File

Last modified on: April 13, 2020, 5:44 p.m.

F164_65_Compere_Alons_fere_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Alons fere nos barbes
File Type
Symbolic Music
File Format
midi
File Size
6.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1935
Prevalence of Second Most Common Vertical Interval 0.1788
Prevalence Ratio of Two Most Common Vertical Intervals 0.9239
Vertical Unisons 0.03312
Vertical Minor Seconds 0.0
Vertical Thirds 0.3056
Vertical Tritones 0.008073
Vertical Perfect Fourths 0.1318
Vertical Perfect Fifths 0.1788
Vertical Sixths 0.1477
Vertical Sevenths 0.01928
Vertical Octaves 0.1604
Perfect Vertical Intervals 0.504
Vertical Dissonance Ratio 0.04451
Vertical Minor Third Prevalence 0.451
Vertical Major Third Prevalence 0.4278
Chord Duration 2.603
Partial Chords 0.3611
Standard Triads 0.5222
Diminished and Augmented Triads 0.025
Dominant Seventh Chords 0.002778
Seventh Chords 0.02222
Non-Standard Chords 0.09444
Complex Chords 0.0
Minor Major Triad Ratio 0.9184
Average Number of Simultaneous Pitch Classes 2.564
Variability of Number of Simultaneous Pitch Classes 0.6912
Average Number of Simultaneous Pitches 3.18
Variability of Number of Simultaneous Pitches 0.8755
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.844
Variation of Dynamics In Each Voice 1.85
Average Note to Note Change in Dynamics 2.25
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1389
Stepwise Motion 0.5581
Melodic Thirds 0.09091
Melodic Perfect Fourths 0.07071
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03283
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.002525
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.5
Melodic Embellishments 0.01
Direction of Melodic Motion 0.4749
Average Length of Melodic Arcs 1.79
Average Interval Spanned by Melodic Arcs 4.383
Melodic Pitch Variety 3.907
Mean Melodic Interval 1.884
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4192
Relative Prevalence of Most Common Melodic Intervals 0.5843
Amount of Arpeggiation 0.3712
Repeated Notes 0.2449
Importance of Middle Register 0.855
Importance of High Register 0.005
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 60.21
Mean Pitch Class 5.322
Most Common Pitch 60.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1375
Prevalence of Most Common Pitch Class 0.1725
Relative Prevalence of Top Pitches 0.8727
Relative Prevalence of Top Pitch Classes 0.942
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 2.0
Pitch Variability 5.963
Pitch Class Variability 3.455
Pitch Class Variability After Folding 4.221
Pitch Skewness 0.3384
Pitch Class Skewness 0.28
Pitch Class Skewness After Folding 0.979
Pitch Kurtosis 5.411
Pitch Class Kurtosis 4.748
Pitch Class Kurtosis After Folding 4.752
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 28.0
Importance of Bass Register 0.14
Note Density per Quarter Note 1.02
Note Density per Quarter Note per Voice 0.2551
Note Density per Quarter Note Variability 0.6108
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.535
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8975
Prevalence of Very Long Rhythmic Values 0.115
Prevalence of Dotted Notes 0.115
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.165
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4325
Relative Prevalence of Most Common Rhythmic Values 0.7341
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.897
Rhythmic Value Skewness 1.843
Rhythmic Value Kurtosis 11.02
Mean Rhythmic Value Run Length 1.778
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.083
Mean Rhythmic Value Offset 0.05
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.445
Complete Rests Fraction 0.01021
Partial Rests Fraction 0.449
Average Rest Fraction Across Voices 0.1798
Longest Complete Rest 4.0
Longest Partial Rest 60.0
Mean Complete Rest Duration 4.0
Mean Partial Rest Duration 10.85
Median Complete Rest Duration 4.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 16.6
Variability Across Voices of Combined Rests 16.03
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.7438
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1282
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 5.804
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.872
Rhythmic Variability - Tempo Standardized 0.0602
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 400.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 1.04
Minimum Note Duration 0.1875
Maximum Note Duration 3.0
Average Note Duration 0.6028
Variability of Note Durations 0.4056
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2508
Strength of Second Strongest Rhythmic Pulse 0.2223
Strength Ratio of Two Strongest Rhythmic Pulses 1.128
Combined Strength of Two Strongest Rhythmic Pulses 0.4731
Rhythmic Variability 0.03523
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 73.5
Note Density 5.442
Note Density Variability 2.29
Average Time Between Attacks 0.4121
Average Time Between Attacks for Each Voice 0.7038
Variability of Time Between Attacks 0.2377
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5
Relative Range Isolation of Loudest Voice 0.5859
Relative Range of Highest Line 0.5
Relative Note Density of Highest Line 0.68
Relative Note Durations of Lowest Line 1.086
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.715
Voice Separation 5.0
Variability of Voice Separation 2.0
Parallel Motion 0.048
Average Number of Independent Voices 3.314
Similar Motion 0.2027
Contrary Motion 0.2187
Oblique Motion 0.5307
Parallel Fifths 0.008
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.8367
Voice Equality - Number of Notes 9.866
Voice Equality - Note Duration 3.006
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 3.862
Importance of Loudest Voice 0.0