| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.215 |
| Prevalence of Second Most Common Vertical Interval |
0.1833 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8526 |
| Vertical Unisons |
0.01723 |
| Vertical Minor Seconds |
0.0009669 |
| Vertical Thirds |
0.2754 |
| Vertical Tritones |
0.01259 |
| Vertical Perfect Fourths |
0.1299 |
| Vertical Perfect Fifths |
0.1833 |
| Vertical Sixths |
0.1416 |
| Vertical Sevenths |
0.03217 |
| Vertical Octaves |
0.1978 |
| Perfect Vertical Intervals |
0.5282 |
| Vertical Dissonance Ratio |
0.05802 |
| Vertical Minor Third Prevalence |
0.4367 |
| Vertical Major Third Prevalence |
0.4097 |
| Chord Duration |
1.892 |
| Partial Chords |
0.4464 |
| Standard Triads |
0.4064 |
| Diminished and Augmented Triads |
0.02222 |
| Dominant Seventh Chords |
0.009722 |
| Seventh Chords |
0.02222 |
| Non-Standard Chords |
0.125 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.304 |
| Average Number of Simultaneous Pitch Classes |
2.464 |
| Variability of Number of Simultaneous Pitch Classes |
0.6793 |
| Average Number of Simultaneous Pitches |
3.155 |
| Variability of Number of Simultaneous Pitches |
0.8638 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.755 |
| Variation of Dynamics In Each Voice |
1.758 |
| Average Note to Note Change in Dynamics |
2.012 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.161 |
| Stepwise Motion |
0.6157 |
| Melodic Thirds |
0.05634 |
| Melodic Perfect Fourths |
0.04628 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04628 |
| Melodic Sixths |
0.004024 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004024 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.8 |
| Melodic Embellishments |
0.02196 |
| Direction of Melodic Motion |
0.4427 |
| Average Length of Melodic Arcs |
2.098 |
| Average Interval Spanned by Melodic Arcs |
5.044 |
| Melodic Pitch Variety |
4.459 |
| Mean Melodic Interval |
1.897 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4547 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5 |
| Amount of Arpeggiation |
0.334 |
| Repeated Notes |
0.2274 |
| Importance of Middle Register |
0.8144 |
| Importance of High Register |
0.001996 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.97 |
| Mean Pitch Class |
5.479 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1437 |
| Prevalence of Most Common Pitch Class |
0.2076 |
| Relative Prevalence of Top Pitches |
0.8056 |
| Relative Prevalence of Top Pitch Classes |
0.9231 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.351 |
| Pitch Class Variability |
3.439 |
| Pitch Class Variability After Folding |
4.036 |
| Pitch Skewness |
-0.2291 |
| Pitch Class Skewness |
-1.327 |
| Pitch Class Skewness After Folding |
1.634 |
| Pitch Kurtosis |
5.463 |
| Pitch Class Kurtosis |
4.706 |
| Pitch Class Kurtosis After Folding |
4.881 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1836 |
| Note Density per Quarter Note |
1.278 |
| Note Density per Quarter Note per Voice |
0.3195 |
| Note Density per Quarter Note Variability |
0.6306 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0519 |
| Prevalence of Medium Rhythmic Values |
0.6826 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8164 |
| Prevalence of Very Long Rhythmic Values |
0.03593 |
| Prevalence of Dotted Notes |
0.1178 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.481 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.499 |
| Relative Prevalence of Most Common Rhythmic Values |
0.364 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.566 |
| Rhythmic Value Skewness |
0.9214 |
| Rhythmic Value Kurtosis |
17.54 |
| Mean Rhythmic Value Run Length |
1.876 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.559 |
| Mean Rhythmic Value Offset |
0.03234 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3564 |
| Complete Rests Fraction |
0.005105 |
| Partial Rests Fraction |
0.5031 |
| Average Rest Fraction Across Voices |
0.1972 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
8.834 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.099 |
| Variability Across Voices of Combined Rests |
16.23 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6158 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1904 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.235 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8062 |
| Rhythmic Variability - Tempo Standardized |
0.05225 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
501.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6664 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4711 |
| Variability of Note Durations |
0.3348 |
| Amount of Staccato |
0.0519 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2133 |
| Strength of Second Strongest Rhythmic Pulse |
0.1918 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.112 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4051 |
| Rhythmic Variability |
0.03134 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
73.5 |
| Note Density |
6.816 |
| Note Density Variability |
2.673 |
| Average Time Between Attacks |
0.306 |
| Average Time Between Attacks for Each Voice |
0.5541 |
| Variability of Time Between Attacks |
0.1486 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.5349 |
| Relative Note Durations of Lowest Line |
1.052 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.6727 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.06388 |
| Average Number of Independent Voices |
3.228 |
| Similar Motion |
0.1425 |
| Contrary Motion |
0.2015 |
| Oblique Motion |
0.5921 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.007371 |
| Variability of Number of Independent Voices |
0.8482 |
| Voice Equality - Number of Notes |
11.93 |
| Voice Equality - Note Duration |
3.043 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
0.3333 |