| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2219 |
| Prevalence of Second Most Common Vertical Interval |
0.1965 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8853 |
| Vertical Unisons |
0.02261 |
| Vertical Minor Seconds |
0.001675 |
| Vertical Thirds |
0.2802 |
| Vertical Tritones |
0.005319 |
| Vertical Perfect Fourths |
0.1012 |
| Vertical Perfect Fifths |
0.1965 |
| Vertical Sixths |
0.1441 |
| Vertical Sevenths |
0.02988 |
| Vertical Octaves |
0.1993 |
| Perfect Vertical Intervals |
0.5196 |
| Vertical Dissonance Ratio |
0.05951 |
| Vertical Minor Third Prevalence |
0.3258 |
| Vertical Major Third Prevalence |
0.421 |
| Chord Duration |
2.037 |
| Partial Chords |
0.4856 |
| Standard Triads |
0.3903 |
| Diminished and Augmented Triads |
0.01156 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.003613 |
| Non-Standard Chords |
0.1205 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6116 |
| Average Number of Simultaneous Pitch Classes |
2.418 |
| Variability of Number of Simultaneous Pitch Classes |
0.6724 |
| Average Number of Simultaneous Pitches |
3.02 |
| Variability of Number of Simultaneous Pitches |
0.8379 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.749 |
| Variation of Dynamics In Each Voice |
1.749 |
| Average Note to Note Change in Dynamics |
1.917 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1459 |
| Stepwise Motion |
0.5634 |
| Melodic Thirds |
0.08979 |
| Melodic Perfect Fourths |
0.03479 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04153 |
| Melodic Sixths |
0.006734 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01122 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.759 |
| Melodic Embellishments |
0.008939 |
| Direction of Melodic Motion |
0.4444 |
| Average Length of Melodic Arcs |
2.101 |
| Average Interval Spanned by Melodic Arcs |
5.404 |
| Melodic Pitch Variety |
4.457 |
| Mean Melodic Interval |
1.939 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4175 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6048 |
| Amount of Arpeggiation |
0.3951 |
| Repeated Notes |
0.2525 |
| Importance of Middle Register |
0.6145 |
| Importance of High Register |
0.006704 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
56.11 |
| Mean Pitch Class |
5.272 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.152 |
| Prevalence of Most Common Pitch Class |
0.2559 |
| Relative Prevalence of Top Pitches |
0.6765 |
| Relative Prevalence of Top Pitch Classes |
0.6288 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.196 |
| Pitch Class Variability |
3.225 |
| Pitch Class Variability After Folding |
4.435 |
| Pitch Skewness |
-0.07313 |
| Pitch Class Skewness |
0.2525 |
| Pitch Class Skewness After Folding |
1.273 |
| Pitch Kurtosis |
5.56 |
| Pitch Class Kurtosis |
4.986 |
| Pitch Class Kurtosis After Folding |
4.461 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3788 |
| Note Density per Quarter Note |
1.19 |
| Note Density per Quarter Note per Voice |
0.2975 |
| Note Density per Quarter Note Variability |
0.4946 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0514 |
| Prevalence of Medium Rhythmic Values |
0.6682 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7631 |
| Prevalence of Very Long Rhythmic Values |
0.0581 |
| Prevalence of Dotted Notes |
0.08603 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.583 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4313 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4611 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.833 |
| Rhythmic Value Skewness |
0.9545 |
| Rhythmic Value Kurtosis |
12.41 |
| Mean Rhythmic Value Run Length |
1.83 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.151 |
| Mean Rhythmic Value Offset |
0.02291 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2986 |
| Complete Rests Fraction |
0.000001385 |
| Partial Rests Fraction |
0.6122 |
| Average Rest Fraction Across Voices |
0.2249 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
62.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
9.949 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.34 |
| Variability Across Voices of Combined Rests |
52.55 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.563 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2088 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.696 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7718 |
| Rhythmic Variability - Tempo Standardized |
0.04977 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
895.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9378 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4884 |
| Variability of Note Durations |
0.3687 |
| Amount of Staccato |
0.0514 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2087 |
| Strength of Second Strongest Rhythmic Pulse |
0.1996 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.045 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4083 |
| Rhythmic Variability |
0.0311 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
141.0 |
| Note Density |
6.348 |
| Note Density Variability |
1.837 |
| Average Time Between Attacks |
0.3147 |
| Average Time Between Attacks for Each Voice |
0.6154 |
| Variability of Time Between Attacks |
0.1689 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.295 |
| Relative Note Durations of Lowest Line |
1.033 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8313 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.08221 |
| Average Number of Independent Voices |
3.1 |
| Similar Motion |
0.1345 |
| Contrary Motion |
0.1659 |
| Oblique Motion |
0.6173 |
| Parallel Fifths |
0.00299 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8285 |
| Voice Equality - Number of Notes |
20.19 |
| Voice Equality - Note Duration |
9.853 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.082 |
| Importance of Loudest Voice |
0.3333 |