| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1991 |
| Prevalence of Second Most Common Vertical Interval |
0.1883 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9455 |
| Vertical Unisons |
0.02851 |
| Vertical Minor Seconds |
0.004646 |
| Vertical Thirds |
0.3083 |
| Vertical Tritones |
0.01196 |
| Vertical Perfect Fourths |
0.1374 |
| Vertical Perfect Fifths |
0.1879 |
| Vertical Sixths |
0.1066 |
| Vertical Sevenths |
0.02909 |
| Vertical Octaves |
0.1598 |
| Perfect Vertical Intervals |
0.5135 |
| Vertical Dissonance Ratio |
0.07712 |
| Vertical Minor Third Prevalence |
0.6193 |
| Vertical Major Third Prevalence |
0.3937 |
| Chord Duration |
1.691 |
| Partial Chords |
0.2823 |
| Standard Triads |
0.4827 |
| Diminished and Augmented Triads |
0.03381 |
| Dominant Seventh Chords |
0.003381 |
| Seventh Chords |
0.03212 |
| Non-Standard Chords |
0.2029 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.928 |
| Average Number of Simultaneous Pitch Classes |
2.713 |
| Variability of Number of Simultaneous Pitch Classes |
0.641 |
| Average Number of Simultaneous Pitches |
3.385 |
| Variability of Number of Simultaneous Pitches |
0.7621 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.687 |
| Variation of Dynamics In Each Voice |
1.694 |
| Average Note to Note Change in Dynamics |
1.776 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1363 |
| Stepwise Motion |
0.5714 |
| Melodic Thirds |
0.121 |
| Melodic Perfect Fourths |
0.06979 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03053 |
| Melodic Sixths |
0.003272 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01963 |
| Melodic Large Intervals |
0.001091 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.707 |
| Melodic Embellishments |
0.01194 |
| Direction of Melodic Motion |
0.4379 |
| Average Length of Melodic Arcs |
1.702 |
| Average Interval Spanned by Melodic Arcs |
4.677 |
| Melodic Pitch Variety |
4.601 |
| Mean Melodic Interval |
2.256 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4351 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4211 |
| Amount of Arpeggiation |
0.3544 |
| Repeated Notes |
0.1832 |
| Importance of Middle Register |
0.6754 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.36 |
| Mean Pitch Class |
5.087 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1433 |
| Prevalence of Most Common Pitch Class |
0.228 |
| Relative Prevalence of Top Pitches |
0.8409 |
| Relative Prevalence of Top Pitch Classes |
0.8476 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.039 |
| Pitch Class Variability |
3.451 |
| Pitch Class Variability After Folding |
3.228 |
| Pitch Skewness |
0.0302 |
| Pitch Class Skewness |
0.0755 |
| Pitch Class Skewness After Folding |
0.444 |
| Pitch Kurtosis |
5.296 |
| Pitch Class Kurtosis |
4.816 |
| Pitch Class Kurtosis After Folding |
7.108 |
| Major or Minor |
0.0 |
| First Pitch |
45.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
16.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.3246 |
| Note Density per Quarter Note |
1.476 |
| Note Density per Quarter Note per Voice |
0.369 |
| Note Density per Quarter Note Variability |
0.6461 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008686 |
| Prevalence of Medium Rhythmic Values |
0.7351 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.785 |
| Prevalence of Very Long Rhythmic Values |
0.01846 |
| Prevalence of Dotted Notes |
0.0684 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.334 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5201 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3967 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.34 |
| Rhythmic Value Skewness |
0.7485 |
| Rhythmic Value Kurtosis |
19.2 |
| Mean Rhythmic Value Run Length |
2.489 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.459 |
| Mean Rhythmic Value Offset |
0.01737 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2632 |
| Complete Rests Fraction |
0.01282 |
| Partial Rests Fraction |
0.3814 |
| Average Rest Fraction Across Voices |
0.1322 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
86.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
6.0 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.97 |
| Variability Across Voices of Combined Rests |
47.03 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6173 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1917 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.22 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8091 |
| Rhythmic Variability - Tempo Standardized |
0.05281 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
921.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6328 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.441 |
| Variability of Note Durations |
0.2782 |
| Amount of Staccato |
0.008686 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
160.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2058 |
| Strength of Second Strongest Rhythmic Pulse |
0.2036 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.011 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4095 |
| Rhythmic Variability |
0.03246 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
117.0 |
| Note Density |
7.872 |
| Note Density Variability |
2.69 |
| Average Time Between Attacks |
0.2936 |
| Average Time Between Attacks for Each Voice |
0.4953 |
| Variability of Time Between Attacks |
0.1462 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5385 |
| Relative Range Isolation of Loudest Voice |
0.25 |
| Relative Range of Highest Line |
0.4615 |
| Relative Note Density of Highest Line |
0.2736 |
| Relative Note Durations of Lowest Line |
1.151 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8925 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.05363 |
| Average Number of Independent Voices |
3.516 |
| Similar Motion |
0.1546 |
| Contrary Motion |
0.1924 |
| Oblique Motion |
0.5994 |
| Parallel Fifths |
0.004206 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7046 |
| Voice Equality - Number of Notes |
39.53 |
| Voice Equality - Note Duration |
8.818 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
1.0 |