| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2557 |
| Prevalence of Second Most Common Vertical Interval |
0.1425 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.5572 |
| Vertical Unisons |
0.08894 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.2513 |
| Vertical Tritones |
0.00763 |
| Vertical Perfect Fourths |
0.02746 |
| Vertical Perfect Fifths |
0.1274 |
| Vertical Sixths |
0.2655 |
| Vertical Sevenths |
0.03778 |
| Vertical Octaves |
0.1667 |
| Perfect Vertical Intervals |
0.4105 |
| Vertical Dissonance Ratio |
0.07841 |
| Vertical Minor Third Prevalence |
0.1236 |
| Vertical Major Third Prevalence |
0.09543 |
| Chord Duration |
2.101 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.651 |
| Variability of Number of Simultaneous Pitch Classes |
0.4768 |
| Average Number of Simultaneous Pitches |
1.794 |
| Variability of Number of Simultaneous Pitches |
0.4042 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.773 |
| Variation of Dynamics In Each Voice |
1.779 |
| Average Note to Note Change in Dynamics |
1.941 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1557 |
| Stepwise Motion |
0.6587 |
| Melodic Thirds |
0.1317 |
| Melodic Perfect Fourths |
0.1078 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04192 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02395 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.2 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.4161 |
| Average Length of Melodic Arcs |
1.594 |
| Average Interval Spanned by Melodic Arcs |
4.485 |
| Melodic Pitch Variety |
4.938 |
| Mean Melodic Interval |
2.737 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.503 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3095 |
| Amount of Arpeggiation |
0.2335 |
| Repeated Notes |
0.03593 |
| Importance of Middle Register |
0.574 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
53.95 |
| Mean Pitch Class |
5.438 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1893 |
| Prevalence of Most Common Pitch Class |
0.2012 |
| Relative Prevalence of Top Pitches |
0.8125 |
| Relative Prevalence of Top Pitch Classes |
0.8824 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
4.177 |
| Pitch Class Variability |
3.419 |
| Pitch Class Variability After Folding |
3.237 |
| Pitch Skewness |
-0.255 |
| Pitch Class Skewness |
0.3842 |
| Pitch Class Skewness After Folding |
0.3181 |
| Pitch Kurtosis |
5.927 |
| Pitch Class Kurtosis |
4.989 |
| Pitch Class Kurtosis After Folding |
7.328 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
12.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
19.0 |
| Importance of Bass Register |
0.426 |
| Note Density per Quarter Note |
0.6814 |
| Note Density per Quarter Note per Voice |
0.3407 |
| Note Density per Quarter Note Variability |
0.3873 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6509 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.645 |
| Prevalence of Very Long Rhythmic Values |
0.1302 |
| Prevalence of Dotted Notes |
0.3077 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.778 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2959 |
| Relative Prevalence of Most Common Rhythmic Values |
0.66 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.931 |
| Rhythmic Value Skewness |
1.209 |
| Rhythmic Value Kurtosis |
7.153 |
| Mean Rhythmic Value Run Length |
1.742 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.139 |
| Mean Rhythmic Value Offset |
0.03254 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.06427 |
| Complete Rests Fraction |
0.0000042 |
| Partial Rests Fraction |
0.129 |
| Average Rest Fraction Across Voices |
0.06452 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
3.556 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.944 |
| Variability Across Voices of Combined Rests |
5.657 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
6.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4369 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1125 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.885 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.5494 |
| Rhythmic Variability - Tempo Standardized |
0.03812 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
169.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4345 |
| Minimum Note Duration |
0.1246 |
| Maximum Note Duration |
1.5 |
| Average Note Duration |
0.5148 |
| Variability of Note Durations |
0.3666 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
13.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2113 |
| Strength of Second Strongest Rhythmic Pulse |
0.179 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.181 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3903 |
| Rhythmic Variability |
0.02764 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
46.5 |
| Note Density |
3.634 |
| Note Density Variability |
1.614 |
| Average Time Between Attacks |
0.3657 |
| Average Time Between Attacks for Each Voice |
0.5298 |
| Variability of Time Between Attacks |
0.2089 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.6316 |
| Relative Range Isolation of Loudest Voice |
0.4699 |
| Relative Range of Highest Line |
0.6316 |
| Relative Note Density of Highest Line |
0.6746 |
| Relative Note Durations of Lowest Line |
1.005 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.6923 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.08046 |
| Average Number of Independent Voices |
1.871 |
| Similar Motion |
0.2069 |
| Contrary Motion |
0.1379 |
| Oblique Motion |
0.5747 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3352 |
| Voice Equality - Number of Notes |
2.121 |
| Voice Equality - Note Duration |
1.061 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
0.0 |