| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2267 |
| Prevalence of Second Most Common Vertical Interval |
0.1942 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8567 |
| Vertical Unisons |
0.05027 |
| Vertical Minor Seconds |
0.003487 |
| Vertical Thirds |
0.3059 |
| Vertical Tritones |
0.004808 |
| Vertical Perfect Fourths |
0.09654 |
| Vertical Perfect Fifths |
0.1918 |
| Vertical Sixths |
0.1346 |
| Vertical Sevenths |
0.01922 |
| Vertical Octaves |
0.1764 |
| Perfect Vertical Intervals |
0.515 |
| Vertical Dissonance Ratio |
0.04648 |
| Vertical Minor Third Prevalence |
0.5663 |
| Vertical Major Third Prevalence |
0.3566 |
| Chord Duration |
2.384 |
| Partial Chords |
0.4299 |
| Standard Triads |
0.4318 |
| Diminished and Augmented Triads |
0.01869 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.001869 |
| Non-Standard Chords |
0.1364 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.888 |
| Average Number of Simultaneous Pitch Classes |
2.527 |
| Variability of Number of Simultaneous Pitch Classes |
0.6121 |
| Average Number of Simultaneous Pitches |
3.161 |
| Variability of Number of Simultaneous Pitches |
0.7471 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.961 |
| Variation of Dynamics In Each Voice |
1.946 |
| Average Note to Note Change in Dynamics |
2.286 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.166 |
| Stepwise Motion |
0.626 |
| Melodic Thirds |
0.114 |
| Melodic Perfect Fourths |
0.07 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.046 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.014 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.478 |
| Melodic Embellishments |
0.02381 |
| Direction of Melodic Motion |
0.4621 |
| Average Length of Melodic Arcs |
1.942 |
| Average Interval Spanned by Melodic Arcs |
5.062 |
| Melodic Pitch Variety |
5.127 |
| Mean Melodic Interval |
2.314 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.46 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3609 |
| Amount of Arpeggiation |
0.304 |
| Repeated Notes |
0.13 |
| Importance of Middle Register |
0.7222 |
| Importance of High Register |
0.001984 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.02 |
| Mean Pitch Class |
5.238 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1409 |
| Prevalence of Most Common Pitch Class |
0.2341 |
| Relative Prevalence of Top Pitches |
0.8592 |
| Relative Prevalence of Top Pitch Classes |
0.9576 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.692 |
| Pitch Class Variability |
3.192 |
| Pitch Class Variability After Folding |
3.836 |
| Pitch Skewness |
0.1388 |
| Pitch Class Skewness |
0.2238 |
| Pitch Class Skewness After Folding |
1.471 |
| Pitch Kurtosis |
5.287 |
| Pitch Class Kurtosis |
4.777 |
| Pitch Class Kurtosis After Folding |
5.43 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2758 |
| Note Density per Quarter Note |
0.9 |
| Note Density per Quarter Note per Voice |
0.225 |
| Note Density per Quarter Note Variability |
0.4366 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3988 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8571 |
| Prevalence of Very Long Rhythmic Values |
0.1726 |
| Prevalence of Dotted Notes |
0.1171 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.671 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3571 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7167 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.309 |
| Rhythmic Value Skewness |
-0.428 |
| Rhythmic Value Kurtosis |
7.36 |
| Mean Rhythmic Value Run Length |
1.775 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.283 |
| Mean Rhythmic Value Offset |
0.05556 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4686 |
| Complete Rests Fraction |
0.003573 |
| Partial Rests Fraction |
0.4893 |
| Average Rest Fraction Across Voices |
0.1616 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
7.542 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.588 |
| Variability Across Voices of Combined Rests |
38.38 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5935 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2304 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.576 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8239 |
| Rhythmic Variability - Tempo Standardized |
0.05185 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
504.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7436 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.6987 |
| Variability of Note Durations |
0.4772 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2706 |
| Strength of Second Strongest Rhythmic Pulse |
0.2422 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.117 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5128 |
| Rhythmic Variability |
0.03421 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
105.0 |
| Note Density |
4.8 |
| Note Density Variability |
1.582 |
| Average Time Between Attacks |
0.403 |
| Average Time Between Attacks for Each Voice |
0.8337 |
| Variability of Time Between Attacks |
0.2333 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.5159 |
| Relative Note Durations of Lowest Line |
0.9181 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.6766 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.04113 |
| Average Number of Independent Voices |
3.366 |
| Similar Motion |
0.158 |
| Contrary Motion |
0.1515 |
| Oblique Motion |
0.6494 |
| Parallel Fifths |
0.004329 |
| Parallel Octaves |
0.004329 |
| Variability of Number of Independent Voices |
0.7776 |
| Voice Equality - Number of Notes |
35.57 |
| Voice Equality - Note Duration |
7.196 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
1.0 |