| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2118 |
| Prevalence of Second Most Common Vertical Interval |
0.2094 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9886 |
| Vertical Unisons |
0.05543 |
| Vertical Minor Seconds |
0.01065 |
| Vertical Thirds |
0.3383 |
| Vertical Tritones |
0.01008 |
| Vertical Perfect Fourths |
0.07478 |
| Vertical Perfect Fifths |
0.1876 |
| Vertical Sixths |
0.1191 |
| Vertical Sevenths |
0.02105 |
| Vertical Octaves |
0.1564 |
| Perfect Vertical Intervals |
0.4742 |
| Vertical Dissonance Ratio |
0.07347 |
| Vertical Minor Third Prevalence |
0.5721 |
| Vertical Major Third Prevalence |
0.4119 |
| Chord Duration |
2.072 |
| Partial Chords |
0.407 |
| Standard Triads |
0.4252 |
| Diminished and Augmented Triads |
0.01993 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01329 |
| Non-Standard Chords |
0.1545 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.241 |
| Average Number of Simultaneous Pitch Classes |
2.585 |
| Variability of Number of Simultaneous Pitch Classes |
0.6399 |
| Average Number of Simultaneous Pitches |
3.167 |
| Variability of Number of Simultaneous Pitches |
0.779 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.859 |
| Variation of Dynamics In Each Voice |
1.856 |
| Average Note to Note Change in Dynamics |
2.023 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.197 |
| Stepwise Motion |
0.601 |
| Melodic Thirds |
0.1363 |
| Melodic Perfect Fourths |
0.04762 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05255 |
| Melodic Sixths |
0.001642 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02135 |
| Melodic Large Intervals |
0.001642 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.458 |
| Melodic Embellishments |
0.02936 |
| Direction of Melodic Motion |
0.4648 |
| Average Length of Melodic Arcs |
2.004 |
| Average Interval Spanned by Melodic Arcs |
5.363 |
| Melodic Pitch Variety |
5.104 |
| Mean Melodic Interval |
2.353 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4039 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4878 |
| Amount of Arpeggiation |
0.3498 |
| Repeated Notes |
0.1379 |
| Importance of Middle Register |
0.7716 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.38 |
| Mean Pitch Class |
5.675 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1452 |
| Prevalence of Most Common Pitch Class |
0.217 |
| Relative Prevalence of Top Pitches |
0.7753 |
| Relative Prevalence of Top Pitch Classes |
0.8797 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.396 |
| Pitch Class Variability |
3.662 |
| Pitch Class Variability After Folding |
2.751 |
| Pitch Skewness |
-0.08263 |
| Pitch Class Skewness |
0.5533 |
| Pitch Class Skewness After Folding |
0.2384 |
| Pitch Kurtosis |
5.654 |
| Pitch Class Kurtosis |
4.813 |
| Pitch Class Kurtosis After Folding |
8.263 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.2284 |
| Note Density per Quarter Note |
0.9824 |
| Note Density per Quarter Note per Voice |
0.2456 |
| Note Density per Quarter Note Variability |
0.4373 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4959 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7928 |
| Prevalence of Very Long Rhythmic Values |
0.1599 |
| Prevalence of Dotted Notes |
0.1517 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.302 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2887 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9605 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.264 |
| Rhythmic Value Skewness |
0.3999 |
| Rhythmic Value Kurtosis |
8.415 |
| Mean Rhythmic Value Run Length |
1.675 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.128 |
| Mean Rhythmic Value Offset |
0.1631 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.505 |
| Complete Rests Fraction |
0.000001669 |
| Partial Rests Fraction |
0.4295 |
| Average Rest Fraction Across Voices |
0.149 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
72.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.267 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
15.2 |
| Variability Across Voices of Combined Rests |
42.13 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5682 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2206 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.576 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7888 |
| Rhythmic Variability - Tempo Standardized |
0.05062 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
613.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6801 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
13.5 |
| Average Note Duration |
0.6497 |
| Variability of Note Durations |
0.7076 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.235 |
| Strength of Second Strongest Rhythmic Pulse |
0.2331 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.008 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4681 |
| Rhythmic Variability |
0.03291 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
117.0 |
| Note Density |
5.239 |
| Note Density Variability |
1.63 |
| Average Time Between Attacks |
0.3453 |
| Average Time Between Attacks for Each Voice |
0.7507 |
| Variability of Time Between Attacks |
0.1808 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.7407 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.7037 |
| Relative Note Density of Highest Line |
0.4111 |
| Relative Note Durations of Lowest Line |
1.002 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9315 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.03521 |
| Average Number of Independent Voices |
3.404 |
| Similar Motion |
0.1109 |
| Contrary Motion |
0.1356 |
| Oblique Motion |
0.7183 |
| Parallel Fifths |
0.005282 |
| Parallel Octaves |
0.005282 |
| Variability of Number of Independent Voices |
0.7744 |
| Voice Equality - Number of Notes |
53.13 |
| Voice Equality - Note Duration |
7.899 |
| Voice Equality - Dynamics |
0.8165 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
1.333 |