultaneous Pitch Classes |
2.373 |
Variability of Number of Simultaneous Pitch Classes |
0.7473 |
Average Number of Simultaneous Pitches |
2.892 |
Variability of Number of Simultaneous Pitches |
0.9248 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
7.092 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
50.28 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2151 |
Stepwise Motion |
0.712 |
Melodic Thirds |
0.1305 |
Melodic Perfect Fourths |
0.04034 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04818 |
Melodic Sixths |
0.005602 |
Melodic Sevenths |
0.0005602 |
Melodic Octaves |
0.01232 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.33 |
Melodic Embellishments |
0.01062 |
Direction of Melodic Motion |
0.4779 |
Average Length of Melodic Arcs |
1.926 |
Average Interval Spanned by Melodic Arcs |
4.841 |
Melodic Pitch Variety |
5.116 |
Mean Melodic Interval |
2.396 |
Number of Common Melodic Intervals |
2.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4969 |
Relative Prevalence of Most Common Melodic Intervals |
0.4329 |
Amount of Arpeggiation |
0.242 |
Repeated Notes |
0.05042 |
Importance of Middle Register |
0.777 |
Importance of High Register |
0.1191 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
63.28 |
Mean Pitch Class |
4.817 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.09726 |
Prevalence of Most Common Pitch Class |
0.1833 |
Relative Prevalence of Top Pitches |
0.9425 |
Relative Prevalence of Top Pitch Classes |
0.9055 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.348 |
Pitch Class Variability |
3.518 |
Pitch Class Variability After Folding |
3.223 |
Pitch Skewness |
-0.07988 |
Pitch Class Skewness |
0.6968 |
Pitch Class Skewness After Folding |
1.18 |
Pitch Kurtosis |
5.324 |
Pitch Class Kurtosis |
4.992 |
Pitch Class Kurtosis After Folding |
7.062 |
Major or Minor |
0.0 |
First Pitch |
60.0 |
First Pitch Class |
0.0 |
Last Pitch |
48.0 |
Last Pitch Class |
0.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
23.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.104 |
Note Density per Quarter Note |
1.201 |
Note Density per Quarter Note per Voice |
0.3004 |
Note Density per Quarter Note Variability |
0.5053 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.007826 |
Prevalence of Medium Rhythmic Values |
0.6629 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.6903 |
Prevalence of Very Long Rhythmic Values |
0.0531 |
Prevalence of Dotted Notes |
0.1001 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.485 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3533 |
Relative Prevalence of Most Common Rhythmic Values |
0.8544 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.715 |
Rhythmic Value Skewness |
0.8487 |
Rhythmic Value Kurtosis |
12.33 |
Mean Rhythmic Value Run Length |
1.722 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.137 |
Mean Rhythmic Value Offset |
0.01565 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.2498 |
Complete Rests Fraction |
0.000666 |
Partial Rests Fraction |
0.6118 |
Average Rest Fraction Across Voices |
0.2488 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
352.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
12.05 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
43.84 |
Variability Across Voices of Combined Rests |
123.8 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5071 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2431 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.086 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7503 |
Rhythmic Variability - Tempo Standardized |
0.048 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1789.0 |
Initial Tempo |
232.0 |
Average Variability of Time Between Attacks for Each Voice |
2.993 |
Minimum Note Duration |
0.1293 |
Maximum Note Duration |
4.138 |
Average Note Duration |
0.6468 |
Variability of Note Durations |
0.4699 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
4.0 |
Number of Relatively Strong Rhythmic Pulses |
4.0 |
Mean Tempo |
232.0 |
Strongest Rhythmic Pulse |
58.0 |
Second Strongest Rhythmic Pulse |
116.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.3385 |
Strength of Second Strongest Rhythmic Pulse |
0.3353 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.01 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.6738 |
Rhythmic Variability |
0.0411 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.5 |
Tempo Variability |
0.0000000006677 |
Duration in Seconds |
385.1 |
Note Density |
4.646 |
Note Density Variability |
1.521 |
Average Time Between Attacks |
0.4134 |
Average Time Between Attacks for Each Voice |
0.8585 |
Variability of Time Between Attacks |
0.2127 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5484 |
Relative Range Isolation of Loudest Voice |
0.2874 |
Relative Range of Highest Line |
0.5484 |
Relative Note Density of Highest Line |
0.161 |
Relative Note Durations of Lowest Line |
1.041 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.8273 |
Voice Separation |
5.667 |
Variability of Voice Separation |
2.309 |
Parallel Motion |
0.07206 |
Average Number of Independent Voices |
3.007 |
Similar Motion |
0.1154 |
Contrary Motion |
0.2056 |
Oblique Motion |
0.6069 |
Parallel Fifths |
0.002929 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.9136 |
Voice Equality - Number of Notes |
50.28 |
Voice Equality - Note Duration |
32.01 |
Voice Equality - Dynamics |
8.66 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
2.082 |
Importance of Loudest Voice |
10.0 |