| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2027 |
| Prevalence of Second Most Common Vertical Interval |
0.1878 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9266 |
| Vertical Unisons |
0.02032 |
| Vertical Minor Seconds |
0.004938 |
| Vertical Thirds |
0.3077 |
| Vertical Tritones |
0.01032 |
| Vertical Perfect Fourths |
0.129 |
| Vertical Perfect Fifths |
0.2027 |
| Vertical Sixths |
0.1091 |
| Vertical Sevenths |
0.0244 |
| Vertical Octaves |
0.1622 |
| Perfect Vertical Intervals |
0.5142 |
| Vertical Dissonance Ratio |
0.07411 |
| Vertical Minor Third Prevalence |
0.5981 |
| Vertical Major Third Prevalence |
0.4556 |
| Chord Duration |
1.668 |
| Partial Chords |
0.2113 |
| Standard Triads |
0.5539 |
| Diminished and Augmented Triads |
0.02455 |
| Dominant Seventh Chords |
0.007471 |
| Seventh Chords |
0.02775 |
| Non-Standard Chords |
0.207 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.089 |
| Average Number of Simultaneous Pitch Classes |
2.794 |
| Variability of Number of Simultaneous Pitch Classes |
0.5945 |
| Average Number of Simultaneous Pitches |
3.551 |
| Variability of Number of Simultaneous Pitches |
0.6905 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
15.0 |
| Variation of Dynamics |
3.24 |
| Variation of Dynamics In Each Voice |
2.597 |
| Average Note to Note Change in Dynamics |
1.981 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1609 |
| Stepwise Motion |
0.5576 |
| Melodic Thirds |
0.07767 |
| Melodic Perfect Fourths |
0.06657 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0527 |
| Melodic Sixths |
0.005548 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008322 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.0 |
| Melodic Embellishments |
0.02069 |
| Direction of Melodic Motion |
0.4422 |
| Average Length of Melodic Arcs |
1.847 |
| Average Interval Spanned by Melodic Arcs |
4.893 |
| Melodic Pitch Variety |
4.26 |
| Mean Melodic Interval |
2.053 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3967 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5839 |
| Amount of Arpeggiation |
0.3703 |
| Repeated Notes |
0.2316 |
| Importance of Middle Register |
0.8469 |
| Importance of High Register |
0.07724 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
63.73 |
| Mean Pitch Class |
5.073 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.12 |
| Prevalence of Most Common Pitch Class |
0.2207 |
| Relative Prevalence of Top Pitches |
0.931 |
| Relative Prevalence of Top Pitch Classes |
0.7625 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.421 |
| Pitch Class Variability |
3.338 |
| Pitch Class Variability After Folding |
3.861 |
| Pitch Skewness |
-0.4299 |
| Pitch Class Skewness |
0.06571 |
| Pitch Class Skewness After Folding |
1.5 |
| Pitch Kurtosis |
5.417 |
| Pitch Class Kurtosis |
4.704 |
| Pitch Class Kurtosis After Folding |
5.367 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.07586 |
| Note Density per Quarter Note |
1.486 |
| Note Density per Quarter Note per Voice |
0.3714 |
| Note Density per Quarter Note Variability |
0.5055 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0469 |
| Prevalence of Medium Rhythmic Values |
0.7021 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8124 |
| Prevalence of Very Long Rhythmic Values |
0.02345 |
| Prevalence of Dotted Notes |
0.08552 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.417 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5145 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3861 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.435 |
| Rhythmic Value Skewness |
0.8706 |
| Rhythmic Value Kurtosis |
18.02 |
| Mean Rhythmic Value Run Length |
2.158 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.185 |
| Mean Rhythmic Value Offset |
0.02207 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2965 |
| Complete Rests Fraction |
0.008199 |
| Partial Rests Fraction |
0.2705 |
| Average Rest Fraction Across Voices |
0.09426 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
26.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
3.119 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.239 |
| Variability Across Voices of Combined Rests |
26.78 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6346 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.173 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.668 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8076 |
| Rhythmic Variability - Tempo Standardized |
0.05324 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
725.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3871 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4572 |
| Variability of Note Durations |
0.3007 |
| Amount of Staccato |
0.0469 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
54.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.209 |
| Strength of Second Strongest Rhythmic Pulse |
0.2022 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.034 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4112 |
| Rhythmic Variability |
0.03219 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
91.5 |
| Note Density |
7.923 |
| Note Density Variability |
1.778 |
| Average Time Between Attacks |
0.2835 |
| Average Time Between Attacks for Each Voice |
0.4919 |
| Variability of Time Between Attacks |
0.145 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3448 |
| Relative Range Isolation of Loudest Voice |
0.01923 |
| Relative Range of Highest Line |
0.3448 |
| Relative Note Density of Highest Line |
0.3917 |
| Relative Note Durations of Lowest Line |
1.108 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.92 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.0527 |
| Average Number of Independent Voices |
3.653 |
| Similar Motion |
0.1276 |
| Contrary Motion |
0.1637 |
| Oblique Motion |
0.656 |
| Parallel Fifths |
0.005548 |
| Parallel Octaves |
0.002774 |
| Variability of Number of Independent Voices |
0.6519 |
| Voice Equality - Number of Notes |
23.74 |
| Voice Equality - Note Duration |
5.022 |
| Voice Equality - Dynamics |
1.414 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.403 |
| Importance of Loudest Voice |
1.333 |