| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1969 |
| Prevalence of Second Most Common Vertical Interval |
0.1912 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.971 |
| Vertical Unisons |
0.02511 |
| Vertical Minor Seconds |
0.004025 |
| Vertical Thirds |
0.299 |
| Vertical Tritones |
0.007106 |
| Vertical Perfect Fourths |
0.1384 |
| Vertical Perfect Fifths |
0.1969 |
| Vertical Sixths |
0.1135 |
| Vertical Sevenths |
0.01714 |
| Vertical Octaves |
0.166 |
| Perfect Vertical Intervals |
0.5264 |
| Vertical Dissonance Ratio |
0.06515 |
| Vertical Minor Third Prevalence |
0.5742 |
| Vertical Major Third Prevalence |
0.512 |
| Chord Duration |
1.828 |
| Partial Chords |
0.2456 |
| Standard Triads |
0.5596 |
| Diminished and Augmented Triads |
0.02035 |
| Dominant Seventh Chords |
0.002907 |
| Seventh Chords |
0.02471 |
| Non-Standard Chords |
0.1701 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7073 |
| Average Number of Simultaneous Pitch Classes |
2.766 |
| Variability of Number of Simultaneous Pitch Classes |
0.5979 |
| Average Number of Simultaneous Pitches |
3.505 |
| Variability of Number of Simultaneous Pitches |
0.6744 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.739 |
| Variation of Dynamics In Each Voice |
1.737 |
| Average Note to Note Change in Dynamics |
1.915 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1328 |
| Stepwise Motion |
0.5642 |
| Melodic Thirds |
0.1251 |
| Melodic Perfect Fourths |
0.05049 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05159 |
| Melodic Sixths |
0.001098 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01098 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.151 |
| Melodic Embellishments |
0.02077 |
| Direction of Melodic Motion |
0.4727 |
| Average Length of Melodic Arcs |
1.679 |
| Average Interval Spanned by Melodic Arcs |
4.525 |
| Melodic Pitch Variety |
4.263 |
| Mean Melodic Interval |
2.184 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4314 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4555 |
| Amount of Arpeggiation |
0.3842 |
| Repeated Notes |
0.1965 |
| Importance of Middle Register |
0.9071 |
| Importance of High Register |
0.07104 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
64.69 |
| Mean Pitch Class |
5.091 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1355 |
| Prevalence of Most Common Pitch Class |
0.1803 |
| Relative Prevalence of Top Pitches |
0.8629 |
| Relative Prevalence of Top Pitch Classes |
0.9515 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.476 |
| Pitch Class Variability |
3.478 |
| Pitch Class Variability After Folding |
3.251 |
| Pitch Skewness |
0.1575 |
| Pitch Class Skewness |
0.07824 |
| Pitch Class Skewness After Folding |
1.134 |
| Pitch Kurtosis |
5.518 |
| Pitch Class Kurtosis |
4.838 |
| Pitch Class Kurtosis After Folding |
7.236 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.02186 |
| Note Density per Quarter Note |
1.271 |
| Note Density per Quarter Note per Voice |
0.3177 |
| Note Density per Quarter Note Variability |
0.5011 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02186 |
| Prevalence of Medium Rhythmic Values |
0.5814 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8164 |
| Prevalence of Very Long Rhythmic Values |
0.04262 |
| Prevalence of Dotted Notes |
0.07978 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.772 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3978 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7802 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.706 |
| Rhythmic Value Skewness |
1.357 |
| Rhythmic Value Kurtosis |
13.51 |
| Mean Rhythmic Value Run Length |
1.894 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.417 |
| Mean Rhythmic Value Offset |
0.03497 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3726 |
| Complete Rests Fraction |
0.01667 |
| Partial Rests Fraction |
0.3028 |
| Average Rest Fraction Across Voices |
0.1083 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
3.0 |
| Mean Partial Rest Duration |
3.805 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.155 |
| Variability of Partial Rest Durations |
5.859 |
| Variability Across Voices of Combined Rests |
22.33 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6168 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1871 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.297 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.804 |
| Rhythmic Variability - Tempo Standardized |
0.05248 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
915.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5955 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.5262 |
| Variability of Note Durations |
0.3604 |
| Amount of Staccato |
0.02186 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.215 |
| Strength of Second Strongest Rhythmic Pulse |
0.2041 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.053 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4191 |
| Rhythmic Variability |
0.03252 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
135.0 |
| Note Density |
6.778 |
| Note Density Variability |
1.41 |
| Average Time Between Attacks |
0.3194 |
| Average Time Between Attacks for Each Voice |
0.5867 |
| Variability of Time Between Attacks |
0.2372 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5517 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5517 |
| Relative Note Density of Highest Line |
0.3016 |
| Relative Note Durations of Lowest Line |
1.11 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8765 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
3.0 |
| Parallel Motion |
0.07372 |
| Average Number of Independent Voices |
3.627 |
| Similar Motion |
0.1344 |
| Contrary Motion |
0.1605 |
| Oblique Motion |
0.6314 |
| Parallel Fifths |
0.003567 |
| Parallel Octaves |
0.007134 |
| Variability of Number of Independent Voices |
0.6439 |
| Voice Equality - Number of Notes |
29.34 |
| Voice Equality - Note Duration |
4.187 |
| Voice Equality - Dynamics |
0.5774 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
0.6667 |