File

Last modified on: April 19, 2024, 5:29 p.m.

F164_60_Anonymous_Fors_seulement_JRP_corrJ.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Forseullement l'atente que je meure
File Type
Symbolic Music
File Format
xml
File Size
266.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2107
Prevalence of Second Most Common Vertical Interval 0.2095
Prevalence Ratio of Two Most Common Vertical Intervals 0.9945
Vertical Unisons 0.05536
Vertical Minor Seconds 0.01077
Vertical Thirds 0.3379
Vertical Tritones 0.01019
Vertical Perfect Fourths 0.07478
Vertical Perfect Fifths 0.1876
Vertical Sixths 0.1198
Vertical Sevenths 0.02134
Vertical Octaves 0.1553
Perfect Vertical Intervals 0.4731
Vertical Dissonance Ratio 0.07435
Vertical Minor Third Prevalence 0.5721
Vertical Major Third Prevalence 0.4119
Chord Duration 2.072
Partial Chords 0.407
Standard Triads 0.4252
Diminished and Augmented Triads 0.01993
Dominant Seventh Chords 0.0
Seventh Chords 0.01329
Non-Standard Chords 0.1545
Complex Chords 0.0
Minor Major Triad Ratio 2.241
Average Number of Simultaneous Pitch Classes 2.585
Variability of Number of Simultaneous Pitch Classes 0.6399
Average Number of Simultaneous Pitches 3.167
Variability of Number of Simultaneous Pitches 0.779
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.197
Stepwise Motion 0.601
Melodic Thirds 0.1363
Melodic Perfect Fourths 0.04762
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05255
Melodic Sixths 0.001642
Melodic Sevenths 0.0
Melodic Octaves 0.02135
Melodic Large Intervals 0.001642
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.458
Melodic Embellishments 0.04405
Direction of Melodic Motion 0.4648
Average Length of Melodic Arcs 2.004
Average Interval Spanned by Melodic Arcs 5.363
Melodic Pitch Variety 5.38
Mean Melodic Interval 2.353
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4039
Relative Prevalence of Most Common Melodic Intervals 0.4878
Amount of Arpeggiation 0.3498
Repeated Notes 0.1379
Importance of Middle Register 0.7716
Importance of High Register 0.0
Dominant Spread 3.0
Strong Tonal Centres 2.0
Mean Pitch 58.0
Mean Pitch Class 5.675
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1452
Prevalence of Most Common Pitch Class 0.217
Relative Prevalence of Top Pitches 0.7753
Relative Prevalence of Top Pitch Classes 0.8797
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.396
Pitch Class Variability 3.662
Pitch Class Variability After Folding 2.751
Pitch Skewness -0.08263
Pitch Class Skewness 0.5533
Pitch Class Skewness After Folding 0.2384
Pitch Kurtosis 5.654
Pitch Class Kurtosis 4.813
Pitch Class Kurtosis After Folding 8.263
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.006525
Average Range of Glissandos 0.0
Number of Pitches 17.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.006525
Number of Pitch Classes 7.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 27.0
Importance of Bass Register 0.2284
Note Density per Quarter Note 0.9808
Note Density per Quarter Note per Voice 0.9808
Note Density per Quarter Note Variability 0.4373
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.4959
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7928
Prevalence of Very Long Rhythmic Values 0.1599
Prevalence of Dotted Notes 0.1517
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.302
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.2887
Relative Prevalence of Most Common Rhythmic Values 0.9605
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.264
Rhythmic Value Skewness 0.3999
Rhythmic Value Kurtosis 8.415
Mean Rhythmic Value Run Length 1.675
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.128
Mean Rhythmic Value Offset 0.1631
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 2.505
Complete Rests Fraction 0.0016
Partial Rests Fraction 0.0016
Average Rest Fraction Across Voices 0.0016
Longest Complete Rest 1.0
Longest Partial Rest 1.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 1.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 1.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5659
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2212
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.559
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.787
Rhythmic Variability - Tempo Standardized 0.05051
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 613.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1808
Minimum Note Duration 0.1875
Maximum Note Duration 13.5
Average Note Duration 0.6497
Variability of Note Durations 0.7076
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2328
Strength of Second Strongest Rhythmic Pulse 0.2287
Strength Ratio of Two Strongest Rhythmic Pulses 1.018
Combined Strength of Two Strongest Rhythmic Pulses 0.4615
Rhythmic Variability 0.03275
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 117.2
Note Density 5.231
Note Density Variability 1.648
Average Time Between Attacks 0.3453
Average Time Between Attacks for Each Voice 0.3453
Variability of Time Between Attacks 0.1808
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.09462
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.03521
Average Number of Independent Voices 1.0
Similar Motion 0.1109
Contrary Motion 0.1356
Oblique Motion 0.7183
Parallel Fifths 0.005282
Parallel Octaves 0.005282
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0