File

Last modified on: April 19, 2024, 5:37 p.m.

F164_66_Compere_Voles_ouir_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Voles ouir une sanson de chyons
File Type
Symbolic Music
File Format
xml
File Size
252.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2259
Prevalence of Second Most Common Vertical Interval 0.1944
Prevalence Ratio of Two Most Common Vertical Intervals 0.8607
Vertical Unisons 0.05068
Vertical Minor Seconds 0.003495
Vertical Thirds 0.3058
Vertical Tritones 0.004806
Vertical Perfect Fourths 0.0972
Vertical Perfect Fifths 0.1918
Vertical Sixths 0.1346
Vertical Sevenths 0.01944
Vertical Octaves 0.1752
Perfect Vertical Intervals 0.5149
Vertical Dissonance Ratio 0.04688
Vertical Minor Third Prevalence 0.5663
Vertical Major Third Prevalence 0.3566
Chord Duration 2.384
Partial Chords 0.4299
Standard Triads 0.4318
Diminished and Augmented Triads 0.01869
Dominant Seventh Chords 0.0
Seventh Chords 0.001869
Non-Standard Chords 0.1364
Complex Chords 0.0
Minor Major Triad Ratio 1.888
Average Number of Simultaneous Pitch Classes 2.527
Variability of Number of Simultaneous Pitch Classes 0.6121
Average Number of Simultaneous Pitches 3.161
Variability of Number of Simultaneous Pitches 0.7471
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.166
Stepwise Motion 0.626
Melodic Thirds 0.114
Melodic Perfect Fourths 0.07
Melodic Tritones 0.0
Melodic Perfect Fifths 0.046
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.014
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.478
Melodic Embellishments 0.03564
Direction of Melodic Motion 0.4621
Average Length of Melodic Arcs 1.942
Average Interval Spanned by Melodic Arcs 5.062
Melodic Pitch Variety 5.338
Mean Melodic Interval 2.314
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.46
Relative Prevalence of Most Common Melodic Intervals 0.3609
Amount of Arpeggiation 0.304
Repeated Notes 0.13
Importance of Middle Register 0.7208
Importance of High Register 0.00198
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.0
Mean Pitch Class 5.232
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1406
Prevalence of Most Common Pitch Class 0.2356
Relative Prevalence of Top Pitches 0.8592
Relative Prevalence of Top Pitch Classes 0.9496
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.696
Pitch Class Variability 3.192
Pitch Class Variability After Folding 3.833
Pitch Skewness 0.1313
Pitch Class Skewness 0.2178
Pitch Class Skewness After Folding 1.469
Pitch Kurtosis 5.282
Pitch Class Kurtosis 4.775
Pitch Class Kurtosis After Folding 5.437
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.007921
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.007921
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 2.0
Range 31.0
Importance of Bass Register 0.2772
Note Density per Quarter Note 0.9002
Note Density per Quarter Note per Voice 0.9002
Note Density per Quarter Note Variability 0.4391
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.398
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8574
Prevalence of Very Long Rhythmic Values 0.1723
Prevalence of Dotted Notes 0.1168
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.671
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3584
Relative Prevalence of Most Common Rhythmic Values 0.7127
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.307
Rhythmic Value Skewness -0.4275
Rhythmic Value Kurtosis 7.367
Mean Rhythmic Value Run Length 1.778
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.282
Mean Rhythmic Value Offset 0.05545
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4681
Complete Rests Fraction 0.005348
Partial Rests Fraction 0.005348
Average Rest Fraction Across Voices 0.005348
Longest Complete Rest 2.0
Longest Partial Rest 2.0
Mean Complete Rest Duration 1.5
Mean Partial Rest Duration 1.5
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.7071
Variability of Partial Rest Durations 0.7071
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.59
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2319
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.544
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8219
Rhythmic Variability - Tempo Standardized 0.05168
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 505.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2333
Minimum Note Duration 0.1875
Maximum Note Duration 3.0
Average Note Duration 0.6988
Variability of Note Durations 0.4767
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2635
Strength of Second Strongest Rhythmic Pulse 0.2415
Strength Ratio of Two Strongest Rhythmic Pulses 1.091
Combined Strength of Two Strongest Rhythmic Pulses 0.5049
Rhythmic Variability 0.03399
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 105.2
Note Density 4.801
Note Density Variability 1.95
Average Time Between Attacks 0.403
Average Time Between Attacks for Each Voice 0.403
Variability of Time Between Attacks 0.2333
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1149
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04113
Average Number of Independent Voices 1.0
Similar Motion 0.158
Contrary Motion 0.1515
Oblique Motion 0.6494
Parallel Fifths 0.004329
Parallel Octaves 0.004329
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0