Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2518 |
Prevalence of Second Most Common Vertical Interval |
0.1788 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.7102 |
Vertical Unisons |
0.04877 |
Vertical Minor Seconds |
0.001384 |
Vertical Thirds |
0.2923 |
Vertical Tritones |
0.00173 |
Vertical Perfect Fourths |
0.1152 |
Vertical Perfect Fifths |
0.1788 |
Vertical Sixths |
0.1401 |
Vertical Sevenths |
0.01453 |
Vertical Octaves |
0.203 |
Perfect Vertical Intervals |
0.5458 |
Vertical Dissonance Ratio |
0.02228 |
Vertical Minor Third Prevalence |
0.3352 |
Vertical Major Third Prevalence |
0.405 |
Chord Duration |
5.382 |
Partial Chords |
0.489 |
Standard Triads |
0.4607 |
Diminished and Augmented Triads |
0.006289 |
Dominant Seventh Chords |
0.001572 |
Seventh Chords |
0.003145 |
Non-Standard Chords |
0.04717 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.139 |
Average Number of Simultaneous Pitch Classes |
2.349 |
Variability of Number of Simultaneous Pitch Classes |
0.6817 |
Average Number of Simultaneous Pitches |
3.102 |
Variability of Number of Simultaneous Pitches |
0.8919 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1091 |
Stepwise Motion |
0.4932 |
Melodic Thirds |
0.08864 |
Melodic Perfect Fourths |
0.075 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.025 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.0 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.786 |
Melodic Embellishments |
0.006757 |
Direction of Melodic Motion |
0.4967 |
Average Length of Melodic Arcs |
1.546 |
Average Interval Spanned by Melodic Arcs |
3.83 |
Melodic Pitch Variety |
3.976 |
Mean Melodic Interval |
1.725 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3841 |
Relative Prevalence of Most Common Melodic Intervals |
0.8284 |
Amount of Arpeggiation |
0.4318 |
Repeated Notes |
0.3182 |
Importance of Middle Register |
0.8221 |
Importance of High Register |
0.006757 |
Dominant Spread |
4.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.0 |
Mean Pitch Class |
5.394 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1306 |
Prevalence of Most Common Pitch Class |
0.2387 |
Relative Prevalence of Top Pitches |
1.0 |
Relative Prevalence of Top Pitch Classes |
0.8774 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.232 |
Pitch Class Variability |
3.164 |
Pitch Class Variability After Folding |
3.368 |
Pitch Skewness |
-0.6039 |
Pitch Class Skewness |
0.3737 |
Pitch Class Skewness After Folding |
1.302 |
Pitch Kurtosis |
5.044 |
Pitch Class Kurtosis |
5.043 |
Pitch Class Kurtosis After Folding |
6.868 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.009009 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
16.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.009009 |
Number of Pitch Classes |
7.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
2.0 |
Range |
26.0 |
Importance of Bass Register |
0.1712 |
Note Density per Quarter Note |
0.6124 |
Note Density per Quarter Note per Voice |
0.6124 |
Note Density per Quarter Note Variability |
0.4098 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.1081 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.9842 |
Prevalence of Very Long Rhythmic Values |
0.3333 |
Prevalence of Dotted Notes |
0.06306 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
5.194 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.5563 |
Relative Prevalence of Most Common Rhythmic Values |
0.4899 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.422 |
Rhythmic Value Skewness |
1.478 |
Rhythmic Value Kurtosis |
6.264 |
Mean Rhythmic Value Run Length |
1.542 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.032 |
Mean Rhythmic Value Offset |
0.1261 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.195 |
Complete Rests Fraction |
0.01241 |
Partial Rests Fraction |
0.01241 |
Average Rest Fraction Across Voices |
0.01241 |
Longest Complete Rest |
4.0 |
Longest Partial Rest |
4.0 |
Mean Complete Rest Duration |
2.25 |
Mean Partial Rest Duration |
2.25 |
Median Complete Rest Duration |
2.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
1.258 |
Variability of Partial Rest Durations |
1.258 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
1.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8128 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1005 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
8.091 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9132 |
Rhythmic Variability - Tempo Standardized |
0.06481 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
444.0 |
Initial Tempo |
320.0 |
Average Variability of Time Between Attacks for Each Voice |
0.4009 |
Minimum Note Duration |
0.1875 |
Maximum Note Duration |
4.5 |
Average Note Duration |
0.9975 |
Variability of Note Durations |
0.563 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
4.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
320.0 |
Strongest Rhythmic Pulse |
40.0 |
Second Strongest Rhythmic Pulse |
80.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.4054 |
Strength of Second Strongest Rhythmic Pulse |
0.405 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.001 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.8104 |
Rhythmic Variability |
0.04586 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
135.9 |
Note Density |
3.266 |
Note Density Variability |
1.471 |
Average Time Between Attacks |
0.8253 |
Average Time Between Attacks for Each Voice |
0.8253 |
Variability of Time Between Attacks |
0.4009 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1351 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.117 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.2226 |
Contrary Motion |
0.2453 |
Oblique Motion |
0.4151 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.007547 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |