File

Last modified on: April 19, 2024, 5:40 p.m.

F164_68_Anon_Ille_etet_transJ.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Ille etet ung bon homme
File Type
Symbolic Music
File Format
midi
File Size
6.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2651
Prevalence of Second Most Common Vertical Interval 0.2102
Prevalence Ratio of Two Most Common Vertical Intervals 0.7931
Vertical Unisons 0.03763
Vertical Minor Seconds 0.0
Vertical Thirds 0.2408
Vertical Tritones 0.01467
Vertical Perfect Fourths 0.09512
Vertical Perfect Fifths 0.2102
Vertical Sixths 0.1065
Vertical Sevenths 0.02459
Vertical Octaves 0.2274
Perfect Vertical Intervals 0.5704
Vertical Dissonance Ratio 0.08973
Vertical Minor Third Prevalence 0.3189
Vertical Major Third Prevalence 0.3025
Chord Duration 2.076
Partial Chords 0.5779
Standard Triads 0.2438
Diminished and Augmented Triads 0.04063
Dominant Seventh Chords 0.0
Seventh Chords 0.009029
Non-Standard Chords 0.1693
Complex Chords 0.0
Minor Major Triad Ratio 0.6364
Average Number of Simultaneous Pitch Classes 2.313
Variability of Number of Simultaneous Pitch Classes 0.6518
Average Number of Simultaneous Pitches 2.961
Variability of Number of Simultaneous Pitches 0.7781
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.853
Variation of Dynamics In Each Voice 1.857
Average Note to Note Change in Dynamics 2.133
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1471
Stepwise Motion 0.6681
Melodic Thirds 0.08613
Melodic Perfect Fourths 0.1029
Melodic Tritones 0.0
Melodic Perfect Fifths 0.01891
Melodic Sixths 0.006303
Melodic Sevenths 0.0
Melodic Octaves 0.002101
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 0.7826
Melodic Embellishments 0.008333
Direction of Melodic Motion 0.399
Average Length of Melodic Arcs 1.871
Average Interval Spanned by Melodic Arcs 4.596
Melodic Pitch Variety 4.392
Mean Melodic Interval 2.223
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.521
Relative Prevalence of Most Common Melodic Intervals 0.2823
Amount of Arpeggiation 0.2227
Repeated Notes 0.1155
Importance of Middle Register 0.7458
Importance of High Register 0.008333
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.69
Mean Pitch Class 5.156
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1
Prevalence of Most Common Pitch Class 0.1771
Relative Prevalence of Top Pitches 0.9167
Relative Prevalence of Top Pitch Classes 0.9647
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 10.0
Pitch Variability 7.065
Pitch Class Variability 3.564
Pitch Class Variability After Folding 4.417
Pitch Skewness -0.3158
Pitch Class Skewness 0.1315
Pitch Class Skewness After Folding 1.286
Pitch Kurtosis 5.245
Pitch Class Kurtosis 4.658
Pitch Class Kurtosis After Folding 4.321
Major or Minor 0.0
First Pitch 65.0
First Pitch Class 5.0
Last Pitch 41.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.2458
Note Density per Quarter Note 0.9836
Note Density per Quarter Note per Voice 0.2459
Note Density per Quarter Note Variability 0.405
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5979
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.825
Prevalence of Very Long Rhythmic Values 0.125
Prevalence of Dotted Notes 0.07083
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.079
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4229
Relative Prevalence of Most Common Rhythmic Values 0.6158
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.132
Rhythmic Value Skewness 1.519
Rhythmic Value Kurtosis 9.295
Mean Rhythmic Value Run Length 1.92
Median Rhythmic Value Run Length 2.0
Variability in Rhythmic Value Run Lengths 1.22
Mean Rhythmic Value Offset 0.05
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4449
Complete Rests Fraction 0.0041
Partial Rests Fraction 0.6148
Average Rest Fraction Across Voices 0.2305
Longest Complete Rest 2.0
Longest Partial Rest 38.0
Mean Complete Rest Duration 2.0
Mean Partial Rest Duration 12.16
Median Complete Rest Duration 2.0
Median Partial Rest Duration 12.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 8.748
Variability Across Voices of Combined Rests 27.44
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6824
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1674
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.077
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8497
Rhythmic Variability - Tempo Standardized 0.05646
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 480.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.8526
Minimum Note Duration 0.1875
Maximum Note Duration 3.0
Average Note Duration 0.5867
Variability of Note Durations 0.4452
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2565
Strength of Second Strongest Rhythmic Pulse 0.2337
Strength Ratio of Two Strongest Rhythmic Pulses 1.098
Combined Strength of Two Strongest Rhythmic Pulses 0.4901
Rhythmic Variability 0.03472
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 91.5
Note Density 5.246
Note Density Variability 1.338
Average Time Between Attacks 0.3551
Average Time Between Attacks for Each Voice 0.7136
Variability of Time Between Attacks 0.1641
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4242
Relative Range Isolation of Loudest Voice 0.4762
Relative Range of Highest Line 0.4242
Relative Note Density of Highest Line 0.5583
Relative Note Durations of Lowest Line 1.033
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.6937
Voice Separation 6.0
Variability of Voice Separation 2.0
Parallel Motion 0.05774
Average Number of Independent Voices 3.091
Similar Motion 0.1601
Contrary Motion 0.2178
Oblique Motion 0.5643
Parallel Fifths 0.002625
Parallel Octaves 0.005249
Variability of Number of Independent Voices 0.8364
Voice Equality - Number of Notes 9.381
Voice Equality - Note Duration 5.145
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.5
Importance of Loudest Voice 0.0