File

Last modified on: April 13, 2020, 4:45 p.m.

F164_08_Pisano_Amore_quando_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Amore amor quando io speravo
File Type
Symbolic Music
File Format
xml
File Size
514.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.1939
Prevalence of Second Most Common Vertical Interval 0.1737
Prevalence Ratio of Two Most Common Vertical Intervals 0.8959
Vertical Unisons 0.0243
Vertical Minor Seconds 0.005737
Vertical Thirds 0.323
Vertical Tritones 0.006412
Vertical Perfect Fourths 0.1277
Vertical Perfect Fifths 0.1939
Vertical Sixths 0.1133
Vertical Sevenths 0.02655
Vertical Octaves 0.1376
Perfect Vertical Intervals 0.4835
Vertical Dissonance Ratio 0.08721
Vertical Minor Third Prevalence 0.6457
Vertical Major Third Prevalence 0.5821
Chord Duration 1.816
Partial Chords 0.1697
Standard Triads 0.5966
Diminished and Augmented Triads 0.006643
Dominant Seventh Chords 0.0
Seventh Chords 0.02174
Non-Standard Chords 0.212
Complex Chords 0.0157
Minor Major Triad Ratio 1.495
Average Number of Simultaneous Pitch Classes 2.944
Variability of Number of Simultaneous Pitch Classes 0.609
Average Number of Simultaneous Pitches 3.642
Variability of Number of Simultaneous Pitches 0.711
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 3.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1772
Stepwise Motion 0.6147
Melodic Thirds 0.1063
Melodic Perfect Fourths 0.06903
Melodic Tritones 0.0009328
Melodic Perfect Fifths 0.04011
Melodic Sixths 0.003731
Melodic Sevenths 0.0
Melodic Octaves 0.02425
Melodic Large Intervals 0.001866
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.78
Melodic Embellishments 0.03608
Direction of Melodic Motion 0.4908
Average Length of Melodic Arcs 1.745
Average Interval Spanned by Melodic Arcs 4.83
Melodic Pitch Variety 4.677
Mean Melodic Interval 2.397
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4375
Relative Prevalence of Most Common Melodic Intervals 0.4051
Amount of Arpeggiation 0.3106
Repeated Notes 0.139
Importance of Middle Register 0.729
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 57.0
Mean Pitch Class 5.339
Most Common Pitch 57.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.111
Prevalence of Most Common Pitch Class 0.1785
Relative Prevalence of Top Pitches 1.0
Relative Prevalence of Top Pitch Classes 0.943
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.09
Pitch Class Variability 3.506
Pitch Class Variability After Folding 3.072
Pitch Skewness -0.5735
Pitch Class Skewness 0.2897
Pitch Class Skewness After Folding 0.3651
Pitch Kurtosis 5.645
Pitch Class Kurtosis 4.847
Pitch Class Kurtosis After Folding 7.455
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 52.0
Last Pitch Class 4.0
Glissando Prevalence 0.0037
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0037
Number of Pitch Classes 8.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 0.0
Range 29.0
Importance of Bass Register 0.271
Note Density per Quarter Note 1.285
Note Density per Quarter Note per Voice 1.285
Note Density per Quarter Note Variability 0.5019
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0148
Prevalence of Medium Rhythmic Values 0.592
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8057
Prevalence of Very Long Rhythmic Values 0.06105
Prevalence of Dotted Notes 0.1064
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.805
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3978
Relative Prevalence of Most Common Rhythmic Values 0.6674
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.87
Rhythmic Value Skewness 1.291
Rhythmic Value Kurtosis 13.14
Mean Rhythmic Value Run Length 1.832
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.4
Mean Rhythmic Value Offset 2.266
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 40.36
Complete Rests Fraction 0.008323
Partial Rests Fraction 0.004756
Average Rest Fraction Across Voices 0.004756
Longest Complete Rest 4.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 2.333
Mean Partial Rest Duration 4.0
Median Complete Rest Duration 2.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.528
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5915
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2074
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.852
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7989
Rhythmic Variability - Tempo Standardized 0.05143
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 1081.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2064
Minimum Note Duration 0.09375
Maximum Note Duration 145.9
Average Note Duration 0.9509
Variability of Note Durations 7.672
Amount of Staccato 0.0148
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2049
Strength of Second Strongest Rhythmic Pulse 0.2045
Strength Ratio of Two Strongest Rhythmic Pulses 1.002
Combined Strength of Two Strongest Rhythmic Pulses 0.4094
Rhythmic Variability 0.03199
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 157.7
Note Density 6.855
Note Density Variability 1.784
Average Time Between Attacks 0.3119
Average Time Between Attacks for Each Voice 0.3119
Variability of Time Between Attacks 0.2064
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.05273
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04658
Average Number of Independent Voices 1.0
Similar Motion 0.1444
Contrary Motion 0.1716
Oblique Motion 0.6374
Parallel Fifths 0.003882
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0