| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2039 |
| Prevalence of Second Most Common Vertical Interval |
0.1815 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8898 |
| Vertical Unisons |
0.006866 |
| Vertical Minor Seconds |
0.003911 |
| Vertical Thirds |
0.265 |
| Vertical Tritones |
0.008265 |
| Vertical Perfect Fourths |
0.1257 |
| Vertical Perfect Fifths |
0.1815 |
| Vertical Sixths |
0.1758 |
| Vertical Sevenths |
0.0262 |
| Vertical Octaves |
0.1971 |
| Perfect Vertical Intervals |
0.511 |
| Vertical Dissonance Ratio |
0.0506 |
| Vertical Minor Third Prevalence |
0.3868 |
| Vertical Major Third Prevalence |
0.3741 |
| Chord Duration |
2.293 |
| Partial Chords |
0.4675 |
| Standard Triads |
0.4144 |
| Diminished and Augmented Triads |
0.01001 |
| Dominant Seventh Chords |
0.003003 |
| Seventh Chords |
0.01902 |
| Non-Standard Chords |
0.0991 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3709 |
| Average Number of Simultaneous Pitch Classes |
2.48 |
| Variability of Number of Simultaneous Pitch Classes |
0.6606 |
| Average Number of Simultaneous Pitches |
3.145 |
| Variability of Number of Simultaneous Pitches |
0.8836 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.828 |
| Variation of Dynamics In Each Voice |
1.829 |
| Average Note to Note Change in Dynamics |
2.235 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1834 |
| Stepwise Motion |
0.5319 |
| Melodic Thirds |
0.1415 |
| Melodic Perfect Fourths |
0.05939 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06114 |
| Melodic Sixths |
0.009607 |
| Melodic Sevenths |
0.0008734 |
| Melodic Octaves |
0.02271 |
| Melodic Large Intervals |
0.0008734 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.282 |
| Melodic Embellishments |
0.0235 |
| Direction of Melodic Motion |
0.403 |
| Average Length of Melodic Arcs |
1.862 |
| Average Interval Spanned by Melodic Arcs |
5.527 |
| Melodic Pitch Variety |
5.229 |
| Mean Melodic Interval |
2.47 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3485 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5263 |
| Amount of Arpeggiation |
0.3991 |
| Repeated Notes |
0.1721 |
| Importance of Middle Register |
0.6379 |
| Importance of High Register |
0.0008703 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.97 |
| Mean Pitch Class |
5.078 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1123 |
| Prevalence of Most Common Pitch Class |
0.2254 |
| Relative Prevalence of Top Pitches |
0.9302 |
| Relative Prevalence of Top Pitch Classes |
0.8958 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.895 |
| Pitch Class Variability |
3.469 |
| Pitch Class Variability After Folding |
4.41 |
| Pitch Skewness |
0.1528 |
| Pitch Class Skewness |
0.06773 |
| Pitch Class Skewness After Folding |
1.218 |
| Pitch Kurtosis |
5.256 |
| Pitch Class Kurtosis |
4.766 |
| Pitch Class Kurtosis After Folding |
4.492 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3612 |
| Note Density per Quarter Note |
1.084 |
| Note Density per Quarter Note per Voice |
0.271 |
| Note Density per Quarter Note Variability |
0.5292 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003481 |
| Prevalence of Medium Rhythmic Values |
0.5779 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8564 |
| Prevalence of Very Long Rhythmic Values |
0.07224 |
| Prevalence of Dotted Notes |
0.1062 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.891 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4343 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6473 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.749 |
| Rhythmic Value Skewness |
1.529 |
| Rhythmic Value Kurtosis |
11.93 |
| Mean Rhythmic Value Run Length |
1.561 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.095 |
| Mean Rhythmic Value Offset |
0.04874 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7152 |
| Complete Rests Fraction |
0.0000009827 |
| Partial Rests Fraction |
0.5075 |
| Average Rest Fraction Across Voices |
0.2071 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
11.26 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.16 |
| Variability Across Voices of Combined Rests |
29.77 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6389 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1965 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.251 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8354 |
| Rhythmic Variability - Tempo Standardized |
0.05402 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
1149.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9114 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
4.5 |
| Average Note Duration |
0.5486 |
| Variability of Note Durations |
0.3855 |
| Amount of Staccato |
0.003481 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2189 |
| Strength of Second Strongest Rhythmic Pulse |
0.2179 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.004 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4368 |
| Rhythmic Variability |
0.03346 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
198.8 |
| Note Density |
5.781 |
| Note Density Variability |
2.118 |
| Average Time Between Attacks |
0.3922 |
| Average Time Between Attacks for Each Voice |
0.676 |
| Variability of Time Between Attacks |
0.2293 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6364 |
| Relative Range Isolation of Loudest Voice |
0.5936 |
| Relative Range of Highest Line |
0.6364 |
| Relative Note Density of Highest Line |
0.2332 |
| Relative Note Durations of Lowest Line |
1.031 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7772 |
| Voice Separation |
6.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.06927 |
| Average Number of Independent Voices |
3.172 |
| Similar Motion |
0.1865 |
| Contrary Motion |
0.2327 |
| Oblique Motion |
0.5115 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002664 |
| Variability of Number of Independent Voices |
0.8917 |
| Voice Equality - Number of Notes |
5.965 |
| Voice Equality - Note Duration |
5.582 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.38 |
| Importance of Loudest Voice |
0.0 |