| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2529 |
| Prevalence of Second Most Common Vertical Interval |
0.1795 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7099 |
| Vertical Unisons |
0.04917 |
| Vertical Minor Seconds |
0.001375 |
| Vertical Thirds |
0.2917 |
| Vertical Tritones |
0.001675 |
| Vertical Perfect Fourths |
0.1151 |
| Vertical Perfect Fifths |
0.1795 |
| Vertical Sixths |
0.1394 |
| Vertical Sevenths |
0.01433 |
| Vertical Octaves |
0.2037 |
| Perfect Vertical Intervals |
0.5475 |
| Vertical Dissonance Ratio |
0.02192 |
| Vertical Minor Third Prevalence |
0.3352 |
| Vertical Major Third Prevalence |
0.405 |
| Chord Duration |
5.382 |
| Partial Chords |
0.489 |
| Standard Triads |
0.4607 |
| Diminished and Augmented Triads |
0.006289 |
| Dominant Seventh Chords |
0.001572 |
| Seventh Chords |
0.003145 |
| Non-Standard Chords |
0.04717 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.139 |
| Average Number of Simultaneous Pitch Classes |
2.349 |
| Variability of Number of Simultaneous Pitch Classes |
0.6817 |
| Average Number of Simultaneous Pitches |
3.102 |
| Variability of Number of Simultaneous Pitches |
0.8919 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.996 |
| Variation of Dynamics In Each Voice |
2.001 |
| Average Note to Note Change in Dynamics |
3.081 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1091 |
| Stepwise Motion |
0.4932 |
| Melodic Thirds |
0.08864 |
| Melodic Perfect Fourths |
0.075 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.025 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.786 |
| Melodic Embellishments |
0.004505 |
| Direction of Melodic Motion |
0.4967 |
| Average Length of Melodic Arcs |
1.546 |
| Average Interval Spanned by Melodic Arcs |
3.83 |
| Melodic Pitch Variety |
3.576 |
| Mean Melodic Interval |
1.725 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3841 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8284 |
| Amount of Arpeggiation |
0.4318 |
| Repeated Notes |
0.3182 |
| Importance of Middle Register |
0.8221 |
| Importance of High Register |
0.006757 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.23 |
| Mean Pitch Class |
5.394 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1306 |
| Prevalence of Most Common Pitch Class |
0.2387 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.8774 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.232 |
| Pitch Class Variability |
3.164 |
| Pitch Class Variability After Folding |
3.368 |
| Pitch Skewness |
-0.6039 |
| Pitch Class Skewness |
0.3737 |
| Pitch Class Skewness After Folding |
1.302 |
| Pitch Kurtosis |
5.044 |
| Pitch Class Kurtosis |
5.043 |
| Pitch Class Kurtosis After Folding |
6.868 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
16.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.1712 |
| Note Density per Quarter Note |
0.6133 |
| Note Density per Quarter Note per Voice |
0.1533 |
| Note Density per Quarter Note Variability |
0.4098 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1081 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9842 |
| Prevalence of Very Long Rhythmic Values |
0.3333 |
| Prevalence of Dotted Notes |
0.06306 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.194 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.5563 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4899 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.422 |
| Rhythmic Value Skewness |
1.478 |
| Rhythmic Value Kurtosis |
6.264 |
| Mean Rhythmic Value Run Length |
1.542 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.032 |
| Mean Rhythmic Value Offset |
0.1261 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.195 |
| Complete Rests Fraction |
0.01105 |
| Partial Rests Fraction |
0.384 |
| Average Rest Fraction Across Voices |
0.1844 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
36.0 |
| Mean Complete Rest Duration |
2.667 |
| Mean Partial Rest Duration |
12.42 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
12.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.155 |
| Variability of Partial Rest Durations |
10.6 |
| Variability Across Voices of Combined Rests |
48.04 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8146 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.09916 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
8.216 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9138 |
| Rhythmic Variability - Tempo Standardized |
0.06494 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
444.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.134 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
4.5 |
| Average Note Duration |
0.9975 |
| Variability of Note Durations |
0.563 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4085 |
| Strength of Second Strongest Rhythmic Pulse |
0.4047 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.009 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8132 |
| Rhythmic Variability |
0.04599 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
135.8 |
| Note Density |
3.271 |
| Note Density Variability |
1.471 |
| Average Time Between Attacks |
0.8253 |
| Average Time Between Attacks for Each Voice |
1.187 |
| Variability of Time Between Attacks |
0.4009 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4615 |
| Relative Range Isolation of Loudest Voice |
0.1892 |
| Relative Range of Highest Line |
0.4615 |
| Relative Note Density of Highest Line |
0.6036 |
| Relative Note Durations of Lowest Line |
1.033 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7815 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.117 |
| Average Number of Independent Voices |
3.299 |
| Similar Motion |
0.2226 |
| Contrary Motion |
0.2453 |
| Oblique Motion |
0.4151 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.007547 |
| Variability of Number of Independent Voices |
0.9321 |
| Voice Equality - Number of Notes |
7.789 |
| Voice Equality - Note Duration |
9.007 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
0.0 |