Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.199 |
Prevalence of Second Most Common Vertical Interval |
0.1801 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9053 |
Vertical Unisons |
0.01937 |
Vertical Minor Seconds |
0.003622 |
Vertical Thirds |
0.3327 |
Vertical Tritones |
0.006894 |
Vertical Perfect Fourths |
0.127 |
Vertical Perfect Fifths |
0.199 |
Vertical Sixths |
0.1168 |
Vertical Sevenths |
0.02384 |
Vertical Octaves |
0.1449 |
Perfect Vertical Intervals |
0.4903 |
Vertical Dissonance Ratio |
0.06403 |
Vertical Minor Third Prevalence |
0.6349 |
Vertical Major Third Prevalence |
0.5677 |
Chord Duration |
1.808 |
Partial Chords |
0.1793 |
Standard Triads |
0.6184 |
Diminished and Augmented Triads |
0.006643 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.02053 |
Non-Standard Chords |
0.1818 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.473 |
Average Number of Simultaneous Pitch Classes |
2.876 |
Variability of Number of Simultaneous Pitch Classes |
0.5104 |
Average Number of Simultaneous Pitches |
3.551 |
Variability of Number of Simultaneous Pitches |
0.59 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
33.0 |
Variation of Dynamics |
2.068 |
Variation of Dynamics In Each Voice |
2.028 |
Average Note to Note Change in Dynamics |
2.246 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1774 |
Stepwise Motion |
0.6172 |
Melodic Thirds |
0.1064 |
Melodic Perfect Fourths |
0.06909 |
Melodic Tritones |
0.0009337 |
Melodic Perfect Fifths |
0.03922 |
Melodic Sixths |
0.003735 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.02428 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.78 |
Melodic Embellishments |
0.02605 |
Direction of Melodic Motion |
0.4902 |
Average Length of Melodic Arcs |
1.75 |
Average Interval Spanned by Melodic Arcs |
4.77 |
Melodic Pitch Variety |
4.675 |
Mean Melodic Interval |
2.361 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4398 |
Relative Prevalence of Most Common Melodic Intervals |
0.4034 |
Amount of Arpeggiation |
0.3091 |
Repeated Notes |
0.1391 |
Importance of Middle Register |
0.7321 |
Importance of High Register |
0.0 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
57.25 |
Mean Pitch Class |
5.343 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1116 |
Prevalence of Most Common Pitch Class |
0.1795 |
Relative Prevalence of Top Pitches |
1.0 |
Relative Prevalence of Top Pitch Classes |
0.9378 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.088 |
Pitch Class Variability |
3.506 |
Pitch Class Variability After Folding |
3.073 |
Pitch Skewness |
-0.5652 |
Pitch Class Skewness |
0.2937 |
Pitch Class Skewness After Folding |
0.3696 |
Pitch Kurtosis |
5.65 |
Pitch Class Kurtosis |
4.846 |
Pitch Class Kurtosis After Folding |
7.447 |
Major or Minor |
0.0 |
First Pitch |
52.0 |
First Pitch Class |
4.0 |
Last Pitch |
52.0 |
Last Pitch Class |
4.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
18.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
7.0 |
Number of Common Pitches |
5.0 |
Number of Common Pitch Classes |
0.0 |
Range |
29.0 |
Importance of Bass Register |
0.2679 |
Note Density per Quarter Note |
1.28 |
Note Density per Quarter Note per Voice |
0.3199 |
Note Density per Quarter Note Variability |
0.4551 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01488 |
Prevalence of Medium Rhythmic Values |
0.5953 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8047 |
Prevalence of Very Long Rhythmic Values |
0.05581 |
Prevalence of Dotted Notes |
0.1014 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.753 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4 |
Relative Prevalence of Most Common Rhythmic Values |
0.6674 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.744 |
Rhythmic Value Skewness |
1.296 |
Rhythmic Value Kurtosis |
12.37 |
Mean Rhythmic Value Run Length |
1.828 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.401 |
Mean Rhythmic Value Offset |
0.07442 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.242 |
Complete Rests Fraction |
0.007144 |
Partial Rests Fraction |
0.3286 |
Average Rest Fraction Across Voices |
0.09524 |
Longest Complete Rest |
4.0 |
Longest Partial Rest |
28.0 |
Mean Complete Rest Duration |
3.0 |
Mean Partial Rest Duration |
4.324 |
Median Complete Rest Duration |
4.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
1.414 |
Variability of Partial Rest Durations |
5.161 |
Variability Across Voices of Combined Rests |
51.3 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6021 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2014 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.989 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8035 |
Rhythmic Variability - Tempo Standardized |
0.05195 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1075.0 |
Initial Tempo |
320.0 |
Average Variability of Time Between Attacks for Each Voice |
0.5452 |
Minimum Note Duration |
0.09375 |
Maximum Note Duration |
7.5 |
Average Note Duration |
0.5302 |
Variability of Note Durations |
0.4579 |
Amount of Staccato |
0.01488 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
7.0 |
Number of Relatively Strong Rhythmic Pulses |
6.0 |
Mean Tempo |
320.0 |
Strongest Rhythmic Pulse |
40.0 |
Second Strongest Rhythmic Pulse |
80.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.209 |
Strength of Second Strongest Rhythmic Pulse |
0.2067 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.011 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.4157 |
Rhythmic Variability |
0.03218 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.5 |
Tempo Variability |
0.0 |
Duration in Seconds |
157.5 |
Note Density |
6.825 |
Note Density Variability |
1.763 |
Average Time Between Attacks |
0.3119 |
Average Time Between Attacks for Each Voice |
0.6019 |
Variability of Time Between Attacks |
0.2064 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5172 |
Relative Range Isolation of Loudest Voice |
0.2646 |
Relative Range of Highest Line |
0.5172 |
Relative Note Density of Highest Line |
0.2419 |
Relative Note Durations of Lowest Line |
1.076 |
Relative Size of Melodic Intervals in Lowest Line |
0.5 |
Voice Overlap |
0.907 |
Voice Separation |
5.0 |
Variability of Voice Separation |
3.464 |
Parallel Motion |
0.04659 |
Average Number of Independent Voices |
3.645 |
Similar Motion |
0.1494 |
Contrary Motion |
0.1783 |
Oblique Motion |
0.6257 |
Parallel Fifths |
0.004016 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.5397 |
Voice Equality - Number of Notes |
73.25 |
Voice Equality - Note Duration |
9.619 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.8165 |
Voice Equality - Range |
2.63 |
Importance of Loudest Voice |
0.0 |