| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2651 |
| Prevalence of Second Most Common Vertical Interval |
0.1898 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.716 |
| Vertical Unisons |
0.1061 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.2967 |
| Vertical Tritones |
0.01468 |
| Vertical Perfect Fourths |
0.05896 |
| Vertical Perfect Fifths |
0.08219 |
| Vertical Sixths |
0.1561 |
| Vertical Sevenths |
0.05969 |
| Vertical Octaves |
0.159 |
| Perfect Vertical Intervals |
0.4063 |
| Vertical Dissonance Ratio |
0.164 |
| Vertical Minor Third Prevalence |
0.1678 |
| Vertical Major Third Prevalence |
0.09539 |
| Chord Duration |
1.766 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.651 |
| Variability of Number of Simultaneous Pitch Classes |
0.4766 |
| Average Number of Simultaneous Pitches |
1.789 |
| Variability of Number of Simultaneous Pitches |
0.4077 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.501 |
| Variation of Dynamics In Each Voice |
1.504 |
| Average Note to Note Change in Dynamics |
1.184 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2602 |
| Stepwise Motion |
0.7642 |
| Melodic Thirds |
0.1382 |
| Melodic Perfect Fourths |
0.05691 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.00813 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.25 |
| Melodic Embellishments |
0.024 |
| Direction of Melodic Motion |
0.5042 |
| Average Length of Melodic Arcs |
1.776 |
| Average Interval Spanned by Melodic Arcs |
3.567 |
| Melodic Pitch Variety |
4.874 |
| Mean Melodic Interval |
2.057 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5041 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5161 |
| Amount of Arpeggiation |
0.1789 |
| Repeated Notes |
0.03252 |
| Importance of Middle Register |
0.96 |
| Importance of High Register |
0.04 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
65.17 |
| Mean Pitch Class |
5.016 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.2 |
| Prevalence of Most Common Pitch Class |
0.24 |
| Relative Prevalence of Top Pitches |
0.84 |
| Relative Prevalence of Top Pitch Classes |
0.7 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
4.228 |
| Pitch Class Variability |
3.198 |
| Pitch Class Variability After Folding |
3.983 |
| Pitch Skewness |
0.2157 |
| Pitch Class Skewness |
0.01501 |
| Pitch Class Skewness After Folding |
1.121 |
| Pitch Kurtosis |
5.867 |
| Pitch Class Kurtosis |
4.956 |
| Pitch Class Kurtosis After Folding |
5.058 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
12.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
19.0 |
| Importance of Bass Register |
0.0 |
| Note Density per Quarter Note |
0.8224 |
| Note Density per Quarter Note per Voice |
0.4112 |
| Note Density per Quarter Note Variability |
0.4525 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.032 |
| Prevalence of Medium Rhythmic Values |
0.664 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.552 |
| Prevalence of Very Long Rhythmic Values |
0.04 |
| Prevalence of Dotted Notes |
0.08 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.288 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.416 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5192 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.677 |
| Rhythmic Value Skewness |
0.5153 |
| Rhythmic Value Kurtosis |
9.222 |
| Mean Rhythmic Value Run Length |
1.761 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.127 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.000006853 |
| Partial Rests Fraction |
0.1184 |
| Average Rest Fraction Across Voices |
0.05922 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
2.25 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.7071 |
| Variability Across Voices of Combined Rests |
1.414 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.3885 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2947 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.318 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6832 |
| Rhythmic Variability - Tempo Standardized |
0.04407 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
125.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3333 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
1.5 |
| Average Note Duration |
0.429 |
| Variability of Note Durations |
0.3144 |
| Amount of Staccato |
0.032 |
| Number of Strong Rhythmic Pulses |
7.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.1731 |
| Strength of Second Strongest Rhythmic Pulse |
0.1671 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.036 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3402 |
| Rhythmic Variability |
0.02875 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
28.5 |
| Note Density |
4.386 |
| Note Density Variability |
1.445 |
| Average Time Between Attacks |
0.3101 |
| Average Time Between Attacks for Each Voice |
0.4345 |
| Variability of Time Between Attacks |
0.1888 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.6316 |
| Relative Range Isolation of Loudest Voice |
0.5455 |
| Relative Range of Highest Line |
0.6316 |
| Relative Note Density of Highest Line |
1.088 |
| Relative Note Durations of Lowest Line |
1.079 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.6 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.08065 |
| Average Number of Independent Voices |
1.882 |
| Similar Motion |
0.1613 |
| Contrary Motion |
0.2097 |
| Oblique Motion |
0.5484 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3231 |
| Voice Equality - Number of Notes |
4.95 |
| Voice Equality - Note Duration |
0.2652 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
0.0 |