| Distance Between Two Most Common Vertical Intervals |
9.0 |
| Prevalence of Most Common Vertical Interval |
0.1836 |
| Prevalence of Second Most Common Vertical Interval |
0.1829 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9963 |
| Vertical Unisons |
0.02461 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.2237 |
| Vertical Tritones |
0.0 |
| Vertical Perfect Fourths |
0.01856 |
| Vertical Perfect Fifths |
0.1356 |
| Vertical Sixths |
0.2988 |
| Vertical Sevenths |
0.09746 |
| Vertical Octaves |
0.1583 |
| Perfect Vertical Intervals |
0.3371 |
| Vertical Dissonance Ratio |
0.1634 |
| Vertical Minor Third Prevalence |
0.09474 |
| Vertical Major Third Prevalence |
0.09474 |
| Chord Duration |
1.651 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.7 |
| Variability of Number of Simultaneous Pitch Classes |
0.4583 |
| Average Number of Simultaneous Pitches |
1.832 |
| Variability of Number of Simultaneous Pitches |
0.3742 |
| Most Common Vertical Interval |
9.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.59 |
| Variation of Dynamics In Each Voice |
1.593 |
| Average Note to Note Change in Dynamics |
1.463 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1975 |
| Stepwise Motion |
0.821 |
| Melodic Thirds |
0.1049 |
| Melodic Perfect Fourths |
0.01852 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02469 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.006173 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.833 |
| Melodic Embellishments |
0.006098 |
| Direction of Melodic Motion |
0.4241 |
| Average Length of Melodic Arcs |
1.951 |
| Average Interval Spanned by Melodic Arcs |
4.259 |
| Melodic Pitch Variety |
4.449 |
| Mean Melodic Interval |
2.154 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.6235 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3168 |
| Amount of Arpeggiation |
0.1605 |
| Repeated Notes |
0.02469 |
| Importance of Middle Register |
0.9695 |
| Importance of High Register |
0.03049 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
64.39 |
| Mean Pitch Class |
5.305 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1463 |
| Prevalence of Most Common Pitch Class |
0.1829 |
| Relative Prevalence of Top Pitches |
0.7917 |
| Relative Prevalence of Top Pitch Classes |
0.9667 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
4.891 |
| Pitch Class Variability |
3.873 |
| Pitch Class Variability After Folding |
2.924 |
| Pitch Skewness |
0.007479 |
| Pitch Class Skewness |
0.2362 |
| Pitch Class Skewness After Folding |
0.1126 |
| Pitch Kurtosis |
5.141 |
| Pitch Class Kurtosis |
4.724 |
| Pitch Class Kurtosis After Folding |
8.091 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
12.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
6.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
19.0 |
| Importance of Bass Register |
0.0 |
| Note Density per Quarter Note |
0.8542 |
| Note Density per Quarter Note per Voice |
0.4271 |
| Note Density per Quarter Note Variability |
0.3899 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.7683 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6159 |
| Prevalence of Very Long Rhythmic Values |
0.01829 |
| Prevalence of Dotted Notes |
0.06098 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.122 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3841 |
| Relative Prevalence of Most Common Rhythmic Values |
1.0 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.456 |
| Rhythmic Value Skewness |
0.2513 |
| Rhythmic Value Kurtosis |
20.53 |
| Mean Rhythmic Value Run Length |
1.885 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.243 |
| Mean Rhythmic Value Offset |
0.02439 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3123 |
| Complete Rests Fraction |
0.01042 |
| Partial Rests Fraction |
0.1563 |
| Average Rest Fraction Across Voices |
0.08334 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
16.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
3.556 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.667 |
| Variability Across Voices of Combined Rests |
11.31 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4818 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2643 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.823 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7461 |
| Rhythmic Variability - Tempo Standardized |
0.04745 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
164.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3238 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4024 |
| Variability of Note Durations |
0.3082 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
160.0 |
| Second Strongest Rhythmic Pulse |
54.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.963 |
| Strength of Strongest Rhythmic Pulse |
0.1838 |
| Strength of Second Strongest Rhythmic Pulse |
0.1826 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.007 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3664 |
| Rhythmic Variability |
0.03054 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
36.0 |
| Note Density |
4.556 |
| Note Density Variability |
2.126 |
| Average Time Between Attacks |
0.3051 |
| Average Time Between Attacks for Each Voice |
0.4094 |
| Variability of Time Between Attacks |
0.1377 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.8947 |
| Relative Range Isolation of Loudest Voice |
0.7778 |
| Relative Range of Highest Line |
0.8947 |
| Relative Note Density of Highest Line |
0.8293 |
| Relative Note Durations of Lowest Line |
1.057 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.5488 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.1 |
| Average Number of Independent Voices |
1.853 |
| Similar Motion |
0.1667 |
| Contrary Motion |
0.1667 |
| Oblique Motion |
0.5667 |
| Parallel Fifths |
0.01111 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3545 |
| Voice Equality - Number of Notes |
11.31 |
| Voice Equality - Note Duration |
2.121 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
4.95 |
| Importance of Loudest Voice |
0.0 |