| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2192 |
| Prevalence of Second Most Common Vertical Interval |
0.2116 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9651 |
| Vertical Unisons |
0.05513 |
| Vertical Minor Seconds |
0.004673 |
| Vertical Thirds |
0.321 |
| Vertical Tritones |
0.008618 |
| Vertical Perfect Fourths |
0.07331 |
| Vertical Perfect Fifths |
0.1938 |
| Vertical Sixths |
0.1387 |
| Vertical Sevenths |
0.02363 |
| Vertical Octaves |
0.1641 |
| Perfect Vertical Intervals |
0.4863 |
| Vertical Dissonance Ratio |
0.05714 |
| Vertical Minor Third Prevalence |
0.5456 |
| Vertical Major Third Prevalence |
0.3666 |
| Chord Duration |
1.966 |
| Partial Chords |
0.4402 |
| Standard Triads |
0.4125 |
| Diminished and Augmented Triads |
0.02426 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01386 |
| Non-Standard Chords |
0.1334 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.587 |
| Average Number of Simultaneous Pitch Classes |
2.547 |
| Variability of Number of Simultaneous Pitch Classes |
0.5937 |
| Average Number of Simultaneous Pitches |
3.149 |
| Variability of Number of Simultaneous Pitches |
0.713 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.869 |
| Variation of Dynamics In Each Voice |
1.876 |
| Average Note to Note Change in Dynamics |
2.406 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1638 |
| Stepwise Motion |
0.5725 |
| Melodic Thirds |
0.1576 |
| Melodic Perfect Fourths |
0.04992 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03744 |
| Melodic Sixths |
0.00312 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0156 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.741 |
| Melodic Embellishments |
0.02171 |
| Direction of Melodic Motion |
0.4254 |
| Average Length of Melodic Arcs |
1.963 |
| Average Interval Spanned by Melodic Arcs |
5.172 |
| Melodic Pitch Variety |
4.758 |
| Mean Melodic Interval |
2.22 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4087 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4008 |
| Amount of Arpeggiation |
0.3744 |
| Repeated Notes |
0.1638 |
| Importance of Middle Register |
0.7922 |
| Importance of High Register |
0.006202 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.42 |
| Mean Pitch Class |
5.138 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1287 |
| Prevalence of Most Common Pitch Class |
0.1953 |
| Relative Prevalence of Top Pitches |
0.8916 |
| Relative Prevalence of Top Pitch Classes |
0.9444 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.437 |
| Pitch Class Variability |
3.597 |
| Pitch Class Variability After Folding |
3.111 |
| Pitch Skewness |
-0.07659 |
| Pitch Class Skewness |
0.1151 |
| Pitch Class Skewness After Folding |
0.3394 |
| Pitch Kurtosis |
5.626 |
| Pitch Class Kurtosis |
4.778 |
| Pitch Class Kurtosis After Folding |
7.409 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2016 |
| Note Density per Quarter Note |
1.09 |
| Note Density per Quarter Note per Voice |
0.2724 |
| Note Density per Quarter Note Variability |
0.4168 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5085 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7984 |
| Prevalence of Very Long Rhythmic Values |
0.09147 |
| Prevalence of Dotted Notes |
0.1085 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.042 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3349 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9167 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.898 |
| Rhythmic Value Skewness |
1.647 |
| Rhythmic Value Kurtosis |
9.702 |
| Mean Rhythmic Value Run Length |
1.739 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.194 |
| Mean Rhythmic Value Offset |
0.05581 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.847 |
| Complete Rests Fraction |
0.00000176 |
| Partial Rests Fraction |
0.5 |
| Average Rest Fraction Across Voices |
0.1563 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
20.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
5.781 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.716 |
| Variability Across Voices of Combined Rests |
32.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5702 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2277 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.504 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7979 |
| Rhythmic Variability - Tempo Standardized |
0.05072 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
645.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6193 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
6.0 |
| Average Note Duration |
0.5808 |
| Variability of Note Durations |
0.4325 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2265 |
| Strength of Second Strongest Rhythmic Pulse |
0.2254 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.005 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4518 |
| Rhythmic Variability |
0.03274 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
111.0 |
| Note Density |
5.811 |
| Note Density Variability |
1.976 |
| Average Time Between Attacks |
0.3271 |
| Average Time Between Attacks for Each Voice |
0.6891 |
| Variability of Time Between Attacks |
0.1669 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.375 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.4093 |
| Relative Note Durations of Lowest Line |
1.262 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.845 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.464 |
| Parallel Motion |
0.03777 |
| Average Number of Independent Voices |
3.375 |
| Similar Motion |
0.1034 |
| Contrary Motion |
0.1431 |
| Oblique Motion |
0.7157 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001988 |
| Variability of Number of Independent Voices |
0.7104 |
| Voice Equality - Number of Notes |
38.73 |
| Voice Equality - Note Duration |
6.15 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
0.0 |