| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2695 |
| Prevalence of Second Most Common Vertical Interval |
0.1689 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6268 |
| Vertical Unisons |
0.0785 |
| Vertical Minor Seconds |
0.005659 |
| Vertical Thirds |
0.3068 |
| Vertical Tritones |
0.005478 |
| Vertical Perfect Fourths |
0.05515 |
| Vertical Perfect Fifths |
0.09695 |
| Vertical Sixths |
0.2052 |
| Vertical Sevenths |
0.04985 |
| Vertical Octaves |
0.191 |
| Perfect Vertical Intervals |
0.4216 |
| Vertical Dissonance Ratio |
0.07119 |
| Vertical Minor Third Prevalence |
0.1466 |
| Vertical Major Third Prevalence |
0.1202 |
| Chord Duration |
1.873 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.635 |
| Variability of Number of Simultaneous Pitch Classes |
0.4815 |
| Average Number of Simultaneous Pitches |
1.798 |
| Variability of Number of Simultaneous Pitches |
0.4014 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.553 |
| Variation of Dynamics In Each Voice |
1.555 |
| Average Note to Note Change in Dynamics |
1.396 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1856 |
| Stepwise Motion |
0.7665 |
| Melodic Thirds |
0.1018 |
| Melodic Perfect Fourths |
0.02994 |
| Melodic Tritones |
0.005988 |
| Melodic Perfect Fifths |
0.03593 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01198 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.7 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.4403 |
| Average Length of Melodic Arcs |
1.747 |
| Average Interval Spanned by Melodic Arcs |
4.165 |
| Melodic Pitch Variety |
4.231 |
| Mean Melodic Interval |
2.293 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5808 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3196 |
| Amount of Arpeggiation |
0.1976 |
| Repeated Notes |
0.0479 |
| Importance of Middle Register |
0.4852 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
53.4 |
| Mean Pitch Class |
5.367 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1598 |
| Prevalence of Most Common Pitch Class |
0.1893 |
| Relative Prevalence of Top Pitches |
0.8889 |
| Relative Prevalence of Top Pitch Classes |
0.875 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
4.451 |
| Pitch Class Variability |
3.472 |
| Pitch Class Variability After Folding |
3.416 |
| Pitch Skewness |
0.4866 |
| Pitch Class Skewness |
0.317 |
| Pitch Class Skewness After Folding |
0.4261 |
| Pitch Kurtosis |
5.773 |
| Pitch Class Kurtosis |
5.012 |
| Pitch Class Kurtosis After Folding |
6.754 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
12.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
19.0 |
| Importance of Bass Register |
0.5148 |
| Note Density per Quarter Note |
0.8125 |
| Note Density per Quarter Note per Voice |
0.4062 |
| Note Density per Quarter Note Variability |
0.3449 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02367 |
| Prevalence of Medium Rhythmic Values |
0.6923 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6391 |
| Prevalence of Very Long Rhythmic Values |
0.02367 |
| Prevalence of Dotted Notes |
0.04142 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.296 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3373 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9825 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.476 |
| Rhythmic Value Skewness |
0.6012 |
| Rhythmic Value Kurtosis |
9.267 |
| Mean Rhythmic Value Run Length |
1.641 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9482 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.000005008 |
| Partial Rests Fraction |
0.1346 |
| Average Rest Fraction Across Voices |
0.06731 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
12.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
3.111 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.333 |
| Variability Across Voices of Combined Rests |
8.485 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4621 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2658 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.738 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7279 |
| Rhythmic Variability - Tempo Standardized |
0.0462 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
169.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.299 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
1.5 |
| Average Note Duration |
0.4305 |
| Variability of Note Durations |
0.2768 |
| Amount of Staccato |
0.02367 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
54.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.35 |
| Strength of Strongest Rhythmic Pulse |
0.187 |
| Strength of Second Strongest Rhythmic Pulse |
0.1807 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.035 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3678 |
| Rhythmic Variability |
0.03043 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
39.0 |
| Note Density |
4.333 |
| Note Density Variability |
0.7652 |
| Average Time Between Attacks |
0.3288 |
| Average Time Between Attacks for Each Voice |
0.4356 |
| Variability of Time Between Attacks |
0.18 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.7368 |
| Relative Range Isolation of Loudest Voice |
0.3827 |
| Relative Range of Highest Line |
0.7368 |
| Relative Note Density of Highest Line |
0.6627 |
| Relative Note Durations of Lowest Line |
0.9869 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7456 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.1053 |
| Average Number of Independent Voices |
1.865 |
| Similar Motion |
0.2237 |
| Contrary Motion |
0.1842 |
| Oblique Motion |
0.4868 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3413 |
| Voice Equality - Number of Notes |
4.95 |
| Voice Equality - Note Duration |
1.591 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
0.0 |