Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2633 |
Prevalence of Second Most Common Vertical Interval |
0.2095 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.7955 |
Vertical Unisons |
0.03749 |
Vertical Minor Seconds |
0.0 |
Vertical Thirds |
0.2416 |
Vertical Tritones |
0.01488 |
Vertical Perfect Fourths |
0.0958 |
Vertical Perfect Fifths |
0.2095 |
Vertical Sixths |
0.1065 |
Vertical Sevenths |
0.02499 |
Vertical Octaves |
0.2258 |
Perfect Vertical Intervals |
0.5686 |
Vertical Dissonance Ratio |
0.09088 |
Vertical Minor Third Prevalence |
0.3189 |
Vertical Major Third Prevalence |
0.3025 |
Chord Duration |
2.076 |
Partial Chords |
0.5779 |
Standard Triads |
0.2438 |
Diminished and Augmented Triads |
0.04063 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.009029 |
Non-Standard Chords |
0.1693 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.6364 |
Average Number of Simultaneous Pitch Classes |
2.313 |
Variability of Number of Simultaneous Pitch Classes |
0.6518 |
Average Number of Simultaneous Pitches |
2.961 |
Variability of Number of Simultaneous Pitches |
0.7781 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1471 |
Stepwise Motion |
0.6681 |
Melodic Thirds |
0.08613 |
Melodic Perfect Fourths |
0.1029 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.01891 |
Melodic Sixths |
0.006303 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.002101 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
0.7826 |
Melodic Embellishments |
0.05625 |
Direction of Melodic Motion |
0.399 |
Average Length of Melodic Arcs |
1.871 |
Average Interval Spanned by Melodic Arcs |
4.596 |
Melodic Pitch Variety |
5.885 |
Mean Melodic Interval |
2.223 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.521 |
Relative Prevalence of Most Common Melodic Intervals |
0.2823 |
Amount of Arpeggiation |
0.2227 |
Repeated Notes |
0.1155 |
Importance of Middle Register |
0.7458 |
Importance of High Register |
0.008333 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
59.0 |
Mean Pitch Class |
5.156 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1 |
Prevalence of Most Common Pitch Class |
0.1771 |
Relative Prevalence of Top Pitches |
0.9167 |
Relative Prevalence of Top Pitch Classes |
0.9647 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
10.0 |
Pitch Variability |
7.065 |
Pitch Class Variability |
3.564 |
Pitch Class Variability After Folding |
4.417 |
Pitch Skewness |
-0.3158 |
Pitch Class Skewness |
0.1315 |
Pitch Class Skewness After Folding |
1.286 |
Pitch Kurtosis |
5.245 |
Pitch Class Kurtosis |
4.658 |
Pitch Class Kurtosis After Folding |
4.321 |
Major or Minor |
0.0 |
First Pitch |
65.0 |
First Pitch Class |
5.0 |
Last Pitch |
41.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.008333 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
20.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.008333 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
33.0 |
Importance of Bass Register |
0.2458 |
Note Density per Quarter Note |
0.9816 |
Note Density per Quarter Note per Voice |
0.9816 |
Note Density per Quarter Note Variability |
0.405 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.5979 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.825 |
Prevalence of Very Long Rhythmic Values |
0.125 |
Prevalence of Dotted Notes |
0.07083 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.079 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4229 |
Relative Prevalence of Most Common Rhythmic Values |
0.6158 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.132 |
Rhythmic Value Skewness |
1.519 |
Rhythmic Value Kurtosis |
9.295 |
Mean Rhythmic Value Run Length |
1.92 |
Median Rhythmic Value Run Length |
2.0 |
Variability in Rhythmic Value Run Lengths |
1.22 |
Mean Rhythmic Value Offset |
0.05 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.4449 |
Complete Rests Fraction |
0.006135 |
Partial Rests Fraction |
0.006135 |
Average Rest Fraction Across Voices |
0.006135 |
Longest Complete Rest |
2.0 |
Longest Partial Rest |
2.0 |
Mean Complete Rest Duration |
1.5 |
Mean Partial Rest Duration |
1.5 |
Median Complete Rest Duration |
2.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.7071 |
Variability of Partial Rest Durations |
0.7071 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6793 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1685 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.032 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8477 |
Rhythmic Variability - Tempo Standardized |
0.05628 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
480.0 |
Initial Tempo |
320.0 |
Average Variability of Time Between Attacks for Each Voice |
0.1641 |
Minimum Note Duration |
0.1875 |
Maximum Note Duration |
3.0 |
Average Note Duration |
0.5867 |
Variability of Note Durations |
0.4452 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
7.0 |
Number of Relatively Strong Rhythmic Pulses |
4.0 |
Mean Tempo |
320.0 |
Strongest Rhythmic Pulse |
80.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.2546 |
Strength of Second Strongest Rhythmic Pulse |
0.2302 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.106 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.4848 |
Rhythmic Variability |
0.0346 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.75 |
Tempo Variability |
0.0 |
Duration in Seconds |
91.69 |
Note Density |
5.235 |
Note Density Variability |
1.377 |
Average Time Between Attacks |
0.3552 |
Average Time Between Attacks for Each Voice |
0.3552 |
Variability of Time Between Attacks |
0.1641 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1229 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.05774 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1601 |
Contrary Motion |
0.2178 |
Oblique Motion |
0.5643 |
Parallel Fifths |
0.002625 |
Parallel Octaves |
0.005249 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |