File

Last modified on: April 19, 2024, 5:31 p.m.

F164_61_Pipelare_Fors_seulement_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Forseullement l’atante que je meure
File Type
Symbolic Music
File Format
xml
File Size
218.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1985
Prevalence of Second Most Common Vertical Interval 0.1896
Prevalence Ratio of Two Most Common Vertical Intervals 0.9553
Vertical Unisons 0.0191
Vertical Minor Seconds 0.00269
Vertical Thirds 0.3085
Vertical Tritones 0.01076
Vertical Perfect Fourths 0.1291
Vertical Perfect Fifths 0.1686
Vertical Sixths 0.1482
Vertical Sevenths 0.02259
Vertical Octaves 0.1794
Perfect Vertical Intervals 0.4962
Vertical Dissonance Ratio 0.04939
Vertical Minor Third Prevalence 0.4831
Vertical Major Third Prevalence 0.3242
Chord Duration 2.636
Partial Chords 0.4042
Standard Triads 0.472
Diminished and Augmented Triads 0.03271
Dominant Seventh Chords 0.002336
Seventh Chords 0.009346
Non-Standard Chords 0.1145
Complex Chords 0.0
Minor Major Triad Ratio 1.463
Average Number of Simultaneous Pitch Classes 2.47
Variability of Number of Simultaneous Pitch Classes 0.6944
Average Number of Simultaneous Pitches 3.114
Variability of Number of Simultaneous Pitches 1.008
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1835
Stepwise Motion 0.6447
Melodic Thirds 0.1012
Melodic Perfect Fourths 0.03529
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03529
Melodic Sixths 0.002353
Melodic Sevenths 0.004706
Melodic Octaves 0.002353
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.688
Melodic Embellishments 0.03497
Direction of Melodic Motion 0.4387
Average Length of Melodic Arcs 2.102
Average Interval Spanned by Melodic Arcs 4.916
Melodic Pitch Variety 4.568
Mean Melodic Interval 1.967
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4612
Relative Prevalence of Most Common Melodic Intervals 0.398
Amount of Arpeggiation 0.3176
Repeated Notes 0.1741
Importance of Middle Register 0.8415
Importance of High Register 0.1142
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 65.0
Mean Pitch Class 5.079
Most Common Pitch 69.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1375
Prevalence of Most Common Pitch Class 0.2121
Relative Prevalence of Top Pitches 0.7627
Relative Prevalence of Top Pitch Classes 0.8462
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.411
Pitch Class Variability 3.613
Pitch Class Variability After Folding 3.069
Pitch Skewness 0.1549
Pitch Class Skewness 0.06581
Pitch Class Skewness After Folding 0.2962
Pitch Kurtosis 5.355
Pitch Class Kurtosis 4.749
Pitch Class Kurtosis After Folding 7.584
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.009324
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.009324
Number of Pitch Classes 8.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 27.0
Importance of Bass Register 0.04429
Note Density per Quarter Note 0.907
Note Density per Quarter Note per Voice 0.907
Note Density per Quarter Note Variability 0.4498
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.3939
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8135
Prevalence of Very Long Rhythmic Values 0.1259
Prevalence of Dotted Notes 0.08858
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.464
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.4382
Relative Prevalence of Most Common Rhythmic Values 0.4734
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.104
Rhythmic Value Skewness -0.7644
Rhythmic Value Kurtosis 8.454
Mean Rhythmic Value Run Length 1.656
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.028
Mean Rhythmic Value Offset 0.04662
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4298
Complete Rests Fraction 0.002114
Partial Rests Fraction 0.002114
Average Rest Fraction Across Voices 0.002114
Longest Complete Rest 1.0
Longest Partial Rest 1.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 1.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 1.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5707
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2494
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.289
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8201
Rhythmic Variability - Tempo Standardized 0.05087
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 429.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.3006
Minimum Note Duration 0.1875
Maximum Note Duration 3.0
Average Note Duration 0.6582
Variability of Note Durations 0.4361
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2554
Strength of Second Strongest Rhythmic Pulse 0.2386
Strength Ratio of Two Strongest Rhythmic Pulses 1.07
Combined Strength of Two Strongest Rhythmic Pulses 0.494
Rhythmic Variability 0.03392
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 88.69
Note Density 4.837
Note Density Variability 1.647
Average Time Between Attacks 0.4451
Average Time Between Attacks for Each Voice 0.4451
Variability of Time Between Attacks 0.3006
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1515
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.09946
Average Number of Independent Voices 1.0
Similar Motion 0.1801
Contrary Motion 0.2177
Oblique Motion 0.5027
Parallel Fifths 0.008065
Parallel Octaves 0.002688
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0