File

Last modified on: April 19, 2024, 4:19 p.m.

F164_08_Pisano_Amore_quando_OMRcorrIL_8uMGKF2.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Amore amor quando io speravo
File Type
Symbolic Music
File Format
midi
File Size
15.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.199
Prevalence of Second Most Common Vertical Interval 0.1801
Prevalence Ratio of Two Most Common Vertical Intervals 0.9053
Vertical Unisons 0.01937
Vertical Minor Seconds 0.003622
Vertical Thirds 0.3327
Vertical Tritones 0.006894
Vertical Perfect Fourths 0.127
Vertical Perfect Fifths 0.199
Vertical Sixths 0.1168
Vertical Sevenths 0.02384
Vertical Octaves 0.1449
Perfect Vertical Intervals 0.4903
Vertical Dissonance Ratio 0.06403
Vertical Minor Third Prevalence 0.6349
Vertical Major Third Prevalence 0.5677
Chord Duration 1.808
Partial Chords 0.1793
Standard Triads 0.6184
Diminished and Augmented Triads 0.006643
Dominant Seventh Chords 0.0
Seventh Chords 0.02053
Non-Standard Chords 0.1818
Complex Chords 0.0
Minor Major Triad Ratio 1.473
Average Number of Simultaneous Pitch Classes 2.876
Variability of Number of Simultaneous Pitch Classes 0.5104
Average Number of Simultaneous Pitches 3.551
Variability of Number of Simultaneous Pitches 0.59
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 3.0
Dynamic Range 33.0
Variation of Dynamics 2.068
Variation of Dynamics In Each Voice 2.028
Average Note to Note Change in Dynamics 2.246
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1774
Stepwise Motion 0.6172
Melodic Thirds 0.1064
Melodic Perfect Fourths 0.06909
Melodic Tritones 0.0009337
Melodic Perfect Fifths 0.03922
Melodic Sixths 0.003735
Melodic Sevenths 0.0
Melodic Octaves 0.02428
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.78
Melodic Embellishments 0.02605
Direction of Melodic Motion 0.4902
Average Length of Melodic Arcs 1.75
Average Interval Spanned by Melodic Arcs 4.77
Melodic Pitch Variety 4.675
Mean Melodic Interval 2.361
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4398
Relative Prevalence of Most Common Melodic Intervals 0.4034
Amount of Arpeggiation 0.3091
Repeated Notes 0.1391
Importance of Middle Register 0.7321
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 57.25
Mean Pitch Class 5.343
Most Common Pitch 57.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1116
Prevalence of Most Common Pitch Class 0.1795
Relative Prevalence of Top Pitches 1.0
Relative Prevalence of Top Pitch Classes 0.9378
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.088
Pitch Class Variability 3.506
Pitch Class Variability After Folding 3.073
Pitch Skewness -0.5652
Pitch Class Skewness 0.2937
Pitch Class Skewness After Folding 0.3696
Pitch Kurtosis 5.65
Pitch Class Kurtosis 4.846
Pitch Class Kurtosis After Folding 7.447
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 52.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 0.0
Range 29.0
Importance of Bass Register 0.2679
Note Density per Quarter Note 1.28
Note Density per Quarter Note per Voice 0.3199
Note Density per Quarter Note Variability 0.4551
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01488
Prevalence of Medium Rhythmic Values 0.5953
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8047
Prevalence of Very Long Rhythmic Values 0.05581
Prevalence of Dotted Notes 0.1014
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.753
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4
Relative Prevalence of Most Common Rhythmic Values 0.6674
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.744
Rhythmic Value Skewness 1.296
Rhythmic Value Kurtosis 12.37
Mean Rhythmic Value Run Length 1.828
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.401
Mean Rhythmic Value Offset 0.07442
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.242
Complete Rests Fraction 0.007144
Partial Rests Fraction 0.3286
Average Rest Fraction Across Voices 0.09524
Longest Complete Rest 4.0
Longest Partial Rest 28.0
Mean Complete Rest Duration 3.0
Mean Partial Rest Duration 4.324
Median Complete Rest Duration 4.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.414
Variability of Partial Rest Durations 5.161
Variability Across Voices of Combined Rests 51.3
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6021
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2014
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.989
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8035
Rhythmic Variability - Tempo Standardized 0.05195
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 1075.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.5452
Minimum Note Duration 0.09375
Maximum Note Duration 7.5
Average Note Duration 0.5302
Variability of Note Durations 0.4579
Amount of Staccato 0.01488
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.209
Strength of Second Strongest Rhythmic Pulse 0.2067
Strength Ratio of Two Strongest Rhythmic Pulses 1.011
Combined Strength of Two Strongest Rhythmic Pulses 0.4157
Rhythmic Variability 0.03218
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 0.0
Duration in Seconds 157.5
Note Density 6.825
Note Density Variability 1.763
Average Time Between Attacks 0.3119
Average Time Between Attacks for Each Voice 0.6019
Variability of Time Between Attacks 0.2064
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5172
Relative Range Isolation of Loudest Voice 0.2646
Relative Range of Highest Line 0.5172
Relative Note Density of Highest Line 0.2419
Relative Note Durations of Lowest Line 1.076
Relative Size of Melodic Intervals in Lowest Line 0.5
Voice Overlap 0.907
Voice Separation 5.0
Variability of Voice Separation 3.464
Parallel Motion 0.04659
Average Number of Independent Voices 3.645
Similar Motion 0.1494
Contrary Motion 0.1783
Oblique Motion 0.6257
Parallel Fifths 0.004016
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.5397
Voice Equality - Number of Notes 73.25
Voice Equality - Note Duration 9.619
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.8165
Voice Equality - Range 2.63
Importance of Loudest Voice 0.0