| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2036 |
| Prevalence of Second Most Common Vertical Interval |
0.1922 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9442 |
| Vertical Unisons |
0.01668 |
| Vertical Minor Seconds |
0.002857 |
| Vertical Thirds |
0.2737 |
| Vertical Tritones |
0.002439 |
| Vertical Perfect Fourths |
0.1504 |
| Vertical Perfect Fifths |
0.1922 |
| Vertical Sixths |
0.1346 |
| Vertical Sevenths |
0.02212 |
| Vertical Octaves |
0.1869 |
| Perfect Vertical Intervals |
0.5462 |
| Vertical Dissonance Ratio |
0.04771 |
| Vertical Minor Third Prevalence |
0.3914 |
| Vertical Major Third Prevalence |
0.3094 |
| Chord Duration |
1.8 |
| Partial Chords |
0.4849 |
| Standard Triads |
0.445 |
| Diminished and Augmented Triads |
0.003233 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.07004 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.614 |
| Average Number of Simultaneous Pitch Classes |
2.452 |
| Variability of Number of Simultaneous Pitch Classes |
0.6071 |
| Average Number of Simultaneous Pitches |
3.14 |
| Variability of Number of Simultaneous Pitches |
0.9331 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.069 |
| Variation of Dynamics In Each Voice |
1.405 |
| Average Note to Note Change in Dynamics |
2.063 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.15 |
| Stepwise Motion |
0.666 |
| Melodic Thirds |
0.132 |
| Melodic Perfect Fourths |
0.068 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.058 |
| Melodic Sixths |
0.01 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.018 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
5.6 |
| Melodic Embellishments |
0.007937 |
| Direction of Melodic Motion |
0.4013 |
| Average Length of Melodic Arcs |
1.783 |
| Average Interval Spanned by Melodic Arcs |
4.906 |
| Melodic Pitch Variety |
5.465 |
| Mean Melodic Interval |
2.64 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.516 |
| Relative Prevalence of Most Common Melodic Intervals |
0.2907 |
| Amount of Arpeggiation |
0.256 |
| Repeated Notes |
0.048 |
| Importance of Middle Register |
0.5456 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
53.96 |
| Mean Pitch Class |
5.067 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1052 |
| Prevalence of Most Common Pitch Class |
0.2024 |
| Relative Prevalence of Top Pitches |
0.9245 |
| Relative Prevalence of Top Pitch Classes |
0.8235 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.516 |
| Pitch Class Variability |
3.483 |
| Pitch Class Variability After Folding |
3.907 |
| Pitch Skewness |
-0.2978 |
| Pitch Class Skewness |
0.05811 |
| Pitch Class Skewness After Folding |
1.459 |
| Pitch Kurtosis |
5.047 |
| Pitch Class Kurtosis |
4.66 |
| Pitch Class Kurtosis After Folding |
5.279 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.4544 |
| Note Density per Quarter Note |
1.033 |
| Note Density per Quarter Note per Voice |
0.2582 |
| Note Density per Quarter Note Variability |
0.441 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01587 |
| Prevalence of Medium Rhythmic Values |
0.5734 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8214 |
| Prevalence of Very Long Rhythmic Values |
0.09127 |
| Prevalence of Dotted Notes |
0.08532 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.004 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3948 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7588 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.056 |
| Rhythmic Value Skewness |
1.465 |
| Rhythmic Value Kurtosis |
11.5 |
| Mean Rhythmic Value Run Length |
1.86 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.345 |
| Mean Rhythmic Value Offset |
0.09921 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8726 |
| Complete Rests Fraction |
0.000002135 |
| Partial Rests Fraction |
0.4672 |
| Average Rest Fraction Across Voices |
0.1988 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
13.86 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
16.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.61 |
| Variability Across Voices of Combined Rests |
83.47 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6907 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1491 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.633 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8397 |
| Rhythmic Variability - Tempo Standardized |
0.05668 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
504.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.047 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
4.5 |
| Average Note Duration |
0.5818 |
| Variability of Note Durations |
0.4881 |
| Amount of Staccato |
0.01587 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
160.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
4.0 |
| Strength of Strongest Rhythmic Pulse |
0.2135 |
| Strength of Second Strongest Rhythmic Pulse |
0.2121 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.007 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4256 |
| Rhythmic Variability |
0.03347 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
91.5 |
| Note Density |
5.508 |
| Note Density Variability |
1.264 |
| Average Time Between Attacks |
0.317 |
| Average Time Between Attacks for Each Voice |
0.9014 |
| Variability of Time Between Attacks |
0.1299 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5769 |
| Relative Range Isolation of Loudest Voice |
0.2245 |
| Relative Range of Highest Line |
0.5769 |
| Relative Note Density of Highest Line |
0.4762 |
| Relative Note Durations of Lowest Line |
0.8179 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7421 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.04211 |
| Average Number of Independent Voices |
3.205 |
| Similar Motion |
0.1368 |
| Contrary Motion |
0.1158 |
| Oblique Motion |
0.7053 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9138 |
| Voice Equality - Number of Notes |
71.89 |
| Voice Equality - Note Duration |
15.65 |
| Voice Equality - Dynamics |
8.098 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
4.123 |
| Importance of Loudest Voice |
8.333 |