File

Last modified on: April 19, 2024, 6:01 p.m.

La_Rue_Missa_Ave_Sanctissima_Maria_-_Gloria_-_Qui_tollis.mid


Source
Josquin Research Project
Musical Work
Missa Ave sanctissima Maria
Section
Gloria (Qui tollis)
File Type
Symbolic Music
File Format
.mid
File Size
1.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2798
Prevalence of Second Most Common Vertical Interval 0.1779
Prevalence Ratio of Two Most Common Vertical Intervals 0.6358
Vertical Unisons 0.1206
Vertical Minor Seconds 0.01544
Vertical Thirds 0.2926
Vertical Tritones 0.00509
Vertical Perfect Fourths 0.02086
Vertical Perfect Fifths 0.06191
Vertical Sixths 0.1905
Vertical Sevenths 0.07193
Vertical Octaves 0.1592
Perfect Vertical Intervals 0.3626
Vertical Dissonance Ratio 0.1825
Vertical Minor Third Prevalence 0.1466
Vertical Major Third Prevalence 0.09483
Chord Duration 2.052
Partial Chords 1.0
Standard Triads 0.0
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.0
Complex Chords 0.0
Minor Major Triad Ratio 0.0
Average Number of Simultaneous Pitch Classes 1.599
Variability of Number of Simultaneous Pitch Classes 0.4901
Average Number of Simultaneous Pitches 1.728
Variability of Number of Simultaneous Pitches 0.4448
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 4.0
Variation of Dynamics 1.663
Variation of Dynamics In Each Voice 1.668
Average Note to Note Change in Dynamics 1.66
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1847
Stepwise Motion 0.7516
Melodic Thirds 0.1083
Melodic Perfect Fourths 0.03822
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.0
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.4
Melodic Embellishments 0.01258
Direction of Melodic Motion 0.4255
Average Length of Melodic Arcs 1.88
Average Interval Spanned by Melodic Arcs 3.853
Melodic Pitch Variety 4.291
Mean Melodic Interval 1.866
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.5669
Relative Prevalence of Most Common Melodic Intervals 0.3258
Amount of Arpeggiation 0.2102
Repeated Notes 0.1019
Importance of Middle Register 0.566
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 4.0
Mean Pitch 53.87
Mean Pitch Class 5.648
Most Common Pitch 55.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1572
Prevalence of Most Common Pitch Class 0.1761
Relative Prevalence of Top Pitches 0.96
Relative Prevalence of Top Pitch Classes 0.9643
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 2.0
Pitch Variability 4.443
Pitch Class Variability 3.538
Pitch Class Variability After Folding 3.339
Pitch Skewness -0.1996
Pitch Class Skewness 0.5492
Pitch Class Skewness After Folding 0.5481
Pitch Kurtosis 5.784
Pitch Class Kurtosis 4.969
Pitch Class Kurtosis After Folding 6.786
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 13.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 0.0
Range 21.0
Importance of Bass Register 0.434
Note Density per Quarter Note 0.6853
Note Density per Quarter Note per Voice 0.3427
Note Density per Quarter Note Variability 0.3223
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5786
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.6792
Prevalence of Very Long Rhythmic Values 0.05031
Prevalence of Dotted Notes 0.1572
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.616
Most Common Rhythmic Value 1.0
Prevalence of Most Common Rhythmic Value 0.3208
Relative Prevalence of Most Common Rhythmic Values 0.8039
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.848
Rhythmic Value Skewness 1.001
Rhythmic Value Kurtosis 14.12
Mean Rhythmic Value Run Length 1.574
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.089
Mean Rhythmic Value Offset 0.05031
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4472
Complete Rests Fraction 0.00000449
Partial Rests Fraction 0.1724
Average Rest Fraction Across Voices 0.08621
Longest Complete Rest 0.0
Longest Partial Rest 16.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 4.444
Median Complete Rest Duration 0.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 4.447
Variability Across Voices of Combined Rests 11.31
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4414
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2812
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.57
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7225
Rhythmic Variability - Tempo Standardized 0.04641
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 159.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.4914
Minimum Note Duration 0.1875
Maximum Note Duration 3.0
Average Note Duration 0.5
Variability of Note Durations 0.4006
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 54.0
Harmonicity of Two Strongest Rhythmic Pulses 1.481
Strength of Strongest Rhythmic Pulse 0.1914
Strength of Second Strongest Rhythmic Pulse 0.1741
Strength Ratio of Two Strongest Rhythmic Pulses 1.1
Combined Strength of Two Strongest Rhythmic Pulses 0.3655
Rhythmic Variability 0.03033
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 43.5
Note Density 3.655
Note Density Variability 0.8479
Average Time Between Attacks 0.3469
Average Time Between Attacks for Each Voice 0.5159
Variability of Time Between Attacks 0.1976
Maximum Number of Independent Voices 2.0
Relative Range of Loudest Voice 0.6667
Relative Range Isolation of Loudest Voice 0.3158
Relative Range of Highest Line 0.6667
Relative Note Density of Highest Line 0.717
Relative Note Durations of Lowest Line 0.9942
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.7421
Voice Separation 6.0
Variability of Voice Separation 0.0
Parallel Motion 0.08108
Average Number of Independent Voices 1.828
Similar Motion 0.08108
Contrary Motion 0.1486
Oblique Motion 0.6892
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.3777
Voice Equality - Number of Notes 4.95
Voice Equality - Note Duration 2.121
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.414
Importance of Loudest Voice 0.0